SKU: HL.48011418
UPC: 073999837377. 9.0x12.0x0.135 inches.
Contents: The Tadpole's Tale * Alastair Arbuthnot Has No Hat * Trot Along * Tweedledum and Tweedledee * Pizzicato Pie * If All the World Were Paper * G String March * Over the Moon * Polka * Mad as a Hatter * On the Ice * Li'l Liza Jane * Dance to your Daddy * The First Waltz * Chicken-Feed * Octopiece * Flag Dance * Promenade * Hungarian Folk Song * Drink to Me Only * Square Dance * Cossack Lullaby * Whirlpool Waltz * Rigadoon * Minuet and Trio * Landler * Christ Church Bells.
SKU: HL.44005956
UPC: 884088044268. 9x12 inches. International (more than one language).
The nine easy, fun-to-play fragments in this book can be played in the first position with occasional fourth finger use. These lovely pieces enable the beginner musician to perform comfortably at an early stage in their development - and performing experience is vital for any musician! Die einfachen, melodischen Stucke in Easy Melodic Fragments sind fur Violaschuler mit geringen technischen Fertigkeiten geeignet. Sie sind in der ersten Lage zu spielen mit gelegentlicher Verwendung des vierten Fingers. Mit diesen Stucken will der Komponist Colin Cowles die Spieler zum Vorspielen motivieren - ein wichtiger Aspekt des Musizierens in jedem Lernstadium! Auf der beiliegenden CD werden die Stucke abwechselnd von Violine und Viola vorgespielt, dann folgt die Begleitung zum Mitspielen. Die Klavierbegleitungen sind ebenfalls im Buch notiert.Nove brani da concerto divertenti da eseguire in prima posizione (utilizzo del quarto dito). L'accompagnamento del piano (su CD e versione cartacea inclusi) rivaleggiano di interesse e di immaginazione. Affiancando questa pubblicazione ai vostri libri di studi, alternerete l'apprendimento della tecnica con l'altrettanto importante momento pedagogico: ascoltare e suonare assieme agli altri. Esibitevi da soli utilizzando le basi registrate da una vera live band, oppure insieme ad un amico pianista che vi accompagnera nelle prime esecuzioni in pubblico.
SKU: BT.EMBZ627
Gyula Dávid (1913-1977) was one of the most important members of the generation of Hungarian composers who followed Bartók and Kodály. His ?uvre includes stage, orchestral, oratorial, chamber, and solo instrumental works. Although he rarely quoted folk material directly in his music, folksong, popular music and the spirit of the Hungarian musical tradition permeates his works. In the last two decades of his life he wrote atonal and twelve-tone compositions. With his Wind Quintet (composed 1949) he created a genre which plays an important role in the new Hungarian music. Gyula Dávid studied composition with Albert Siklós and Zoltán Kodály at the Academy of Music in Budapest,graduating in 1938. Between 1938 and 1945 he worked in several orchestras as viola player. From 1945 to 1949 he was conductor at Hungarian National Theatre, than he became leader of the Ensemble of the Hungarian Army. From 1961 to his retirement he was professor at the Teacher Training Faculty of the Academy of Music in Budapest. Between 1951 and 1960 he taught wind chamber music, music theory and wind orchestration at the Academy of Music. He was one of the founders of the Hungarian Artists' Union. He was awarded the Erkel Prize (1952, 1955) and the Kossuth Prize (1957).
SKU: IS.VAP4359EM
ISBN 9790365043590.
August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss; this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. It makes sense that the first concerto he wrote for a solo instrument was his Concerto for Viola (Concerto voor altviool) in 1956. A recipient of the first prize award for viola while in conservatory, he performed as a violist in orchestras throughout Flanders. The concerto is in three movements: Moderato, Larghetto espressivo, and Allegro.
SKU: HL.49018776
ISBN 9790001174107. 9.0x12.0x0.135 inches.
The one-movement, yet multiple time structured, sonata uses a gently modern tonal language and has been influenced by the French tradition. Emile Naoumoff likes to give his movements unusual headings that perfectly describe the character of the respective section. The piece for the combination of viola and piano, which is quite rare in concert life, is a valuable and fascinating addition to the repertoire in which both instruments conduct a dialogue on an equal basis.Naoumoff was born in Sofia in 1962. At the age of 8, he began his career as a pianist and composer; for ten years, he was a pupil of Nadia Boulanger until her death. At the age of 10, Naoumoff composed and performed his own piano concerto under the direction of Yehudi Menuhin. Many prizes, awards and appearances as a celebrated pianist followed. Today Naoumoff lives and works as an associate professor at the School of Music of the Indiana University in Bloomington. He holds master classes in the USA, Europe and Japan and is director of a music academy.
SKU: HL.369720
ISBN 9781705144404. UPC: 840126992328. 9.0x12.0x0.08 inches.
A fantastic new adaptation of a popular piano solo piece by the Pulitzer-prize winning composer William Bolcom - a perfect recital piece, arranged by Kenneth Martinson!
SKU: HL.14005046
ISBN 9783937041032. 9.0x12.0x0.108 inches.
Classical pieces arranged for Viola with Piano accompaniment by Sandor Janosi.
SKU: LM.C05257
SKU: LM.C05456
SKU: LM.C05297
SKU: HL.49019672
ISBN 9790001190497. 9.25x12.0x0.286 inches. English - German.
'Hamlet-Echos' comes from the full-length opera 'Hamlet' in which Christian Jost interprets Shakespeare's tragedy as 'story of a surreal journey inward'. By having Hamlet sing in a female voice, Jost emphasizes the universal validity of this statement. The intentional bilingualism stands for Hamlet's inner dialogue in which the viola part joins commentating.
SKU: BR.EB-9441
ISBN 9790004189184. 9 x 12 inches.
The two sonatas of Johannes Brahms's op. 120 are widely hailed as crowning points of the repertoire for clarinet and piano. Moreover, in the version for viola and piano arranged by Brahms himself, they rank among the most frequently played viola works of the 19th century. They far surpass in compositional substance the relatively few original sonatas written for these instrumentations during the same period.Of the two fellow works, the Sonata No. 2 in E flat major is the more accessible. Diverging from the classical-romantic tradition, Brahms used the key of E flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The serenade-like beauty of the principal theme, which opens the sonata, has always been particularly admired. In his review of the world premiere, the renowned Viennese music critic Eduard Hanslick, a friend of Brahms's, raves with the words it was as if it had fallen from the Heavens. The closing set of variations also follows with gentle gracefulness this lyrical character. However, the middle movement, with its tempestuous outer sections in E flat minor and the hymnic trio in B major provides a passionate and serious contrast, which allows the flanking idyll to unfold its beauties all the more insistently.
SKU: PR.114424550
UPC: 680160693566. 18 x 12 inches.
Originally commissioned by Jessica Heller Knopf for the 2012 World Saxophone Congress in St. Andrews, Scotland, and adapted for viola and piano in 2024 for Profs. Patrick Yim and Kiu Tung Poon, THE SOULFUL AND THE PERPETUAL is in two movements. “The Soulful” is lyrical and expressive, with moving, gripping melodies. “The Perpetual” is a moto perpetuo, symbolizing consistency and perseverance. The virtuosic cadenza features ever-moving patterns of fast notes, reaching toward the exquisite with fluency and agility.
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