SKU: FL.FX072580
A nice blue shark in calm waters for exams or auditions of young instrumentalists... - Pascal PROUST ; A perfect Piece for exams or auditions - for students playing F Horn for 2 or 3 years onwards ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.
SKU: FL.FX072547
A nice blue shark in calm waters for exams or auditions of young instrumentalists... - Pascal PROUST ; A perfect Piece for exams or auditions - for students playing bassoon for 2 years onwards ; Instruments: 1 Bassoon 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.
SKU: FL.FX072372
This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... A series of pieces for exams or auditions - for students playing Trumpet for 3 years onwards.
SKU: FL.FX072356
This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... A series of pieces for exams or auditions - for students playing Flute for 3 years onwards.
SKU: FL.FX072355
This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... A series of pieces for exams or auditions - for students playing Flute for 2 years onwards.
SKU: FL.FX072370
This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... A series of pieces for exams or auditions - for students playing Clarinet for 5 years onwards.
SKU: FL.FX072364
This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... A series of pieces for exams or auditions - for students playing Tenor Saxophone for 3 years onwards.
SKU: GI.G-10833
ISBN 9781574635614.
From philosophy, auditions, and lesson planning to improvisation and literature selection, this diverse group of nationally recognized educators at all levels discuss these topics and more. Each director practically walks you through a rehearsal! Whether you are a seasoned vocal jazz director or someone looking to get started, the authors’ concepts on running an outstanding vocal jazz program has something for everyone. There are different vocal timbres that we expect to hear in different styles, and I believe that there are ways to produce a variety of sounds in a healthy way with sound technique. —Andrew Dahan   Niles North High School, Skokie, IL When starting a vocal jazz ensemble, I keep the literature on the easy side so concepts of style, tone, vibrato, balance, and blend can be focused on without pounding out notes. —Roger Emerson   Professional Composer and Arranger As with any language, one of the fastest ways to learn about different styles, genres, and other idiosyncrasies is to immerse ourselves in the language. —Daniel Gregerman   Glenbrook South High School, Glenview, IL I think of the audition process as a necessary means to help me ‘cast’ the ensemble. —Greg Jasperse   Western Michigan University My overall philosophy is that teaching jazz is extremely important. The creation of this music is unique to America, and it is imperative that we keep our youth informed. —Connaitre Miller   Howard University We don’t really ever ‘finish’ a piece or arrangement, do we? We work on the repertoire and the music arrives to an artistic place. —Kate Reid   University of Miami, Frost School of Music Jazz is a genre that has to be primarily learned from listening. Exposing students to a wide variety of jazz and contemporary styles is one of the most important things we need to do. —John Stafford II   Kansas City Kansas Community College My jazz singers are the best music readers in the department, and I never do any sight singing with the jazz choirs. That is all done in the traditional choirs. —Janice Vlachos   Fairview High School, Boulder, CO It takes a good amount of work to achieve a unified sound, however, within working on the minute details and repetition, it is those moments of victory during the rehearsals that make it all worth it. —Gaw Vang Williams   Sacramento State College Vocal jazz encourages personal expression through which improvisation has become a hallmark trait of the genre. —Natalie Wilson   Grass Valley Elementary School, Camas, WA.
SKU: BR.EB-8882
If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)
ISBN 9790004184721. 9 x 12 inches. German / English.
The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadIf only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).
SKU: BR.EB-8873
ISBN 9790004184639. 9 x 12 inches. German / English.
,,Una voce poco profonda: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
SKU: BR.EB-8872
ISBN 9790004184622. 9 x 12 inches. German / English.
Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
SKU: BR.EB-8871
Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021.
ISBN 9790004184615. 9 x 12 inches. German / English.
SKU: BR.EB-8881
ISBN 9790004184714. 9 x 12 inches. German / English.
SKU: FH.VAE1
ISBN 978-1-55440-574-9.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. One outstanding volume of Orchestral Excerpts includes a wealth of excerpts from Level 7 through ARCT that are often greater in length than standard audition fare. Students will achieve a better understanding of great symphonic literature and learn more about the style of each composer by playing each excerpt in context. This book encourages more successful auditions and better-educated orchestral performers.Level 5:Etude in F Major, op. 45, book 2, no. 42 - Wohlfahrt, FranzBallet Variation - Geringas, YaakovThe Bee's Knees! - Cohen, MaryArpeggio Study - Kinsey, Herbert transc. Margaret BanwellEtude in C Minor - Bruni, Antonio BartolomeoLevel 6:Etude in D Minor, op. 45, book 2, no. 47 - Wohlfahrt, FranzEtude No. 2 in F Major - Kreutzer, RodolpheEtude in C Minor, op. 21, no. 73 - Campagnoli, Bartolomeoetude speciale, op. 36, book 1, no. 3 (Fermete d'archet) - Mazas, Jacques-FereolEtude in G Minor - Bruni, Antonio BartolomeoLevel 7:Wild Fire - Cohen, Maryetude speciale, op. 36, book 1, no. 8 (Division of the Bow in the Cantilena) - Mazas, Jacques-FereolEtude in A Minor, op. 37, no. 10 - Dont, JakobEtude in D Major - Bruni, Antonio BartolomeoMelodious Double Stops No. 17 - Trott, JosephineLevel 8:Double Stopping and Simple Chords - Kinsey, Herbert transc. Margaret BanwellCaprice in E flat Major, op. 3, no. 5 - Fiorillo, FederigoEtude No. 12 in D Minor - Kreutzer, Rodolpheetude speciale, op. 36, book 1, no. 30 (Ronde villageoise) - Mazas, Jacques-FereolPolonaise and Trio, op. 18, no. 2 - Campagnoli, BartolomeoEtude in D Major - Bruni, Antonio Bartolomeo.
SKU: BR.EB-8880
ISBN 9790004184707. 9 x 12 inches. German / English.
SKU: M7.SAE-18-08
ISBN 9790707651681.
This is a unique arrangement for violin and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.
SKU: FH.WSE1
ISBN 978-1-55440-561-9.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. One volume of Orchestral Excerpts includes many of the most well-known and influential excerpts written for saxophone. With contemporary orchestral works, and traditional band repertoire by exciting composers such as Gershwin and Vaughan Williams, this book provides required selections for examinations or auditions, but also serves as a general study resource for developing a solid grounding in standard ensemble preparation.Level 5:Sovra il sen la man mi posa (While This Heart Its Joy Revealing) - Vincenzo Bellini, arr. Harry PrendivilleVocalise in A Major - Marco Bordogni Theme with Nine Easy Variations (Excerpt) - Harry PrendivilleEtude in B flat Major - Charles Dancla Bulgarian Bounce - Allen VizzuttiJazz Solo No. 6 - Bob Mintzer Jazz Study No. 29 - James RaeRinging the Changes - James RaeHomage to Vaughan Williams - Christiaan VenterLevel 6:Etude in A Major - Nilo W. HoveyOdd Meter Etude No. 15 - Everett Gates Etude in G Major, op. 41, no. 5 - Franz Thaddaus BlattEtude in D Major, op. 20, no. 7 - Heinrich Ernst KayserJazz Solo No. 3 - Bob Mintzer Slavonic Dance - James RaeEtude No. 3 - Ronald L. Caravan Level 7:etude speciale, op. 36, book 1, no. 19 - Jacques-Fereol Mazas, transc. Antony LamotteEtude in D Major - Rodolphe Kreutzer, transc. Antony LamotteTheme and Variations (Excerpt) - Frigyes Hidas Vocalise in D flat Major - Marco Bordogni Etude in G Minor, op. 31, no. 19 - Franz Wilhelm FerlingVocalise in E flat Major - Marco Bordogni Cubana, op. 153, no. 10 - Sigfrid Karg-ElertLevel 8:Etude in B flat Minor, op. 31, no. 43 - Franz Wilhelm FerlingEtude in E Major - Rodolphe KreutzerOdd Meter Etude No. 12 - Everett GatesGiga, op. 153, no. 5 - Sigfrid Karg-ElertTango-etude No. 4 - Astor PiazzollaEtude in D Minor - Antoine (Benoit) Tranquille BerbiguierMeditation 2 - Daniel Pilon.
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