SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo

SKU: CA.3116211

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Violin 1. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/11. Published by Carus Verlag (CA.3116211).

ISBN 9790007208905. Text language: German/English.

The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.

Chorus (with soloists) and orchestra

SKU: BR.PB-5560

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; Softbound. Partitur-Bibliothek (Score Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Full score. 292 pages. Duration 120'. Breitkopf and Haertel #PB 5560. Published by Breitkopf and Haertel (BR.PB-5560).

ISBN 9790004213704. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ).

SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo

SKU: CA.3116213

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Viola. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/13. Published by Carus Verlag (CA.3116213).

ISBN 9790007208929. Text language: German/English.

The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.

Continuo realization (solo: trp - 2.2.0.2 - 2.2.0.0 - timp - str - bc)

SKU: BR.OB-4760-12

Composed by Franz Joseph Haydn. Arranged by Gunter Raphael. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Joseph Haydn's Trumpet Concerto in E flat major Hob VIIe:1 was composed in 1796 for the Vienna court trumpeter Anton Weidinger. The key trumpet which he developed possessed a broader range of notes than the trumpets of that time. Solo concerto; Classical. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 4760-12. Published by Breitkopf and Haertel (BR.OB-4760-12).

ISBN 9790004320693. 10 x 12.5 inches.

Joseph Haydns Trumpet Concerto in E flat major Hob VIIe:1 was composed in 1796 for the Vienna court trumpeter Anton Weidinger. The key trumpet which he developed possessed a broader range of notes than the trumpets of that time, and allowed chromatic sequences as well.The cadenzas to be played in Haydns trumpet concerto have not been transmitted. The present piano reduction contains a cadenza suggestion for the first movement; in the final movement, the performer is encouraged to invent an original cadenza.

Violin 2

SKU: BR.OB-5560-16

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Part. 64 pages. Duration 120'. Breitkopf and Haertel #OB 5560-16. Published by Breitkopf and Haertel (BR.OB-5560-16).

ISBN 9790004344132. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003800

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Full score. Composed circa 1772. KV 142 (Anh. 186d). 12 pages. Duration 5 minutes. Carus Verlag #CV 40.038/00. Published by Carus Verlag (CA.4003800).

ISBN 9790007089245. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003809

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Baroque Trumpet 1+2. Composed circa 1772. KV 142 (Anh. 186d). 4 pages. Duration 5 minutes. Carus Verlag #CV 40.038/09. Published by Carus Verlag (CA.4003809).

ISBN 9790007217044. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.

Viola

SKU: BR.OB-5560-19

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Part. 60 pages. Duration 120'. Breitkopf and Haertel #OB 5560-19. Published by Breitkopf and Haertel (BR.OB-5560-19).

ISBN 9790004344149. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003849

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Organ. Composed circa 1772. KV 142 (Anh. 186d). 2 pages. Duration 5 minutes. Carus Verlag #CV 40.038/49. Published by Carus Verlag (CA.4003849).

ISBN 9790007217105. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.

Flute & basso continuo

SKU: HH.HH443-FSP

Composed by Simon Balicourt. Edited by Michael Talbot. Flute & Basso Continuo. Full score and parts. Edition HH Music Publishers #HH443-FSP. Published by Edition HH Music Publishers (HH.HH443-FSP).

ISBN 9790708146490.

The Andante opening Sonata 5 in D major, with its delicately chiselled, ever-changing rhythms in the flute line, exemplifies to perfection the galant style. The light-footed Allegro assai that follows looks back to Quantz and even Vivaldi. Balicourt concludes the sonata with his most original movement in terms of structure. This consists of two Presto sections enclosing a Grazioso ‘core’ in D minor. Unexpectedly, the second Presto, starting as if a simple da capo repeat of the first, quickly diverges; its throwaway, staccato ending is a real audience-pleaser. | Sonata 6, in E major, opens with a lyrical Andante that almost breathes the air of the Classical style. The second movement, in contrast, is a typically baroque Siciliana, moving to E minor and displaying a rich harmonic palette. The finale is a variation rondo (rondeau varié) in which both repeats of the refrain are ornamented in different ways. As Balicourt’s description, Alla Polonese, conveys, the rhythm is that of a Polonaise, a stately but slightly exotic dance that had become popular throughout Europe after the electors of Saxony, starting with Friedrich August I, assumed the Polish crown.

Composed by Jiri Pauer. Arranged by Matthew Emery. Sheet music. Pavane Secular. Folk. Octavo. 8 pages. Pavane Publishing #P1601. Published by Pavane Publishing