(16 carols and carol arrangements from North America). By Jerry Rubino. For SATB choir (with occasional divisions) and piano/unaccompanied. Mixed Voices. Christmas, Choral Collection. Vocal score. 128 pages. Published by Oxford University Press (OU.97801933

By Antonin Dvorak. Arranged by Ruth Elaine Schram. For SSAB choir (optional cello). Choral. Octavo. Published by Shawnee Press.

(A Choral Movement DVD). Choral DVD; DVD. Choral Movement Series. Published by Alfred Music

SATB choir, assembly, organ accompaniment, 2 octaves handbells - Beginning

SKU: GI.G-8528

Revised Order of Mass 2010. Composed by John Lee. Arranged by James Biery. Ritual Prayer. Sacred. Octavo. 12 pages. GIA Publications #8528. Published by GIA Publications (GI.G-8528).

UPC: 785147852803. English. Text Source: Revised Order of Mass 2010.

This elegant arrangement of the “Gloria” from John Lee’s Congregational Mass by James Biery contains two settings of the simple repeated melody in a falsobordone style. In the first setting, unison verses alternate with harmonized verses. Cantor, choir, and congregation may sing this setting unaccompanied or organ can be added to support the choral harmonization. The alternate setting is designed for congregations that know this piece well. Unison verses featuring a contrasting organ harmonization are sung in response to each falsobordone choral verse. This classic through-composed Gloria is an essential addition to a well-rounded choral library.  Optional 2 octaves Handbells.

Choral (SATB)

SKU: HL.35007834

Eartraining. Composed by Tomá and s Luis de Victoria. Arranged by James McKelvy. Mark Foster. Advent, Christmas Sacred, Christmas/Advent Sacred, Classical, Concert. Octavo. 8 pages. Shawnee Press #MF0404. Published by Shawnee Press (HL.35007834).

UPC: 747510051954. 7.0x10.5x0.016 inches. French.

Avoir une bonne oreille musicale fait indéniablement partie des éléments requis pour être ou devenir un bon pianiste. C’est bien simple... tout part de là ! Et tout passe par là !Mais à l’instar des doigts qui sont au contact du clavier, l’oreille doit aussi être formée et entraînée pour devenir performante. Et cela passe inévitablement par des exercicesspécifiques, tels que ceux qui vous sont proposés dans cette méthode. Savoir reconnaître les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C’estpourquoi un premier grand chapitre est consacré ici à leur étude approfondie. Dans les suivants, vous serez alors en mesure d’aborder, pas à pas, les arpèges et accords de 3 et 4 sons,ainsi que les gammes... qui sont autant d’outils indispensables pour identifier à l’oreille les mélodies et accompagnements joués par le piano. Chaque étape de l’apprentissage estponctuée d’un quiz musical, permettant d’évaluer vos acquis, vos progrès... mais aussi votre aptitude à passer à la suite. Vous trouverez sur le disque MP3 joint tous lesenregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la méthode.

Avoir une bonne oreille musicale fait indeniablement partie des elements requis pour etre ou devenir un bon pianiste. C'est bien simple... tout part de la ! Et tout passe par la ! Mais a l'instar des doigts qui sont au contact du clavier, l'oreille doit aussi etre formee et entrainee pour devenir performante. Et cela passe inevitablement par des exercices specifiques, tels que ceux qui vous sont proposes dans cette methode. Savoir reconnaitre les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C'est pourquoi un premier grand chapitre est consacre ici a leur etude approfondie. Dans les suivants, vous serez alors en mesured'aborder, pas a pas, les arpeges et accords de 3 et 4 sons, ainsi que les gammes... qui sont autant d'outils indispensables pour identifier a l'oreille les melodies et accompagnements joues par le piano. Chaque etape de l'apprentissage est ponctuee d'un quiz musical, permettant d'evaluer vos acquis, vos progres... mais aussi votre aptitude a passer a la suite. Vous trouverez sur le disque MP3 joint tous les enregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la methode.

(Guitar, Keyboard)

SKU: HP.8172

Composed by Susan Heafield. This edition: Complete. Collection. Easter Sunday, Sacred. CD. Hope Publishing Company #8172. Published by Hope Publishing Company (HP.8172).

UPC: 763628181727. Susan Heafield & Brian Wren.

Volume Two, following We Can Be Messengers Volume Two, following We Can Be Messengers.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500612

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Violin 2. 4 pages. Carus Verlag #CV 35.006/12. Published by Carus Verlag (CA.3500612).

ISBN 9790007212940. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500611

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Violin 1. 4 pages. Carus Verlag #CV 35.006/11. Published by Carus Verlag (CA.3500611).

ISBN 9790007212933. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

SATB choir, keyboard accompaniment, 2 C instruments, violin 1, violin 2, viola, cello, guitar - Early intermediate

SKU: GI.G-8208

Composed by Chris De Silva. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8208. Published by GIA Publications (GI.G-8208).

UPC: 785147820802. Latin. Text Source: From Gloria in excelsis.

A wonderful “bridge” piece of praise, “Laudamus te” celebrates and honors the traditions of different musical groups. It enables ensemble singers to experience linear, extended choral writing, while at the same time allowing the “traditional” choir to sing a simple Latin text over a piano/guitar accompaniment. The piece is rounded out by the use of strings and winds.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500614

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Cello. 4 pages. Carus Verlag #CV 35.006/14. Published by Carus Verlag (CA.3500614).

ISBN 9790007212964. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500600

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Full score. 16 pages. Carus Verlag #CV 35.006/00. Published by Carus Verlag (CA.3500600).

ISBN 9790007142605. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring.