| Cello Concerto No. 2 Orchestra [Study Score / Miniature] Boosey and Hawkes
Cello; Orchestra (Study Score) SKU: HL.48024791 Cello and Orchestra St...(+)
Cello; Orchestra (Study Score) SKU: HL.48024791 Cello and Orchestra Study Score. Composed by Magnus Lindberg. Boosey & Hawkes Scores/Books. Classical. Softcover. 92 pages. Duration 1200 seconds. Boosey & Hawkes #M060136498. Published by Boosey & Hawkes (HL.48024791). ISBN 9781784545536. UPC: 888680967789. 9.0x12.0x0.243 inches. This work was composed in 2013 to a commission by the Los Angeles Philharmonic Association. It was first performed that year at WaltDisney Concert Hall, Los Angeles, by Anssi Karttunen (cello) and the Los Angeles Philharmonic, conducted by Esa-Pekka Salonen. The piece is formed in a single span lasting 20 minutes. $50.00 - See more - Buy online | | |
| Graffiti Boosey and Hawkes
Study Score Ensemble (Score) SKU: HL.48024565 Large Ensemble Study Sco...(+)
Study Score Ensemble (Score) SKU: HL.48024565 Large Ensemble Study Score. Composed by Unsuk Chin. Boosey & Hawkes Scores/Books. Classical. Softcover. 160 pages. Duration 1680 seconds. Boosey & Hawkes #M060133718. Published by Boosey & Hawkes (HL.48024565). Most of us, when confronted with the term graffiti, are likely to associate it with the rather desolate wall scrawlings all over our urban landscapes. However, this is not the whole picture: no less artists than Klee, Miro, Dubuffet, and Picasso were interestedin it (the latter painting examples himself on Parisian walls). In our time, there is the highly interesting and controversial phenomenon of Street Art, which has occasionally wittily succeeded in criticizing the commercialization of cities. At their best, street artists have been able to thwart the expectations created by omnipresent mass media and by advertising - one can find some particularly remarkable examples in metropolises such as Berlin, Paris, or New York. Though this was the initial stimulus for Graffiti, it finally branched into rather different directions: it is only very loosely, ifat all, connected to the phenomenon of Street Art (or to the visual arts). The music is not illustrative nor is it programmatic and the main idea was to compose a music which is not restricted as to time or place, and which offers strong contrasts between different modes of expression. The three movements headings give a hint of the changing modes, moods, and structures of the music. The first movement, Palimpsest,is polydimensional and many-layered; one can hear allusions to a multiplicity of styles. The second movement, Notturno urbano, forms a strong contrast to the hyperactive previous movement. It starts with distant and gradually approaching bell-like sounds, from which the whole movement's musical material is being derived. The instruments are often used in an unconventional way: the winds as well as the strings employ extended techniques, which contributes to the aloofness and the mysteriousness of the movement. The third, highly virtuosic, movement, is a kind of an 'urban passacaglia' (the name of this musical form actually derives from the Spanish 'pasar una calle', 'to walk along a street'). It consists of eight incisive chords, which are played continuously by the brass, albeit always in a different way. Two worlds collide in this movement: the brass attacks are commented upon by flitting interjections of different instruments, which are highly varied in character and length. As a whole, the musical language of Graffiti shifts between roughness and refinement, complexity and transparency. It is rich in contrast and labyrinthine, neither tonal nor atonal. Graffiti calls for great agility, virtuosity, and constant changes of perspective from the musicians; each instrument is being treated as a soloist. Graffiti was commissioned by the Los Angeles Philharmonic Association, Barbican, London; Orchestra Ensemble Kanazawa, Kunststiftung NRW and Ensemble musikFabrik. It was first performed on 26th of February 2013 by the Los Angeles Philharmonic New Music Group conducted b. $64.00 - See more - Buy online | | |
| Chorale and Tribute Orchestra [Study Score / Miniature] Boosey and Hawkes
Orchestra (Study Score) SKU: HL.48024114 Hawkes Pocket Score 1390....(+)
Orchestra (Study Score) SKU: HL.48024114 Hawkes Pocket Score 1390. Composed by Magnus Lindberg. Boosey & Hawkes Scores/Books. Classical. Softcover. 40 pages. Boosey & Hawkes #M060122408. Published by Boosey & Hawkes (HL.48024114). ISBN 9780851628363. UPC: 888680708900. 8.25x11.75 inches. Hawkes Pocket Score 1390. Chorale (2001-02), for orchestra, is a kind of musical meditation on the chorale Es ist genug from Bach's cantata O Ewigkeit, du Donnerwort, itself a harmonisation of J R Ahle's 1662 hymn. Nick Kimberley's preface outlines the context of the Bach original and refers to Alban Berg's use of the chorale in his Violin Concerto almost 300 years later. In contrast to both of these works, Lindberg's Chorale has no extra-musical agenda. The composer explains that he took the harmonic structure of the chorale and embedded it in his own harmonies. “I make an analogy with the rise and fall of the tide. When the tide is in, the sea-bed is invisible; but when the tide goes out, you see the rock formation on the sea-bed.” Tribute is a short show-piece for full orchestra composed in 2004 as a gift to celebrate the 20th anniversary of Esa-Pekka Salonen's debut with the Los Angeles Philharmonic. $23.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto for Two Flutes and Orchestra Flute and Piano Theodore Presser Co.
(For 2 Flutes and Orchestra). By Steven Stucky (1949-). For Piano, Flute I, Flut...(+)
(For 2 Flutes and Orchestra). By Steven Stucky (1949-). For Piano, Flute I, Flute II. Premiered by Anne Diener Giles and Janet Ferguson, solo Flutes; Los ANgeles Philharmonic Orchestra, Easa Pekka Salonen, conductor; February 23,1995. Classical. Set of performance scores. Standard notation. 38 pages. Duration 17:00
$56.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Let The Word Go Forth Orchestra [Score and Parts] - Advanced Jazz Lines Publications
Movement 1 from The Kennedy Dream. Composed by Oliver Nelson. Edited by D...(+)
Movement 1 from The Kennedy Dream. Composed by Oliver Nelson. Edited by Dylan Canterbury, Rob DuBoff and Jeffrey Sultanof. Jazz, Ballad. Score and parts. Published by Jazz Lines Publications (JL.JLP-7089).
$65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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