SKU: JK.01079
Bold, majestic hymn arrangement for full chorus (SSAATTBB), soprano soloist, and piano accompaniment--adding new dimension to the traditional hymn with modern, rich harmonies and interludes. Soprano high note: high B flat.Composer: Traditional Arranger: Rob Millett Lyrics: Traditional Difficulty: Medium-difficult Performance Time: 3:20Romans 5:2, 15, 17, 20-21, Acts 15:11.
SKU: HL.48022657
Guts and Grace considers courage and determination as essentially private qualities, mothered by dark necessity, but on occasion needing to step up publicly, especially in the sporting arena, and roar. This movement is intense and charged with emotion and gives opportunity for sections of the choir to shine individually, as well as a beautiful, soaring soprano solo section in the middle.
SKU: HL.14018362
7.25x10.0x0.106 inches.
For unaccompanied chorus SSAATTBB. Text: Edmund Spenser. The Hill Of The Graces was commissioned by the BBC, and was first performed on 20th October 1975 as part of a concert given by the BBC singers to mark the 50th anniversary of their first unaccompanied recital.
SKU: SU.80400630
SSAATTBB Chorus & OrganDuration: 5:00 Commissioned by: Donald RunniclesDedication: In Honor of The Very Reverend Alan Jones, seventh Dean of Grace Cathedral San Francisco, 1985-2009Premiered by: The Grace Cathedral ServiceCopyright 2008Text author: Luke 2: 29-32 SSAATTBB Chorus & Organ Published by: Paulus Publications (SP515) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: SU.80400620
SSAATTBB Chorus & OrganDuration: 5:00 Commissioned by: Donald RunniclesDedication: In Honor of The Very Reverend Alan Jones, seventh Dean of Grace Cathedral San Francisco, 1985-2009Premiered by: The Grace Cathedral ServiceCopyright 2008Text author: Luke 1: 45-55 Published by: Paulus Publications (SP514) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: JK.00654
Mosiah 3:5-8, John 15:13.
Sacred hymn arrangement for mixed chorus (SSAATTBB) and piano, in B flat (two flats). High note: A.Composer: Charles H. Gabriel Arranger: Ann Kapp Andersen Lyricist: Charles H. Gabriel Difficulty: Medium Performance time: 3:30Reference: Mosiah 3:5-8, John 15:13.
SKU: JK.00804
Numbers 6:23-26.
Arranged for mixed chorus (SSAATTBB) and piano, with text from A Gaelic Blessing and Numbers 6:23-26, sung as a prayer to the Lord to bless us in all we do.Composer: Richard W. Smith Difficulty: Medium-difficult / medium-difficult acc. Performance time: 2:30Reference: Numbers 6:23-26.
SKU: PE.EP68578
ISBN 9790300759630. English.
Of Time and Passing (2016) is a cycle of three choral songs written specifically for the London-based ensemble, VOCES8, taking into consideration their versatilityand ability to beautifully intone a range of vocal colors with precision and grace.
The first song, I. Life, sets my translation of the poem A Vida by Brazilian poet Olavo Bilac (1865-1918), a poet I discovered while studying Brazilian Portuguese at the University of Michigan. I was drawn both to the simplicity of the text and to the possibilities of teasing out dual contrasting moods. In the beginning and end, this song explores a texture that is very much alive: wave-like contours, throbbing sounds, and plenty of flowing movement. Rising eighth-note motives in particular emphasize the fleetingness of life. But in the middle of the song, the listener is given a slowed-down atmosphere to savor life's beauty.
II. To Everything a Season capitalizes on VOCES8's ability to effectively interpret popular genres a cappella. This ancient text is taken from Ecclesiastes (dated around 300 B.C.) but I set it to a modern, rhythmically-regular and percussive pop-style idiom. Since popular music in whatever era is designedto appeal to a specific ?present time?, it is by its very nature ephemeral, and therefore seemed an apt metaphor to evoke the transitory nature of seasons.
III. Into Your Hands, confines the writing into no more than four parts, often with octave unisons.This creates a more direct and word-focused setting in which the Psalmist?s urgent words are placed at the forefront. Largely homophonic, this song is at times chorale-like, at times madrigal-like,finally relinquishing it?s tension into peaceful rest, proclaiming ?You have redeemed me, O Lord, faithful God??
- Daniel Knaggs
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