SKU: BT.MUSAM996996
ISBN 9781849380140. English.
The Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many othertopartists.Now these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics andevenstrumming patterns!Over 180 great songs! Perfect for all players and singers!The bonus CD contains backing tracks to 16 of the songs in the book.
SKU: HL.327018
ISBN 9781540080950. UPC: 888680988647. 9.0x12.0x0.197 inches.
In recent years, looping has exploded in popularity, with countless players exploiting the newest technology to truly become “one-person bands.†From the mostly guitar-based looping of Ed Sheeran, to the vocal-heavy layering of Reggie Watts or the multi-instrument sonic walls of sound from Jacob Collier, artists of disparate genres are turning the looping concept into an art form unto itself. In Looper Pedal Guitar Lessons, author Chad Johnson breaks down everything you need to know to successfully use a looper in your rig, which includes: • Equipment–including different types of loop pedals and how to set up a live or studio looping rig • How a looper pedal works and what types of features are available • How to choose the best looper pedal for your needs • Basic techniques with a single-loop pedal • Advanced techniques possible with multi-track loopers • Using other effect pedals in conjunction with the looper • How to incorporate a mic looper to expand your possibilities further This valuable book also includes in-depth video demonstrations that give you quick tips on how to put the knowledge within this book into practice! Video is accessed online for download or streaming.
SKU: FH.VCE1
ISBN 978-1-55440-548-0.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Reaching beyond the realm of examination preparation, this series offers one comprehensive volume of Orchestral Excerpts to prepare developing cellists for standard orchestral literature and audition requirements. Bowing and fingering suggestions follow established principles of orchestral playing and are provided to assist students in making stylistically informed performance decisions.Level 5:Prelude - Cohen, MaryEtude in D Minor - Noelck, August arr. Francis GrantEtude in E Minor - Kummer, Friedrich AugustSpanish Pizzicato - Legg, PatEtude in C Major, op. 76a, no. 5 - Popper, DavidBusy Bees - Mooney, RickEtude in D Minor - Feuillard, Louis R.Etude in A flat Major - Matz, RudolfPolly Wolly Doodle - American minstrel song arr. Rick MooneyEtude in A Major - Schroeder, CarlLevel 6:Etude in D Major, op. 76a, no. 7 - Popper, DavidLooping the Loop - Cohen, MaryMetal Cellos - Mooney, RickScherzo, op. 31, no. 4 - Lee, SebastianEtude in D Minor - Matz, RudolfEtude in E Minor - Dotzauer, FriedrichMarch, op. 68, no. 2 - Kabalevsky, DmitriVocalise in G Minor - Bordogni, MarcoEtude in F Minor - Kummer, Friedrich AugustLevel 7:Gigue Positions - Legg, PatRide Like the Wind! - Cohen, MaryRussian Song - Mooney, RickDance, op. 68, no. 3 - Kabalevsky, DmitriEtude in G Major - Feuillard, Louis R.Light Bowing, op. 31, no. 15 - Lee, SebastianEtude in F Minor - Matz, RudolfEtude in G Major - Dotzauer, FriedrichEtude in B flat Major, op. 75a, no. 10 - Popper, DavidVocalise in G Major - Bordogni, MarcoEtude in G Minor, op. 57, no. 6 - Kummer, Friedrich AugustLevel 8:Etude in D Major - Matz, RudolfExercise on the Trill, op. 31, no. 20 - Lee, SebastianThe Coyote's Bark - Mooney, RickEtude in D Minor - Dotzauer, FriedrichVocalise in C Major, op. 8, no. 6 - Bordogni, MarcoEtude in D Major, op. 35, no. 2 - Franchomme, Auguste-JosephEtude in D Minor - Grant, FrancisEtude in A flat Major, op. 21, no. 12 - Buechler, FerdinandScherzo, op. 68, no. 5 - Kabalevsky, DmitriChromatic Etude - Schroeder, Carl.
SKU: HL.1158247
UPC: 749350578400. 6.25x4.0x3.0 inches.
VERTEX BUFFERS NOW AVAILABLE TO THE MASSES! For over a decade, every buffer that's come out of Vertex Effects has been custom made, bespoke, for the pedalboard it was designed for or the customer that ordered it. Needless to say, our buffers were very limited, with only a few hundred made over the last ten years. Over that time, and through hundreds of custom buffer interfaces being made, several common applications for buffer combinations and routing emerged as the most common uses as it comes to placing buffers on a pedalboard for the most optimal results. Routing schemes such as mono, stereo, audition loops (inserts), four-cable method, five-cable method, and wet/dry/wet were all common requests from our customers, but there was never an all-in-one solution that provided all of these options for buffering and routing your pedalboard in a pedalboard-friendly enclosure – until now. Introducing the Vertex Buffer Interfaces and Buffer Modules. The first all-in-one solution that covers 99% of all pedalboard routing options, whether you have multiple amps, amps with effects loop, a wet/dry/wet rig, an impedence sensitive fuzz, or want to side-chain pedals off the board in the middle of your signal path with an insert loop, these boxes have a solution for you that won't compromise on tone. WHY ARE OUR BUFFERS BETTER? Firstly, our buffers are designed to have no sound of their own – totally transparent, no color, no EQ, no distortion – just your tone as though you plugged your guitar directly into your amp with a 10ft cable (even if you're running a dozen or more pedals between the guitar and amp with over 100 ft. of cable). So often buffers in our industry will be described by the manufacturers with words like “warm†or “fat†when really the buffer should NOT be imparting anything to the sound other than 1) loading the guitar pickups properly with the same loading as your guitar would see if plugged into a tube amp and 2) converting the signle to low impedence, driving the line so it is the least susceptible to environmental factors that might alter the tone. Unfortunately, 99% of the buffers available on the market don't do this – they add a color to the signal and lack the proper specifications to dive even 20 feet of cable without introducing artifacts into the sound.
SKU: HL.438847
UPC: 852940000417. 4.5x7.25x2.606 inches.
The Carl Martin Paraloop helps to bridge the gap between digital effects and analog signals. When using digital multi-effects through amplifiers with only serial fx-loops, using the Paraloop will allow you to adjust the amount of digital fx signal or the amount of analog signal you prefer (with the Wet/Dry Control Knob), or with a Bypass switch to take the entire digital effects unit out of the loop. Allowing a certain percentage of analog signal to remain under your digitally affected signal, creates a fuller, richer tone....just ask Carl!
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