SKU: HL.48011697
UPC: 073999862683.
SKU: HL.14017938
SKU: MB.98420M
ISBN 9780786696864. 8.75 x 11.75 inches.
Dix Bruce is a musician, writer, and journeyman mandolinist with a strong belief in teaching a wide range of material, from bluegrass and jazz standards to classics, waltzes, polkas, and other ethnic music. This book is not meant to be a mandolin method but a collection of fun tunes to play. The selections in this book are in no particular order, although the easier tunes are grouped toward the front. Performance tips are given at the front of the book for each tune. All the tunes are in notation and tablature. Includes access to online audio that is set up so that you can play along with each tune at both regular and slow speeds. You can also adjust the balance control on your stereo to hear both mandolin lead and accompaniment, just mandolin lead, or just accompaniment.
SKU: BT.MUSAM966702
ISBN 9780711984196. English.
Step into the spotlight and play along with the superb backing tracks on the specially recorded CD. Ten great blues numbers arranged for Tenor Saxophone by Paul Honey. CD includes full performance versions and backingtrackversions.
SKU: HL.695101
ISBN 9780793568772. UPC: 073999951011. 9.0x12.0x0.225 inches. Mac Robertson, Robbie Clement, and Will Schmid.
Authored by Mac Robertson, Robbie Clement & Will Schmid, this innovative method teaches 5-string, bluegrass style banjo. Covers easy chord strums for the beginner; learning tablature; right-hand rolls characteristic of bluegrass; techniques such as hammer-on, slide and pull-off. This edition also includes 97 tracks of full-band demos covering every music example in the book. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
SKU: CL.012-3826-01
Place this holiday standard in a hard-driving rock setting, with occasional turns into Calypso territory, and the result is one very unique arrangement that will be the hit of your holiday performances! Lots of percussion (with an opt. drum set part) provides the infectious rhythmic drive. Guaranteed to get both the attention and approval of your audiences, this arrangement is the something different at Christmas this year you've been looking for.
SKU: FP.FWP02
ISBN 979-0-57050-313-1.
A former professor at the Royal College of Music, Percy Whitehead's albums are gems of rhythmic balance, melodic vitality and always lively subject matter. This ever popular album features 18 short pieces about cats, depicting every kind of feline mood. Suggested grade 0-1.
SKU: CF.YAS15
ISBN 9780825851995. UPC: 798408051990. 8.5 X 11 inches. Key: D minor.
Lower strings be sure to maintain a steady pulse and dont rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 121. If the soloist is comfortable using third position, play mm. 119 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen.Lower strings be sure to maintain a steady pulse and donat rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1a21. If the soloist is comfortable using third position, play mm. 1a19 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen.Lower strings be sure to maintain a steady pulse and don't rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1-21. If the soloist is comfortable using third position, play mm. 1-19 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen.Lower strings be sure to maintain a steady pulse and don’t rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1–21. If the soloist is comfortable using third position, play mm. 1–19 and the first half of m. 20 one octave higher.All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance.String editing by Amy Rosen.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: BR.EB-8986
ISBN 9790004187159. 0 x 0 inches. German.
Songs are part of the childhood. This collection aims to offer a variety of songs for string ensembles, such as young string orchestras or string classes. Included are older and newer songs, songs of various origins, and songs for different occasions and with themes ranging from animals to seasons and times of day to tongue-in-cheek scary subjects.Taking up the motif of diversity in their own way, the six-part arrangements are not confined to the usual cadence harmonies and accompaniment forms, There is something special to discover in each of the songs. Small vignettes with lyrics to them are found in the parts, and can be taken up in rehearsals and lessons.The songs begin with fingering positions and bowing techniques that are usually learned at the beginning of lessons, then gradually increase in difficulty, though the booklet as a whole is set at the elementary level. Suggestions for improvisation and pieces for practicing certain requirements round out the booklet. Special emphasis is placed on playing together - true to the title: Together on Strings!
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version