| Fun With the Saxophone Saxophone [Sheet music] - Easy Mel Bay
by William Bay. For Saxophone (All). solos. Fun With. Folk. Level: Beginning. Bo...(+)
by William Bay. For Saxophone (All). solos. Fun With. Folk. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| More Fun with the Saxophone Saxophone [Sheet music] - Easy Mel Bay
by William Bay. For all saxophone. Fun With. All styles, children. Level: Beginn...(+)
by William Bay. For all saxophone. Fun With. All styles, children. Level: Beginning. Book. Solos. Size 8.75x11.75. 32 pages. Published by Mel Bay Pub., Inc.
$5.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Trios for Winds (Alto Saxophone / Baritone Saxophone) 3 Saxophones (trio) [Solo Part] Carl Fischer
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry Clark. Arranged by Larry Clark. For Alto / Baritone Saxophone. Compatible Trios for Winds. Part book. 48 pages. Published by Carl Fischer
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Know Before You Blow - Jazz Modes for Tenor Saxophone Tenor Saxophone [Sheet music + CD] Santorella Publications
Know Before You Blow - Jazz Modes for Tenor Sax with CD composed by Chris Tedesc...(+)
Know Before You Blow - Jazz Modes for Tenor Sax with CD composed by Chris Tedesco. For tenor sax. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Know Before You Blow - Jazz Modes for Alto Saxophone Alto Saxophone [Sheet music + CD] Santorella Publications
Know Before You Blow - Jazz Modes for Alto Sax with CD composed by Chris Tedesco...(+)
Know Before You Blow - Jazz Modes for Alto Sax with CD composed by Chris Tedesco. For alto sax. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications
(1)$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mini Fake Book For Saxophone Saxophone [Fake Book] Faber Music Limited
Saxophone SKU: HU.F057152687X Woodwind, Repertoire, Collections. Saxophone and ...(+)
Saxophone
SKU: HU.F057152687X
Woodwind, Repertoire, Collections. Saxophone and piano albums. Softcover Book. 72 pages. Faber Music #F057152687X. Published by Faber Mus
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Jazz Saxophone Etudes Vol. 3 Saxophone [Sheet music + CD] Greg Fishman Jazz Studios
By Greg Fishman. For Saxophone. Play-Along (Book CD). Published by Greg Fishman ...(+)
By Greg Fishman. For Saxophone. Play-Along (Book CD). Published by Greg Fishman Jazz Studios
$24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fun Favorites for Alto Saxophone 3 Saxophones (trio) [Sheet music + Audio access] De Haske Publications
3 Alto Saxophones - easy SKU: BT.DHP-1094836-404 Arranged by Peter Kleine...(+)
3 Alto Saxophones - easy SKU: BT.DHP-1094836-404 Arranged by Peter Kleine Schaars. Trioflex. Book with Part and Audio-Online. Composed 2021. 28 pages. De Haske Publications #DHP 1094836-404. Published by De Haske Publications (BT.DHP-1094836-404). ISBN 9789043164993. English-German-French-Dutch. Trio Flex is a clever concept that offers you a range of possible options. As well as a demo version played by live instruments, the audio tracks available online contain two play-along tracks for each piece. One trackfeatures the combo only, and the other track features the combo plus the second and third parts of the trio. Peter Kleine Schaars has arranged ten well-known numbers for three wind instruments in various styles and genres. Playthe melody with the combo on the accompaniment track, or play the trio version with the other two recorded parts. That will sound great in itself. But you can also form a trio with two co-players, and have yourselves accompaniedby the combo accompaniment. No matter which variation you choose, get ready for a musical experience that will amaze your audience!
Trio-Flex is een uitgekiend concept dat verschillende mogelijkheden met zich meebrengt. De online beschikbare audiotracks bevatten naast een live ingespeelde demoversie van elk nummer twee begeleidingstracks. Op de enetrack hoor je alleen het combo en op de andere track hoor je het combo met daarbij de tweede en derde stem van het trio. Peter Kleine Schaars bewerkte tien bekende nummers voor drie spelers in diverse genres en stijlen. Speeldemelodie met het combo op de begeleidingstrack, of speel de trioversie met de tegenstemmen. Dat klinkt al geweldig. Maar je kunt ook met twee medespelers een trio vormen en je door het combo op de begeleidingstrack latenbegeleiden. Welke variant je ook kiest: bereid je voor op een muzikale belevenis die je publiek versteld zal doen staan!
Trio-Flex ist ein cleveres Konzept, das verschiedene Möglichkeiten bietet. Neben einer live eingespielten Demoversion umfassen die online verfügbaren Audiotracks zwei Mitspielversionen jedes Stückes. Eine wird nur von derCombo gespielt, die andere von der Combo zusammen mit der zweiten und dritten Stimme des Trios. Peter Kleine Schaars arrangierte zehn bekannte Titel für drei Klarinetten in verschiedenen Genres und Musikstilen. Die Melodie zurCombo-Begleitung gespielt oder die Trioversion mit den Gegenstimmen auf der Begleitaufnahme - das alleine klingt schon wunderbar. Am schönsten ist allerdings, wenn sich zwei Mitspieler finden und dann im Trio zur aufgenommenenCombo-Begleitung musiziert werden kann. Ganz egal, für welche Variante man sich entscheidet: Es wird eine musikalische Erfahrung, die jedes Publikum begeistert!
Trio Flex est un concept malin qui offre plusieurs possibilités de jeu. Chaque pièce est enregistrée dans trois versions : une version intégrale, jouée par un vrai combo, suivie de deux versions play-along quicorrespondent une version combo seul et une version combo avec les voix 2 et 3. Peter Kleine Schaars a arrangé dix morceaux orientés grand public, de styles et de genres variés, pour trois instruments vent. Il y a plusieursoptions de jeu : jouer la ligne mélodique avec l'accompagnement du combo seul, jouer la ligne mélodique avec la version combo voix 2 et 3 ou encore former un trio avec deux amis jouant du même instrument et swinguer avecles musiciens du combo. Quelle que soit l'option choisie, vous ferez sensation auprès du public!
Fun Favorites è una pubblicazione basata sul concetto di TRIO-FLEX: si può quindi fare musica con tre strumentisti, da soli con il combo, o da soli con il combo e le parti del trio. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Take the Lead - Swing (Alto Saxophone) Alto Saxophone [Sheet music + CD] Faber Music Limited
(Alto Sax). For alto saxophone. Instrumental Series. Take the Lead. Swing; Play ...(+)
(Alto Sax). For alto saxophone. Instrumental Series. Take the Lead. Swing; Play Along. Book and CD. Published by Faber Music
$15.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Berklee Practice Method: Alto and Baritone Sax (Alto Sax / Saxophone / Bari Sax) Alto Saxophone [Sheet music + Audio access] Berklee
Get Your Band Together Book/Online Audio. Berklee Methods. Instructional. Softco...(+)
Get Your Band Together Book/Online Audio. Berklee Methods. Instructional. Softcover instructional book (leadsheet notation) and online audio. With standard notation, leadsheet notation, chord names, instructional text and illustrations. 160 pages. Published by Berklee Press
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Great Smoky Mountains [Score] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500102F Mvt. 2 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 52 pages. Theodore Presser Company #165-00102F. Published by Theodore Presser Company (PR.16500102F). ISBN 9781491131749. UPC: 680160680276. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Essence of Bebop Alto Saxophone Saxophone [Sheet music + Audio access] Advance Music
10 Great Studies in the Style and Language of Bebop. Composed by Jim Snidero. ...(+)
10 Great Studies in the
Style and Language of Bebop.
Composed by Jim Snidero.
Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Woodwind -
Alto Saxophone Method or
Collection. Advance Music.
Jazz. Book; Digital
Download. Advance Music #01-
ADV14740. Published by
Advance Music
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Essence of Bebop Tenor Saxophone Tenor Saxophone [Sheet music + Audio access] Advance Music
10 Great Studies in the Style and Language of Bebop. Composed by Jim Snidero. ...(+)
10 Great Studies in the
Style and Language of Bebop.
Composed by Jim Snidero.
Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Woodwind -
Tenor Saxophone Method or
Collection. Advance Music.
Jazz. Book; Digital
Download. Advance Music #01-
ADV14741. Published by
Advance Music
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Variations On A Theme By Grieg Alto Saxophone [Sheet music + CD] Playintime
By Edvard Grieg. Arranged by Sandy Feldstein, Larry Clark. For Alto Saxophone. T...(+)
By Edvard Grieg. Arranged by Sandy Feldstein, Larry Clark. For Alto Saxophone. The Yamaha Advantage Solo Series. Play along. Solo Book with CD. Published by Playintime.
$9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Look, Listen and Learn - Meet the Masters Tenor Saxophone and Piano [Sheet music + Audio access] - Beginner De Haske Publications
Tenor Saxophone and Piano - very easy, easy SKU: BT.DHP-1185924-404 Te...(+)
Tenor Saxophone and Piano - very easy, easy SKU: BT.DHP-1185924-404 Tenor Saxophone. Arranged by Markus Schenk. Look, Listen and Learn. Classical. Book with Part and Audio-Online. Composed 2018. 36 pages. De Haske Publications #DHP 1185924-404. Published by De Haske Publications (BT.DHP-1185924-404). ISBN 9789043155045. English. Look, Listen and Learn sets the bar for brass and woodwind teaching nowadays. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupilsââ¬â¢ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method. In Meet the Masters, the melodies are arranged in increasing order of difficulty and can be used in conjunction with all three volumes of the Look, Listen and Learn method series. Pupils takea journey through music history and meet the most important composers of classical music, from Tielman Susato to Anton n Dvo ák, together with pertinent historical commentary. The present edition includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty, which are also available in recorded versions online to stream or download. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Look, Listen & Learn - Meet the Masters Alto Saxophone and Piano - Beginner De Haske Publications
Alto Saxophone and Piano - very easy, easy SKU: BT.DHP-1185923-404 Alt...(+)
Alto Saxophone and Piano - very easy, easy SKU: BT.DHP-1185923-404 Alto Saxophone. Arranged by Markus Schenk. Look, Listen and Learn. Classical. Book with Part and Audio-Online. Composed 2018. 36 pages. De Haske Publications #DHP 1185923-404. Published by De Haske Publications (BT.DHP-1185923-404). ISBN 9789043155038. English. Look, Listen & Learn sets the bar for brass and woodwind teaching nowadays. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method. In Meet the Masters, the melodies are arranged in increasing order of difficulty and can be used in conjunction with all three volumes of the Look, Listen & Learn method series. Pupils takea journey through music history and meet the most important composers of classical music, from Tielman Susato to Anton n Dvo ák, together with pertinent historical commentary. The present edition includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty, which are also available in recorded versions online to stream or download. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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