(3rd (Bass) Trombone). By Johann Sebastian Bach (1685-1750). Arranged by Richard S. Thurston. For Concert Band. Southern Music. Grade 2. 16 pages. Hal Leonard #B474TBN3/TBN. Published by Hal Leonard

(2nd Eb Alto Saxophone). By Johann Sebastian Bach (1685-1750). Arranged by Richard S. Thurston. For Concert Band. Band - Band Collection. Southern Music. Grade 2. 16 pages. Southern Music Company #B474SAXA2. Published by Southern Music Company

(2nd Bb Trumpet). By Johann Sebastian Bach (1685-1750). Arranged by Richard S. Thurston. For Concert Band. Band - Band Collection. Southern Music. Grade 2. 16 pages. Southern Music Company #B474TPT2. Published by Southern Music Company

(2nd Horn in F). By Johann Sebastian Bach (1685-1750). Arranged by Richard S. Thurston. For Concert Band. Band - Band Collection. Southern Music. Grade 2. 16 pages. Southern Music Company #B474HN2. Published by Southern Music Company

By Don Colquitt. For Concert Band. Full set (score and parts). Conductor's score only available separately: see item C1002s. Grade 1.5. Conductor's score and set of parts

Concert band - Grade 3

SKU: CL.012-4495-75

A Chorale Prelude. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR389). Oversized, spiral-bound score. Composed 2016. Duration 4 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-4495-75. Published by Opus III Wind Orchestra Publications (CL.012-4495-75).

This prolific composer has penned many beautiful, dramatic, and emotional works. On this occasion, he has created a hymn setting that is highly reflective and musically very powerful. While the band parts certainly stand on their own, optional use of antiphonal trumpets, organ, and choir are included should you desire to provide your audience with a spectacular performance that won't soon be forgotten. This is truly a very inspirational work. Very Impressive!

A Chorale Prelude. Arranged by James Swearingen. Concert Band Series. Score and parts. Duration 0:4:05. Published by C.L. Barnhouse (CL.012-4495-00).

By Thomas Root. For concert band. Recording available separately on TRNCD33. Grade 5. Full score. Duration 10:31. Published by TRN Music Publisher

Grade 3

SKU: CL.012-2899-00

(Chorale Prelude). Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR196, CL.WFR184 & CL.WFR180). Sacred. Score and set of parts. Composed 1997. Duration 4 minutes, 13 seconds. Opus III Wind Orchestra Publications #012-2899-00. Published by Opus III Wind Orchestra Publications (CL.012-2899-00).

An absolutely gorgeous chorale prelude which offers expressive melodies and broad lush harmonies not usually found in band literature at this level. A superlative piece for teaching tone production and phrasing concepts, it is also a wonderful selection for many concert or festival situations.

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3.5

SKU: CL.012-3200-01

Composed by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR322 & CL.WFR343). Extra full score. Composed 2002. Duration 4 minutes, 56 seconds. Opus III Wind Orchestra Publications #012-3200-01. Published by Opus III Wind Orchestra Publications (CL.012-3200-01).

This impressive chorale-prelude by Andrew Glover is an exceptional choice for ceremonial events, formal observances, or as a concert selection. A robust opening fanfare segues seemlessly into a peaceful original chorale. A short interlude leads into a robust and powerful chorus of America, the Beautiful which includes optional parts for antiphonal trumpets and trombones. Sensitive and reflective scoring combine with warm and gentle dissonances for a truly remarkable conclusion. Stunning, emotional and inspiring selection for any program.

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 2

SKU: CL.CTS-7748-01

Composed by Conrad Kocher. Arranged by Claude T. Smith. Young Concert Band. Extra score. Composed 1984. Claude T. Smith Publications #CTS-7748-01. Published by Claude T. Smith Publications (CL.CTS-7748-01).

Claude T. Smith created a notable addition to easy literature in this impressive concert chorale. The dynamic subtilties and long tones make this a great teaching or warm-up piece. Appropriate for sacred or secular occasions.

Grade 2

SKU: CL.CTS-8063-00

Composed by Claude T. Smith. Arranged by Earp. Young Concert Band. Score and set of parts. Composed 2023. Claude T. Smith Publications #CTS-8063-00. Published by Claude T. Smith Publications (CL.CTS-8063-00).

Claude T. Smith’s setting of For The Beauty Of The Earth as this chorale prelude develops the original hymn by Conrad Kocher. It celebrates our beautiful Earth, the skies above us, and the joy of loving one another. This flexible arrangement allows ensembles to perform the work with as few as nine musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

Oh God Unseen: for Band. By Vincent Persichetti. Concert band/stage band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet (in Eb), Bass Clarinet (in BB), BB Contrabass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn I, Horn II, Horn III, Horn IV, Baritone, Treble, Baritone, Bass, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Percussion I, Percussion II. Classical. Score and parts. 32 pages. Duration 8:00. Published by Theodore Presser Company.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-034-140

Composed by Max Reger. Arranged by Philip Sparke. Ceremonial Series. Hymns & Chorals. Score Only. Composed 2003. 36 pages. Anglo Music Press #AMP 034-140. Published by Anglo Music Press (BT.AMP-034-140).

During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation, sound and balance.

Max Reger (1873-1916) is de componist van 30 Koraalbewerkingen, op. 135a voor orgel. Hieruit stammen deze tien preludes. Eigenlijk waren ze bedoeld als vrij muzikaal intermezzo binnen de kerkelijke muziek. En ook met dit arrangementvoor blaasorkest houdt Philip Sparke rekening met dit oorspronkelijke doel. Hij maakte ze speelbaar voor een minimale bezetting zodat u ze ook met een klein ensemble tijdens de kerkdienst kunnen uitvoeren. Verder zijn ze ook bijzondergeschikt als opwarmstuk en als stem-, klank- of balansoefening. Bovendien kunt u ze als kleine suite gebruiken in een concertprogramma. Veelzijdig!

Max Reger komponierte eine Fülle an Werken vieler Genres. Unter anderem schrieb er 30 kleine Vorspiele zu den gebräuchlichsten Chorälen für Orgel, die mehr als für den liturgischen Rahmen, denn als Vortragsstücke gedacht waren. Seine Blasorchesterbearbeitung dieser zehn Präludien machte Philip Sparke daher für eine minimale Besetzung spielbar, so dass sie auch Gottesdienst verwendet werden können. Außerdem eignen sie sich auch hervorragend als Aufwärmstücke, Stimm-, Klang- oder Balanceübungen oder in verschiedenen Zusammenstellungen als kleine Suiten für den Konzertgebrauch. Eine vielseitige Sammlung, die in keinem Repertoire fehlen sollte!

Max Reger (1873-1916) a composé les 30 petits Préludes de choral pour orgue, op. 135a, dont sont extraits les dix préludes choisis pour cet arrangement pour orchestre d’harmonie. Philip Sparke est resté fidèle aux pièces originales. Le choix de l’instrumentation permet d’interpréter ces dix préludes avec une formation effectif réduit qui peut être amenée participer un office. Ces pièces peuvent également être utilisées pour effectuer une mise en lèvres ou pour travailler l’intonation, le son et l’équilibre entre les différents pupitres.

Nella sua breve vita Max Reger (1873-1916) fu un compositore molto prolifico noto per le sue composizioni per organo. Le dieci corali arrangiate da Philip Sparke fanno parte de Thirty Short Chorale Preludes Op. 135a, composte per uso liturgico piuttosto che recitativo. Questo arrangiamento tiene conto del fatto che ogni preludio può essere eseguito con una strumentazione minima. Dieci pezzi ideali anche come riscaldamento, studio dell’intonazione e del suono.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-034-010

Composed by Max Reger. Arranged by Philip Sparke. Ceremonial Series. Hymns & Chorals. Set (Score & Parts). Composed 2003. Anglo Music Press #AMP 034-010. Published by Anglo Music Press (BT.AMP-034-010).

During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation, sound and balance.

Max Reger (1873-1916) is de componist van 30 Koraalbewerkingen, op. 135a voor orgel. Hieruit stammen deze tien preludes. Eigenlijk waren ze bedoeld als vrij muzikaal intermezzo binnen de kerkelijke muziek. En ook met dit arrangementvoor blaasorkest houdt Philip Sparke rekening met dit oorspronkelijke doel. Hij maakte ze speelbaar voor een minimale bezetting zodat u ze ook met een klein ensemble tijdens de kerkdienst kunnen uitvoeren. Verder zijn ze ook bijzondergeschikt als opwarmstuk en als stem-, klank- of balansoefening. Bovendien kunt u ze als kleine suite gebruiken in een concertprogramma. Veelzijdig!

Max Reger komponierte eine Fülle an Werken vieler Genres. Unter anderem schrieb er 30 kleine Vorspiele zu den gebräuchlichsten Chorälen für Orgel, die mehr als für den liturgischen Rahmen, denn als Vortragsstücke gedacht waren. Seine Blasorchesterbearbeitung dieser zehn Präludien machte Philip Sparke daher für eine minimale Besetzung spielbar, so dass sie auch Gottesdienst verwendet werden können. Außerdem eignen sie sich auch hervorragend als Aufwärmstücke, Stimm-, Klang- oder Balanceübungen oder in verschiedenen Zusammenstellungen als kleine Suiten für den Konzertgebrauch. Eine vielseitige Sammlung, die in keinem Repertoire fehlen sollte!

Max Reger (1873-1916) a composé les 30 petits Préludes de choral pour orgue, op. 135a, dont sont extraits les dix préludes choisis pour cet arrangement pour orchestre d’harmonie. Philip Sparke est resté fidèle aux pièces originales. Le choix de l’instrumentation permet d’interpréter ces dix préludes avec une formation effectif réduit qui peut être amenée participer un office. Ces pièces peuvent également être utilisées pour effectuer une mise en lèvres ou pour travailler l’intonation, le son et l’équilibre entre les différents pupitres.

Nella sua breve vita Max Reger (1873-1916) fu un compositore molto prolifico noto per le sue composizioni per organo. Le dieci corali arrangiate da Philip Sparke fanno parte de Thirty Short Chorale Preludes Op. 135a, composte per uso liturgico piuttosto che recitativo. Questo arrangiamento tiene conto del fatto che ogni preludio può essere eseguito con una strumentazione minima. Dieci pezzi ideali anche come riscaldamento, studio dell’intonazione e del suono.