SKU: CA.3103800
ISBN 9790007042745. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance.
SKU: CA.3103819
ISBN 9790007136093. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800.
SKU: CA.3103807
ISBN 9790007042776. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800.
SKU: CA.3103811
ISBN 9790007042790. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.
SKU: CA.3103809
ISBN 9790007042783. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3103814
ISBN 9790007042820. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3103812
ISBN 9790007042806. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
SKU: GI.G-8206
UPC: 785147820604. English. Text Source: Based on Confessions of St. Augustine. Text by Tony Alonso.
With a text based on Confessions of St. Augustine, this song of comfort extols the surety of God’s love for us. Appropriate for times of reflection or meditation, this moving work sings of the peace found when we allow our restless hearts to find a home in God. While effective with piano and choir alone, the addition of string quartet, flute, and horn in F adds depth and enhances the legato line of the melody. For cantor or soloist. Instrument parts are optional.
SKU: AP.36-52702575
ISBN 9781621569312. UPC: 746241227041. English.
Nine favorites from Johann Sebastian Bach have been set for string trio in this fantastic collection arranged at a readable level. Suitable for a variety of gatherings including dinners, receptions, worship preludes or weddings, they are a wonderful way to include a taste of the Baroque master in brief, poignant settings. An optional Violin 2 part may be substituted for the Viola part.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HP.CF167O
UPC: 763628248192. Acts 2:42-47, Deuteronomy 8:16, Exodus 16:31, Isaiah 30:15, John 6:31,49, Matthew 18:20, Mark 6:30-34,53-:56, Psalms 133:1, Psalms 23:1-6.
Popular worship song This John F. Wilson classic is appropriate for services where love is the theme and is especially useful for weddings. The familiar words are a paraphrase of 1 Corinthians 13 and the haunting tune is based on the traditional English melody, O WALY WALY. The SAB voicing, String Quartet setting and Performance/Accompaniment CD are new for this year (2012). The String Quartet setting can be for strings only or used as an accompaniment for the choral settings or the vocal solo, but not for the TTBB version which is in the Key of C. String Parts come in the two keys, A & G, and include parts for Violin 1 & 2, Viola and Cello.
SKU: CA.3100312
ISBN 9790007041458. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.
SKU: CA.3100314
ISBN 9790007041472. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
SKU: CA.3100319
ISBN 9790007135911. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and parts available separately - see item CA.3100300.
SKU: CA.3100305
ISBN 9790007041410. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score available separately - see item CA.3100300.
SKU: CA.3100309
ISBN 9790007041434. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.
SKU: GI.G-8751
UPC: 785147875109. English. Text by Rory Cooney.
While the tune is based on a traditional Czech carol, this is one of Rory Cooney’s most powerful original texts. The piece would make a stunning Communion meditation, evoking images of joy at the infant Savior’s birth, while foreshadowing his sacrifice so that we might eat of the Living Bread. The piano provides support for the choral parts, but the piece may be sung a cappella, or, if circumstances allow, the use of the optional string quartet will add to the warmth expressed in the words and harmony of the singers. String Quartet or Keyboard accompaniment.
SKU: CA.3116319
ISBN 9790007141219. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and parts available separately - see item CA.3116300.
SKU: CA.3116349
ISBN 9790007209001. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.
SKU: CA.3116314
ISBN 9790007208981. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3116312
ISBN 9790007208967. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3116307
ISBN 9790007141516. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.
SKU: CA.3116311
ISBN 9790007208950. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3116315
ISBN 9790007208998. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3116300
ISBN 9790007097615. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler.
SKU: HL.14037415
ISBN 9781849380621. 9.0x12.0x0.11 inches.
Yamamoto Perpetuo was written by Michael Nyman for solo Violin in 1993 to a commission by fashion designer Yohji Yamamoto for his show that year in Paris. Following its success, Nyman added a second Violin, Viola and Cello to the solo line and turned it into his String Quartet No.4. This arrangement by Andy Findon for solo Flute restores the work as a stand-alone piece for one player in eleven sections, drawing additionally upon material from the quartet version.
SKU: CF.YAS168
ISBN 9781491146484. UPC: 680160903986. 9 x 12 inches. Key: B minor.
Based on a Newfoundland folk song, Passerine refers to the swallow found in a lyric of lost love. Carl Strommen gives us a beautiful setting that contains a solo string quartet to begin the work, which contrasts nicely with the entrance of the full ensemble.Based on a Newfoundland folk song, Passerine refers to the swallow found in the lyric of this song of lost love: She's like a swallow that flies so high, she's like the river that never runs dry, she's like the sunshine on the lee shore. I love my love, and love is no more.Passerine should reflect this sentiment in the ensemble sections as well as the solo passages; broadly and with great expression.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CA.3100213
ISBN 9790007041366. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.
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