SKU: MN.80-854
UPC: 688670808548.
Tu es Petrus (you are Peter, the rock) is based on a Gregorian antiphon for the Feast of Saints Peter and Paul/Feast of the Chair of Peter. The piece was composed specifically to fit the parameters and setting of a Papal audience, with a brief performance time. In six-parts with octave doublings, it makes a big a cappella sound for a big space. A powerful new choice for pilgrim choirs to Rome!
SKU: SU.80604080
SSATBB a cappella Composed: 1964 Published by: E.B. Marks Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: OU.9780193566996
ISBN 9780193566996. 10 x 7 inches.
For SSATBB unaccompanied This song skillfully blends a classic poem, Christina Rossetti's Uphill, with a relaxed, lightly jazzy style. Expanding from three- to six-part harmony, the chordal texture allows for strong annunciation of this well-known text. Chydenius's opening direction 'Swung, yet profound' encapsulates the essence of this work.
SKU: HL.288472
ISBN 9788759841150. UPC: 888680911348. 8.5x11 inches.
Maja S. K. Ratkje's A Dismantled Ode To The Moral Value Of Art for 6 Part Chorus.
It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, it appears in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And the prisoners in German concentration camps played it. It also figured prominently at Mitterand's 1981 investiture. In 2012, we celebrate the Ode to Joy's 40 years anniversary as National Anthem of the EU.
SKU: HL.48022634
ISBN 9780851627571. 7.25x10.25x0.05 inches.
Close harmony arrangement of a traditional Christmas text by the former member, and later musical director, of the Swingle Singers, Carol Canning.
SKU: HL.48025402
UPC: 196288201038.
Short motet commissioned by St DominicÂ’s Sixth Form College, Harrow-on-the-Hill, UK, to celebrate its 40th anniversary. MacMillan chose a text which is entirely appropriate to young people about to be let loose on the world to fulfil their potential: 'Be who God meant you to be and you will set the world on fire'. But where another composer might have made this a fanfare MacMillan writes with the gentleness of sincerity. The music is very straightforward and in wanting a solo soprano line he outlines all the ways this can be achieved: soloist, group of sopranos, or all the sopranos if the altos can be split into two. The choir repeats the mantra text above throughout the motet, while the soprano solo line is given the prayer which follows. Only at the very end do they all join together in the words 'Jesus, love, Jesus, love' with a lovely E major ending.
