SKU: IS.CM6086EM
ISBN 9790365060863.
Charles Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him. The 4 Greek Songs were composed during the late fifties. The first and third movements capture the loose vocal style of the cantilena which is characteristic for the mediterranean region. The second and fourth movements are based on original dances which are typical for the modal nature of Greek music.
SKU: CA.2335200
ISBN 9790007144548. Text language: Russian/German.
Sergei Rachmanioff's Sacred Concerto W molitwach neussypajuschtschuju Bogorodizu (The Theotokos, ever-vigilant in praying) was composed in 1893 for four-voice mixed choir. It was his first contribution to the repertoire of the Russian Orthodox Church. The text is derived from the Feast of the Dormition of the Virgin Mary, the counterpart to the Roman Catholic Assumption Day. In accordance with the standards of the Orthodox Church, Rachmaninoff set it a cappella. This new edition presents the original church Slavonic text in Latin transcription, as well as in a singable German translation. It also contains an English pronunciation table.
SKU: CA.2335205
ISBN 9790007144531. Text language: Russian/German.
Sergei Rachmanioff's Sacred Concerto W molitwach neussypajuschtschuju Bogorodizu (The Theotokos, ever-vigilant in praying) was composed in 1893 for four-voice mixed choir. It was his first contribution to the repertoire of the Russian Orthodox Church. The text is derived from the Feast of the Dormition of the Virgin Mary, the counterpart to the Roman Catholic Assumption Day. In accordance with the standards of the Orthodox Church, Rachmaninoff set it a cappella. This new edition presents the original church Slavonic text in Latin transcription, as well as in a singable German translation. It also contains an English pronunciation table. Score available separately - see item CA.2335200.
SKU: HL.379632
UPC: 196288018148. 6.75x10.5x0.036 inches. Isaiah 42:10, Psalm 40:3, Revelation 14:3.
Instantly appealing, this retro-styled praise song is a delight for both ear and heart! A prayer that asks for the gift of a new song from the Lord, the anthem dances with unbridled joy and praise. An invigorating gospel-rock piano part establishes the vibe, with the voices joining to celebrate the exultation of worship.
SKU: BR.EB-8884
Pieces for young (at heart) cellists
ISBN 9790004184745. 9 x 12 inches. German / English.
Graham Waterhouse created a little series of lovely melodies for his son, which he then successfully performed at violoncello competitions. The eight pieces can be played alone, as well as in a suite with a random sequence. The majority are dances with rhythmical characteristics that are intended to challenge the young string players. This also applies to the expanded performance techniques that are introduced and occasionally used here. The level of difficulty ranges from the first position in Montague's March up to the fourth position in Henry Hornpipe, the most difficult piece in the cycle. Originally conceived for solo voice and piano, this edition also contains an alternative version for two violoncelli.Pieces for young (at heart) cellists.
SKU: BA.BA05570-01
ISBN 9790006497386. 33 x 26 cm inches. Language: German. Preface: Christine Martin. Text: Helmina von Chezy.
On 20 December 1823 Helmina von Chezy'sRosamundereceived its premiere performance at Vienna's Theater an der Wien. Unfortunately the Viennese version of this drama with ghosts, pirates, attempted poisonings and other horrifying ingredients has not survived - unlike Schubert's popular incidental music which also includes choruses and dances. This music was already highly praised by contemporary critics, with special acknowledgment given tothe genius of this much-loved master. As evidence of its popularity, the overture and theHunters' Chorushad to be encored at the premiere. Now Barenreiter is issuing one of Schubert's best-known compositions in a complete vocal score with piano reduction.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.EMBZ5542
English-Hungarian.
Zoltán Kodály conceived and realized the education of the young on the basis of the singing voice. Nevertheless he also kept in mind the education of those who were engaged in studying instruments. He himself had composed small pieces for beginners on the piano (Twenty-four Small Canons on Black Keys, Children's Dances) and he encouraged his disciples to compose exercises, instrumental tutors, and performance pieces for instruments in this spirit. Thus, on the inspiration of the Kodály Concept a series of tutors and performance pieces were written, as contribution to the new Hungarian method of music education, opening new ways, and improving the general level of musicalappreciation in consequence of which some remarkable results have already been achieved.Our publications are compiled predominantly from Hungarian material: nevertheless Kodály's principles have been applied also to teaching music on non-Hungarian provenience.The present volume is part of this series.
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