SKU: BT.1895-12-400-S

ISBN 9789043141949. 9x12 inches. English-German-French-Dutch.

12 Songs of the British Isles is a collection of favourite English melodies which Johan Nijs has inventively arranged for various instruments. The CD contains complete recordings and accompaniments of all the titles.

12 Songs of the British Isles is een verzameling van bekende melodieën, die Johan Nijs voor verschillende instrumenten bewerkte. Op de meegeleverde cd staan volledige opnamen en verrassende begeleidingen.

12 Songs of the British Isles ist eine Sammlung bekannter Melodien, die Johan Nijs für verschiedene Instrumente bearbeitete. Auf der CD finden sich neben vollständigen Aufnahmen aller Titel moderne, teils überraschende Begleitungen zum Mitspielen.

12 Songs of the British Isles est un bel ouvrage regroupant les best-sellers des mélodies britanniques, dans un arrangement réalisé par Johan Nijs. Le CD contient les enregistrements complets et des versions d'accompagnement charmantes.

12 Songs of the British Isles raccoglie molte note melodie inglese tra le quali Londonderry Air, Greensleeves, Men of Harlech, Scarborough Fair e The British Grenadiers.

SKU: BR.DV-32027

ISBN 9790200425192. 9 x 12 inches.

Bicinia - unaccompanied duos - have been known to us from the fifteenth century onwards. So quite early on it was customary tu practise this type of musical exercise, which later, especially during the Romantic period, achieved great popularity as the duo or duett. Equal numbers of this sort of instrumental duo were composed for nearly all wind and string instruments. On the other hand, only a small amount of compositions for two trumpets have come down to us. In order to play any music which progresses beyond pure fanfare on a natural (valueless) trumpet, it is necessary to make use of the clarion register (the top third of the natural harmonic). And if such a melody is to be accompanied by a second part, only the few natural notes lying below it are left, or else this high register itself, which calls for great virtuosity on the part of the trumpeter. As well as this, we must remember the fact that trumpet-playing was only allowed for the trumpeters of a royal court, army, staff, or for the field-trumpeter of a prince, plus a few council, city, and church musicians, who were bound by strict guild and corporation rules. Thus in spite of the preference for its festive sound, the spread and handing down of trumpet music was almost reduced to nothing under these circumstances. As well as this, pride of place and profession rivalry and envy amongst musicians contributed in large part. In England the situation was somewhat freer. Here pretty little trumpet duos originated, including, amongst others, those written by Handel for his master-trumpeter Valentin Snow and the Royal Sergeant-trumpeters of the Shore family. An especially happy exception was the diocese of Olmiitz. Here there was a capable group of musicians of the chapel royal with the brilliantly talented group of trumpeters and the field-trumpeter Pavel Vajvanovsky, who also composed himself. These trumpeters in the service of his prince-bishop played many sacred and secular pieces, all for several instruments. It was for them also that Heinrich Ignaz Franz Biber wrote the 12 double trumpet sonatas we present here. On the other hand, the representatives of the authorities in Germany ensured strict observation of all edicts and regulations. Even the celebrated Bach-trumpeter and towm-piper Gottfried Reiche was never allowed to be portrayed with a proper trumpet due to the priveleges of court and field trumpeters. In order to represent him as one of the greatest masters of his time and art, however, the painter placed an instrument similar to a corno-di-caccia in his hand, together with a sheet with a small piece for virtuoso clarion. When we try in spite of these difficulties and adverse circumstances to gather a collection of musically valuable and characteristic examples of popular pieces for two trumpets from the seventeenth and eighteenth centuries, it is in the first, place in order to acquaint modern trumpeters with something of the wealth of music, which can also be well played on a modern trumpet with valves. The originally used trumpets correspond to modern ones in the keys of C and D, but this does not mean that many of the pieces cannot be transposed to a more comfortable register. On top of this, we have tried to give a picture of the baroque court and field trumpeter, as well as of the mysterious clarion trumpeter, with the help of musically popular material. The origin of most of the pieces used is no longer clearly discernable. In most cases we possess second- or third-hand copies which have been handed down, and show signs of frequent use. A few cases where modernization of the second part obviously did not take place until the invention of stops, have been re-shaped into their supposed original form. A series of further dynamic details were left, and marked as optional suggestions in brackets. Kurt Janetzky

z.T. mit Pauken und B.c.

SKU: BT.DHP-1196100-404

ISBN 9789043156806. German.

Musicals sind im Grunde genommen das, was früher Operetten waren: eine spannende Bühnenshow mit viel Musik, die bei Gro� und Klein für beste Unterhaltung sorgt! Viele Melodien aus den beliebtesten Musicals unserer Tage sindbereits selbst zu Klassikern geworden. In BläserKlasse Solo Musical lernen Schüler einige davon kennen: 14 der schönsten Titel aus internationalen Musical-Erfolgen sind hier versammelt.

Die Ausgabe ist alsSolo-Mitspielheft konzipiert und steht für mehrere BläserKlassen-Instrumente in eigens dafür eingerichteten Arrangements zur Verfügung. Schüler, die nach der bewährten BläserKlassen-Methode Essential Elements lernen, werdenauch hiermit bestens zurechtkommen, da zu jedem einzelnen Song genau angegeben ist, ab welcher Lektion der Methode er sich eignet. Die stilechten Begleitungen, die online im MP3-Format abgerufen werden können, lassen so richtigSpielspa� aufkommen.