SKU: AP.1-ADV7666
ISBN 9783892217275. UPC: 805095076660. English.
Three-movement suite for SATB saxophone quartet. The first movement simply spins out a five-note shape in an improvisatory fashion. The second movement attempts to offer a poignant introspection to the outside movements. The third movement is a microtonally compressed treatment of the original five-note shape of the first movement. Though completely notated, the ideas and development are conceived in an improvisatory fashion.
SKU: AP.1-ADV7662
UPC: 805095076622. English.
Three Improvisations has been revised by the composer, Phil Woods, and has been re-typeset in 2001.
SKU: M7.DOHR-17674
ISBN 9790202036747.
Vier im Charakter sehr unterschiedliche englische Weihnachtslieder wurden hier zu einem wirkungsvollen festlichen Rondo zusammengestellt: Once in royal David's city (Melodie von Henry Gauntlett) bildet den Refrain. Dazwischen stehen drei traditionelle englische Weihnachtslieder: Here we come a-wassailing God rest you merry, gentlemen I saw three ships come sailing (Albert Loritz).
SKU: AP.1-ADV7603
UPC: 805095076035. English.
A Klezmer Wedding is a set of four dances, newly-composed but based on traditional models. The Doina is an expressive chant for three successive soloists; it twists and turns with the wailing lament of a shepherd's pipe. Next follows the Hora, a slow Rumanian dance in three with a mood that reflects the wedding's solemn vows. A Chusidl, with a moderate speed and bouncy rhythms, gets the party to the dance floor. The concluding Freylach (happy, but still in a minor key!) takes the bride, groom, and guests to the edge of frenzy. Titles: Chusidl * Doina * Hora * Freylach.
SKU: HL.48183857
UPC: 888680861193. 0.11 inches.
“Spanish pianist and composer, Isaac Albéniz (1860-1909) was a child prodigy. He passed the Piano entrance exam for the Paris Conservatoire at age seven, but he was refused entry due to his young age. He composed many works containing Spanish influence, Three Pieces for Saxophone Quartet being no exception. When he was 16, Albéniz studied at the Leipzig Conservatory and the Royal Conservatory of Brussels. His concert career saw him perform all over the world. The Three Pieces are, 1) Love Song, 2) Berceuse, and 3) Summer. This collection, adapted for Saxophone Quartet by Marcel Mule is a sublime addition to the ensemble's repertoire. â€.
SKU: AP.1-ADV7675
UPC: 805095076752. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Soft Shadows of the Night features the alto saxophone in a quasi Bolero setting. The piece conveys a feeling of a big city in the tranquil pre-dawn hours---hence the title. Arranged for saxophone quartet (SATBar).
SKU: AP.1-ADV7676
ISBN 9783892217374. UPC: 805095076769. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Trance Dance, is a rhythmically grooving 12/8 feel that features the tenor and baritone saxophones.
SKU: AP.1-ADV7416
UPC: 805095074161. English.
This original composition features a jaunty rhythmic conversation between the baritone and the three other voices, an infectious melody, and an improvised jazz solo for soprano saxophone. Arranged for SATB saxophone quartet.
SKU: AP.1-ADV7674
ISBN 9783892217350. UPC: 805095076745. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. The first movement, subtitled Danse Macabre, is ominous, dark, sometimes bluesy, and is propelled along by the use of intricate counterpoint and an improvised sounding solo section for the tenor saxophone.
SKU: AP.1-ADV7408
ISBN 9783892215639. UPC: 805095074086. English.
The Pavane for a Dead Princess is considered to be one of Ravel's most popular works. The solemn and stately court dance strutting along in an even pulse turns into a melancholic, yet not sombre dirge. The arrangement on hand is in line with the orchestral version written by Ravel himself in 1910 and constitutes part of the series Ravel for Saxophone Quartet including publications of, among others, Ma Mère L'Oye (Mother Goose), Trois Chansons (Three Songs), and Le Tombeau de Couperin.
SKU: AP.1-ADV7661
ISBN 9783892217220. UPC: 805095076615. English.
This four-movement work was originally composed for the New York Saxophone Quartet. Three movements are through-composed and playable by good high school groups; the second movement requires good improvisational skills by all four players.
SKU: AP.1-ADV7465
ISBN 9783892218241. UPC: 805095074659. English.
Featuring three distinct movements in contrasting styles---Adagio * Grave * Allegro---this quartet adaptation of an 18th century masterwork gives everyone equal responsibility for presenting technically challenging passages and produces antiphonal effects when they play in opposing pairs. Detailed historic notes are included.
SKU: BT.DHP-1196073-070
ISBN 9789043157650. English-German-French-Dutch.
Ennio Morricone is one of the most legendary film music composers of all time. Robert van Beringen has arranged three of Morricone’s best-known themes ‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ and ‘Cinema Paradiso’ in a quartet arrangement that enables any ensemble to get acquainted with this incredible music. Ennio Morricone is een van de meest legendarische filmmuziekcomponisten aller tijden. Robert van Beringen heeft drie van Morricones bekendste thema’s (‘Once Upon a Time in the West’, ‘Gabriel’s Oboe’ en ‘Cinema Paradiso‘) verwerkt in een arrangement voor saxofoonkwartet dat het elk ensemble mogelijk maakt om deze prachtige muziek te leren kennen. Ennio Morricone ist einer der berühmtesten Filmkomponisten. Robert van Beringen hat drei von Morricones bekanntesten Themen Once Upon a Time in the West, Gabriel’s Oboe und Cinema Paradiso für Quartett arrangiert, so dass jedes Ensemble diese fantastische Musik spielen kann. Ennio Morricone est l’un des compositeurs de musique de film les plus légendaires de tous les temps. Cet arrangement pour quatuor de Robert van Beringen de trois des thèmes les plus connus de Morricone (Once Upon a Time in the West, Gabriel’s Oboe et Cinema Paradiso) permettra chaque ensemble de découvrir cette musique extraordinaire.
SKU: AP.1-ADV7613
ISBN 9783892213680. UPC: 805095076134. English.
A unique three-movement suite. Each movement can be performed individually. Titles: Lebedik un Freylach * Rebn´s Tanz * Freylacher Bulgar.
SKU: AP.1-ADV7657
UPC: 805095076578. English.
Inspired by John Williams' film score for Catch Me if You Can, this creative original features three contrasting movements that can be performed as a complete work or programmed separately. Each movement has a recurring theme, often modified with augmentation, agogic accents, jazz-influenced solos, meter changes, and improvised solo cadenzas.
SKU: AP.1-ADV7436
UPC: 805095074369. English.
These three songs date from 1914--1915 and were arranged for four a cappella voices by Maurice Ravel immediately after he had written the music. The songs represent Ravel's sole contribution to choral literature. Titles: Nicolette * Trois beaux oiseaux du Paradis * Ronde.
SKU: AP.1-ADV7663
UPC: 805095076639. English.
This piece could be best described as a classically constructed piece with a jazz attitude. The tonal language has more to do with 20th century chamber music than jazz, as do the form and the structure of the movements. The rhythmic language probably comes more from jazz than from the classical area, although at times the piece could go either way. The same could be said for the phrasing and articulation.
SKU: AP.1-ADV7604
ISBN 9783892216704. UPC: 805095076042. English.
A three movement, through-composed blues suite.
SKU: AP.1-ADV7449
UPC: 805095074499. English.
Based on a traditional Hungarian tune, this groovin' piece includes short written solos for the top three voices and requires that all parts be played with rhythmic precision. Playing with crisp articulation and careful attention to accents is also essential for a convincing performance.
SKU: HL.48024645
ISBN 9781784544034. UPC: 888680949099.
In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parkers playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.
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