SKU: BT.DHP-1185906-404
ISBN 9789043154666. English.
Look, Listen and Learn has set the standard for contemporary brass and woodwind teaching. These exciting method book/CD packs for beginners engage students and develop their understanding of music and their instrument through songs, puzzles, games and lots of fun pieces to play. Three progressive method books form the basis of the series, enhanced by several corresponding supplementary volumes.
With Play The Beatles, students will embark on a journey through time to the 1960s to get to know one of the most important bands in the history of rock. This pack includes fifteen of the best-known songs by The Beatles, arranged in increasing order of difficulty in such a waythat they can be used in conjunction with all three volumes of Look, Listen and Learn. Authentic-sounding accompaniment tracks are also provided online to download or stream directly.
SKU: BT.9781408105290
ISBN 9781408105290. English.
The perfect book for pupil and teacher
SKU: PR.114424540
ISBN 9781491138106. UPC: 680160693498.
THE WHITE HORSE explores the idea of extremes, composed to shine a light on the musicianship and raw virtuosity of the performer above any other of its properties. Pann writes that he was inspired by a 1980s dance music video whose energy expresses “the effect of a drug-induced euphoric frenzy in its seeming randomness at times, but also in its immediate back-and-forth between pyrotechnics and more subdued, blissed moments.” .THE WHITE HORSE is a single-movement solo for alto saxophone which explores the idea of extremes. My greatest hope is that it shines a light on the musicianship and raw virtuosity of the performer above any other of its properties. When I was first asked to write this work, my thoughts went to a 1983 music video by the Danish band, Laid Back. Their song “White Horse” is about using (or riding) the drug heroin. In this way, I wanted to write a single-movement piece that has the effect of a drug-induced euphoric frenzy in its seeming randomness at times, but also in its immediate back-and-forth between pyrotechnics and more subdued, blissed moments. Also, I simply like the phrase “The White Horse” and think it will lend the work some appropriate intrigue. .
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