SKU: BT.DHP-1175849-401
ISBN 9789043153881. International.
Are you an enthusiastic cinema-goer? Then many of the melodies and themes in this collection will be familiar to you: they are soundtracks to some of the great classics from the world of film. If youâ??ve had just a few years of study on the pianoyouâ??ll be able to enjoy these wonderful pieces.Ga je graag naar de bioscoop? Dan zullen de melodieën en themaâ??s uit deze selectie je zeker bekend voorkomen: ze zijn afkomstig uit de soundtracks van een aantal van de grootste filmklassiekers aller tijden. Wie slechts een paar jaar pianolessenheeft gevolgd, kan deze prachtige filmmuziek nu zelf spelen. De bewerkingen zijn van een gemiddelde moeilijkheidsgraad en blijven heel dicht bij de originele stukken, zodat je ze meteen herkent!Sie sind begeisterter Kinogänger? Dann werden Ihnen mit Sicherheit viele der in diesem Band versammelten Melodien und Themen bekannt vorkommen: Sie entstammen den Soundtracks zu einigen der gröÃ?ten Filmklassiker aller Zeiten. Mit ein paar JahrenUnterrichts- bzw. Spielerfahrung auf dem Klavier können Sie diese wunderbaren Filmmusiken nun selbst nachspielen. Die Bearbeitungen sind im mittleren Schwierigkeitsgrad gehalten und orientieren sich klanglich eng an den Originalen, sodass Sie sorecht in Erinnerungen schwelgen können.Le cinéma vous passionne ? Vous reconnaîtrez alors sans doute la plupart des mélodies et thèmes regroupés dans ce recueil ; ils sont issus des bandes originales de quelques-uns des plus grands classiques du cinéma de tous les temps. Les arrangementsdâ??un niveau de difficulté élémentaire conservent la couleur initiale et ne manqueront pas de vous faire revivre vos souvenirs.
SKU: AY.FG43
ISBN 9790302120766.
Snow Gum by Fran Griffin for Two Flutes and Guitar. Alto and Bass Flutes are required for the performance of this piece. From the composer: In the wilderness of the Australian Alps, there is only one tree, the Snow Gum (eucalyptus pauciflora) that lives above 1600 metres. Snow Gums are experiencing severe dieback, caused by attack by a native beetle. Strangely, the beetle and the Snow Gums have coexisted for thousands of years, but now the Snow Gums are no longer able to withstand the hunger of the beetles. As yet the reasons for this are unknown. Huge areas of these once magnificent and colourful trees now stand grey and dead. In this piece I am depicting the gnarled and twisted trunks of the still living trees with their wonderfully coloured bark, in contrast to the ruggedness and desolation of the terrain. One can hear the alpine wind rushing through the leaves and branches, shaking snow to the ground..
SKU: GI.G-10597
ISBN 9781574635409.
At 19 years old, Saul Goodman became timpanist with the New York Philharmonic Orchestra under renowned conductor Arturo Toscanini. Forty-six years later, he retired as one of the most celebrated orchestral musicians of all time. During his illustrious career as composer, inventor, and timpanist, he performed on over 1,000 recordings, placed his students in the world’s major symphony orchestras, and set standards in percussion performance and pedagogy that remain in place to this day. His memoirs, and those of his students, trace his musical development and take the reader on a voyage of his unique experiences during the greatest era of the American symphony orchestras. His incredible legacy as a performer and a teacher is unrivaled in the history of percussion, and perhaps any other instrument as well. The list of his students reads like a ‘who’s who’ of our world. —Daniel Druckman, New York Philharmonic He was one of the greatest artists of all times. He was an inspiration to me, not only as a student, but throughout my professional career. —Vic Firth, Boston Symphony Orchestra Saul often said that his teachers were Toscanini, Monteux, Reiner, Stokowski, and Bruno Walter. He was the greatest player in the era of stars throughout the symphonic world. The sheer numbers of concerts, recordings, and TV that he played is staggering. —Morris Lang, New York Philharmonic Saul Goodman was a brilliant orchestral musician who just happened to play the timpani. His style, musicianship and strong personality were a tremendous influence on those with whom he worked. —James Rago, Louisville Orchestra Review from Percussive Notes Magazine This treasure of a book tells the story from the man himself: Saul Goodman, one of the most celebrated orchestral musicians, timpanists, and percussion teachers to ever live. Through a combination of Goodman’s own writing, as well as contributions from a variety of others who knew, studied, and worked with him, this 106-page book is informative for students and enjoyable for general music enthusiasts. The book is constructed in two parts — the first being a previously unpublished memoir written by Goodman during his lifetime (he died in 1996) and edited by Anthony Cirone, and the second consisting of reflections from students and colleagues, an interview with Goodman conducted by Rick Mattingly in 1981, a Percussive Notes article published shortly after this death, and an overview of his recording history. The book also contains several pages of pictures from throughout his career. The first part, written by Goodman, contains five chapters: Beginnings, Carnegie Hall, The Business of Modern Orchestra, Toscanini, and On Recording. While he discusses many percussion-specific things, such as lessons with Alfred Friese, Goodman spends just as much, if not more, time talking about the general orchestral culture of the time and how it evolved during his 46 years in the New York Philharmonic. This includes reflections on conductors, management, recording, and the audition process. The second part proves just as valuable, with first-hand stories from those who knew him. These range from acknowledgments of Goodman’s excellence in performing and instruments making to heartfelt and sometimes humorous anecdotes relating to his teaching. This book will undoubtedly be appreciated by all orchestral percussion and classical music performers, students, conductors, and teachers, as well as the general concert-going public. It is a rare first-hand look into the life and career of a world-class artist and teacher. — Jason Baker Percussive Notes, February 2022.
SKU: BT.DHP-1196173-010
The Greatest Showman is one of the biggest movie successes of recent years. This spectacular arrangement by Takashi Hoshide is in four separate movements, allowing you to make your own selection at your next concert. The Greatest Showman is een van de grootste filmsuccessen van de afgelopen jaren. Dit spectaculaire arrangement uit de pen van Takashi Hoshide bestaat uit vier afzonderlijke delen, zodat u voor uw volgende concert een eigen selectie kunt maken. Greatest Showman“ war einer der größten Erfolge der letzten Jahre in den Kinos auf der ganzen Welt. Dieses fantastische Arrangement des Japaners Takashi Hoshide besteht aus vier einzelnen Sätzen, sodass Sie für Ihr nächstes Konzert eine eigene Auswahl treffen können. Le film The Greatest Showman est un des plus grands succès de ces dernières années. Cet arrangement extraordinaire de Takashi Hoshide comporte quatre mouvements bien distincts qui vous permettent de choisir entre eux pour votre prochain concert. The Greatest Showman è uno dei più grandi successi cinematografici degli ultimi anni. Questo spettacolare arrangiamento di Takashi Hoshide si sviluppa in quattro movimenti separati per permettervi di fare un’accurata selezione per il vostro prossimo concerto.
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