| The Ultimate Luther Vandross [PianoSoft Software] Yamaha
Smart PianoSoft. Performed by Luther Vandross. Pianosoft Sync. Floppy disk. Size...(+)
Smart PianoSoft. Performed by Luther Vandross. Pianosoft Sync. Floppy disk. Size 5x5 inches. Published by Yamaha.
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| E-Z Play Today #112 - The Best of the Beatles Keyboard [Sheet music] - Easy Hal Leonard
Performed by The Beatles. E-Z Play Today (Easy big-note right-hand-only arrangem...(+)
Performed by The Beatles. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 208 pages. Published by Hal Leonard.
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Off-Broadway Songbook Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
By Various Composers. Piano/Vocal/Chords Songbook (Arrangements for piano and vo...(+)
By Various Composers. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 248 pages. Published by Hal Leonard.
$19.99 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| The Resurrection and Ascension of Jesus Carus Verlag
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Ti...(+)
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Timp, 2 Cor, 2 Vl, Va, Bc SKU: CA.3324014 Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Single Part, basso continuo. BR-CPEB D 3 (Wq 240). Duration 73 minutes. Carus Verlag #3324014. Published by Carus Verlag (CA.3324014). ISBN 9790007302672. German. Text: Ramler, Carl Wilhelm. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.
The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesuâ€) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.
The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Railways 1846 Choral TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270). ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Want of Peace Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280). ISBN 9781491137925. UPC: 680160692613. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $2.70 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cornish Pastiche. Clarinet & Piano Clarinet and Piano Clifton Edition
Clarinet and Piano SKU: ST.C129 Composed by Mark Tanner. Wind & brass mus...(+)
Clarinet and Piano SKU: ST.C129 Composed by Mark Tanner. Wind & brass music. Clifton Edition #C129. Published by Clifton Edition (ST.C129). ISBN 9790570811298. As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage. Timeless Cornish melodies, cooked up for hungry clarinet players Grades 1–4 Former Spartan Press Cat. No.: SP1218. $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Gospel Hymns Lyrics and Chords [Sheet music] Hal Leonard
By Various. Guitar Chord Songbook. Softcover. 168 pages. Published by Hal Leonar...(+)
By Various. Guitar Chord Songbook. Softcover. 168 pages. Published by Hal Leonard.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Best of the Beatles Piano, Voice [Sheet music] - Easy Hal Leonard
Mini E-Z Play Today Volume 2. By The Beatles. Mini E-Z Play Today. Softco...(+)
Mini E-Z Play Today Volume 2. By The Beatles. Mini E-Z Play Today. Softcover. 208 pages. Published by Hal Leonard (HL.199320).
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Vinnie Moore - Advanced Lead Guitar Techniques Guitar Hal Leonard
Book/Online Video Guitar SKU: HL.393920 From the Classic Hot Licks Vid...(+)
Book/Online Video Guitar SKU: HL.393920 From the Classic Hot Licks Video Series. Hot Licks. Metal, Rock Instruction. Softcover Video Online. 48 pages. Duration 245 seconds. Published by Hal Leonard (HL.393920). ISBN 9781705157589. UPC: 196288031789. 9.0x12.0x0.082 inches. For the first time, the legendary HOT LICKS guitar instruction video series is being made available in book format with online access to all of the classic video footage. All of the guitar tab from the original video booklets has been re-transcribed and edited using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet. Here's your chance to let the best make you better! One of the cleanest pickers around, Vinnie Moore's blazing chops made him one of the most celebrated players of the 80s, 90s, and beyond. In this book/video, Vinnie teaches scales and chord theory, picking techniques, arpeggios, and more! Each exampleis played both at tempo and slowly, so you won't miss a note! You'll learn: * Scale and chord theory * Fingerings for the major, minor, and harmonic minor scale * Scale exercises in 2nds, 3rds, and more * Pivot licks * Tapping licks * Picking exercises * How to get the most out of a phrase or lick * And much more! $24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The 1980s (The Ukulele Decade Series) Ukulele Hal Leonard
(The Ukulele Decade Series). By Various. For Ukulele. Ukulele. Softcover. 304 pa...(+)
(The Ukulele Decade Series). By Various. For Ukulele. Ukulele. Softcover. 304 pages. Published by Hal Leonard
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In God Rejoice! Hymns & Psalms 2009-12 Choral SATB Stainer and Bell
Mixed choir SKU: ST.B934 Composed by Brian Wren. Hymns & Relgious Drama. ...(+)
Mixed choir SKU: ST.B934 Composed by Brian Wren. Hymns & Relgious Drama. Hymns & Psalms 2009-2012. . If ordering from USA, Canada, Australia or New Zealand please contact. Collection. Stainer & Bell Ltd. #B934. Published by Stainer & Bell Ltd. (ST.B934). ISBN 9780852499344. This, the ninth of a series of books begun in 1983, contains Brian Wren's 36 most recent hymns (2009 to 2012). It is nicely presented and laid out in a user-friendly way. The hymns are divided into five thematic sections: Jesus from Cradle to Cross; Easter Hymns; Church and Mission; Praise; and Metrical Psalms. This last section, rooted in (though not bound by) the Old Testament, is often influenced by Isaac Watts and will be of more use to some than others; it concludes with a tremendous rendering of Psalm 8; a paean of praise which all will love, set to a stirring tune. Each section is prefaced with a single page introduction listing the contents and, in some instances, giving an interesting insight into Brian Wren's theology and thinking which provides food for contemplation. Each hymn is printed in words format with all the necessary information for inclusion in an order of worship. Every hymn is also printed with full score music for accompaniment interlined with the words. The book is slightly larger than A5, and there are various useful indexes. The tunes range from ancient to modern, some very familiar, including Candler (better known as Ye Banks and Braes). A number are of a metre where alternative tunes are available. Those tunes which are new vary in ease of use; some will be readily picked up, others would prove challenging for occasional use in a small congregation but could be used as music group items. These are hymns which need to be read as a whole and require thought. The words are chosen with care and notable as much for those not used as those included e.g.: 'Christ, untameably alive,/ breathe your life upon us - / Compass, Governor and Guide, / with us and beyond us,/ Sky and Sunlight, / spreading Vine./ Spring of Living Water,/ Truth and Wisdom, Way and Word,/ here, and then hereafter.' These hymns will be useful in worship as either sung or read pieces, and will also prove an invaluable resource for private devotion. Robert Canham, Reform $15.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Succeed as a String Player [Sheet music] String Letter Publishing
Teen Strings Shows You How. String Letter Publishing. Softcover. 154 pages. Publ...(+)
Teen Strings Shows You How. String Letter Publishing. Softcover. 154 pages. Published by String Letter Publishing.
$16.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| The Resurrection and Ascension of Jesus Carus Verlag
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Ti...(+)
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Timp, 2 Cor, 2 Vl, Va, Bc SKU: CA.3324019 Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Set of Orchestra Parts. BR-CPEB D 3 (Wq 240). Duration 73 minutes. Carus Verlag #3324019. Published by Carus Verlag (CA.3324019). ISBN 9790007296896. German. Text: Ramler, Carl Wilhelm. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.
The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesuâ€) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.
The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. $461.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Resurrection and Ascension of Jesus Carus Verlag
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Ti...(+)
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Timp, 2 Cor, 2 Vl, Va, Bc SKU: CA.3324012 Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. BR-CPEB D 3 (Wq 240). Duration 73 minutes. Carus Verlag #3324012. Published by Carus Verlag (CA.3324012). ISBN 9790007302658. German. Text: Ramler, Carl Wilhelm. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.
The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesuâ€) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.
The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Resurrection and Ascension of Jesus Carus Verlag
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Ti...(+)
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Timp, 2 Cor, 2 Vl, Va, Bc SKU: CA.3324011 Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. BR-CPEB D 3 (Wq 240). Duration 73 minutes. Carus Verlag #3324011. Published by Carus Verlag (CA.3324011). ISBN 9790007302641. German. Text: Ramler, Carl Wilhelm. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.
The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesuâ€) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.
The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Resurrection and Ascension of Jesus Carus Verlag
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Ti...(+)
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Timp, 2 Cor, 2 Vl, Va, Bc SKU: CA.3324003 Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Vocal score. BR-CPEB D 3 (Wq 240). Duration 73 minutes. Carus Verlag #3324003. Published by Carus Verlag (CA.3324003). ISBN 9790007262198. German. Text: Ramler, Carl Wilhelm. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.
The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesuâ€) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.
The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Resurrection and Ascension of Jesus Carus Verlag
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Ti...(+)
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Timp, 2 Cor, 2 Vl, Va, Bc SKU: CA.3324009 Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Set of Orchestra Parts. BR-CPEB D 3 (Wq 240). Duration 73 minutes. Carus Verlag #3324009. Published by Carus Verlag (CA.3324009). ISBN 9790007302634. German. Text: Ramler, Carl Wilhelm. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.
The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesuâ€) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.
The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. $70.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Resurrection and Ascension of Jesus Carus Verlag
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Ti...(+)
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Timp, 2 Cor, 2 Vl, Va, Bc SKU: CA.3324013 Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Single Part, viola. BR-CPEB D 3 (Wq 240). Duration 73 minutes. Carus Verlag #3324013. Published by Carus Verlag (CA.3324013). ISBN 9790007302665. German. Text: Ramler, Carl Wilhelm. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.
The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesuâ€) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.
The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Resurrection and Ascension of Jesus Carus Verlag
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Ti...(+)
Soprano voice, tenor voice baritone voice, SATB chorus, 2 Fl, 2 Ob, Fg, 3 Tr, Timp, 2 Cor, 2 Vl, Va, Bc SKU: CA.3324005 Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Choral Score. BR-CPEB D 3 (Wq 240). Duration 73 minutes. Carus Verlag #3324005. Published by Carus Verlag (CA.3324005). ISBN 9790007262204. German. Text: Ramler, Carl Wilhelm. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.
The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesuâ€) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.
The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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