| Seven (7) AbgesAnge Auf Eine Tote Linde On Poems By Diana Kempff Sc/pts Voice/cl/vl/pno Violin and Piano [Score and Parts] Schott
Soprano, clarinet (in A and B), violin and piano SKU: HL.49017964 On p...(+)
Soprano, clarinet (in A and B), violin and piano SKU: HL.49017964 On poems by Diana Kempff. Composed by Jorg Widmann. This edition: Saddle stitching. Sheet music. Ensemble. Score and parts. Composed 1997. 80 pages. Duration 18'. Schott Music #ED20414. Published by Schott Music (HL.49017964). ISBN 9790001152938. 9.25x12.0x0.325 inches. German. Es war 1996, als mir Christoph Poppen, der damalige Leiter des Munchener Kammerorchesters, von einem kuriosen Konzert in Munsing (Ammerland) erzahlte: wahrend eines seiner Konzerte mit dem Orchester in der dortigen Kirche gab es, fur alle hor- und sichtbar, eines der grossten Unwetter, das die Region je gesehen hatte. Dabei schlug der Blitz ein in eine Art Wahrzeichen des Ortes, eine mehrere Jahrhunderte alte Linde. Unter den Zuhorern damals: die dort lebende Dichterin und Schriftstellerin Diana Kempff. Sie war unmittelbar erschuttert vom Tod der Linde und schrieb unter diesem Eindruck einige Gedichte. Christoph Poppen wiederum war - wie in vielen anderen Zusammenhangen auch - genialer Vermittler und stellte alsbald den Kontakt zu mir her. Die Idee: am Ort des Geschehens, in der Munsinger Kirche, solle ein Jahr spater die Urauffuhrung einer Art Requiem fur diesen Baum, der so vieles 'gesehen' hatte, erklingen. Im Rahmen der Holzhauser Musiktagen mit den Texten von Diana Kempff und meiner (noch zu schreibenden) Musik.Es gab bald eine wunderbare, sehr intensive Begegnung von Diana Kempff und mir, bei der sie etwas fur Schriftsteller nicht gerade Typisches tat: sie stellte mir frei, aus den vorliegenden Gedichten nach Belieben lediglich Teile, sogar nur Zeilenfragmente zu verwenden und auch die Reihenfolge nach meinen Bedurfnissen anzuordnen und zu gestalten. Sie begriff sofort (und wunschte!), dass durch die Musik ohnehin etwas Drittes, etwas ganz Anderes entstehen wurde. Die Tatsache, dass wir Monate spater eine sichtlich bewegte Diana Kempff auf die Buhne holen durfte, freute uns alle besonders. Ihre Lyrik ist Ausdruck einer offenkundig zutiefst gequalten Seele und kommt uns oft wunderlich-versponnen entgegen. Einer zerbrechlichen Zartheit steht eine bisweilen fast brutale Harte unversohnlich gegenuber. Das Schubert'sche 'Fremd bin ich eingezogen' gilt fur sie in besonderer Weise und aussert sich in ihren Versen in einer Nahe zu allem Fremden (trotz des gleichzeitigen manischen Umkreisens des Eigenen und der eigenen Erinnerung), Abseitigen und auch (bei aller gleichzeitigen Skepsis) Ubernaturlichen. Dieses geisterhaft-spukige Element versuchte ich durch meine Textauswahl und mit musikalischen Mitteln in diesen nun 'Sieben Abgesangen' zu verdeutlichen. Das erste Stuck ist eine karge Studie uber das Verrinnen der Zeit, das Nichts; das Zweite beschwort den Regen (den heilbringenden) herbei, der dann spater - wenngleich mit entsetzlicher Wirkung - auch kommt. Den dritten Abgesang habe ich 'Tanz der toten Seelen' betitelt; es ist ein Zwiefacher, der jedoch durch seine duster-halbseidene 'Wiener' Chromatik alles Liebenswurdig-Oberbayerische langst verloren hat. Das klanglich vielleicht avancierteste und dichteste Stuck ist der vierte Abgesang, der ganz aus der Perspektive der Linde selbst erzahlt wird. Der funfte Abgesang zu den Worten 'Und wenn der Tod so kommen mag' ist im Stile einer traurigen Volksweise bewusst schlicht gehalten. Wahrend der sechste Satz in seinem expressionistischen Gestus nicht ungefahrlich das Monodram streift, ist es schliesslich die Seele (die ausgehauchte, die weiterexistierende?), die wortlich den letzten Abgesang uber die Baume und die Seelen pragt. Diana Kempffs Gedichte, der Enthusiasmus Christoph Poppens, die phantastischen Urauffuhrungs-Interpreten, allen voran die Sangerin Juliane Banse, haben mich zur Komposition dieser 'Sieben Abgesange auf eine tote Linde' angeregt.Die 'Sieben Abgesange' sind nunmehr auch eine Erinnerung an die erst jungst verstorbene Diana Kempff. Jorg Widmann,im Juni 2008. $83.00 - See more - Buy online | | |
| Pax Vobis for Trompet og Piano/Orgel. Musikk-Husets Forlag A/S
By Nicolae Bogdan. For trumpet and piano/organ. Published by Musikk-Husets Forla...(+)
By Nicolae Bogdan. For trumpet and piano/organ. Published by Musikk-Husets Forlag
$41.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lieder Volume 9 High voice, Piano Barenreiter
Voice-High,Piano (High voice, Piano) SKU: BA.BA09109 Composed by Franz Sc...(+)
Voice-High,Piano (High voice, Piano) SKU: BA.BA09109 Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. High Voice. Singing Score, anthology. Baerenreiter Verlag #BA09109_00. Published by Baerenreiter Verlag (BA.BA09109). ISBN 9790006530588. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier. Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.
It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten†and “An mein Klavierâ€), the author of the words to one of his most famous songs “Die Forelleâ€/ “The Trout†(see Volume 2).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$53.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lieder Volume 9 Medium voice, Piano Barenreiter
Voice-Med.,Piano (Medium voice, Piano) SKU: BA.BA09129 Composed by Franz ...(+)
Voice-Med.,Piano (Medium voice, Piano) SKU: BA.BA09129 Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. Medium Voice. Singing Score, anthology. Baerenreiter Verlag #BA09129_00. Published by Baerenreiter Verlag (BA.BA09129). ISBN 9790006530694. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier. Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.
It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten†and “An mein Klavierâ€), the author of the words to one of his most famous songs “Die Forelleâ€/ “The Trout†(see Volume 2).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$53.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Johann Sebastian Bach: Notebook For Anna Magdalena Bach (1725)
Piano solo [Sheet music] - Intermediate Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Georg Von Dadelsen. For...(+)
Composed by Johann Sebastian Bach (1685-1750), edited by Georg Von Dadelsen. For piano (or harpsichord). Urtext of the New Bach Edition. Format: piano solo book. With introductory text. Baroque. 47 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).
(2)$20.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pax Vobis 2 Violin and Piano Musikk-Husets Forlag A/S
By Nicolae Bogdan. For violin and piano/organ. Published by Musikk-Husets Forlag...(+)
By Nicolae Bogdan. For violin and piano/organ. Published by Musikk-Husets Forlag
$29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Real Little Classical Fake Book - 2nd Edition Piano solo - Intermediate Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
$27.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Durch die Dunkelheit zum Licht Piano solo [Sheet music + CD] Edition Dux Verlag
Spielliteratur. By Anne Terzibaschitsch. For piano. 5 Klavierstucke. Published b...(+)
Spielliteratur. By Anne Terzibaschitsch. For piano. 5 Klavierstucke. Published by Edition Dux Verlag (German import).
$19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Romantic Era Piano solo Hal Leonard
55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo...(+)
55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo. Arranged by Blake Neely, Richard Walters. World's Greatest Classical Music. Size 9x12 inches. 240 pages. Published by Hal Leonard.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Eight Poems, Op. 10 Piano, Voice G. Henle
Score & Parts High Voice; Vocal (Voice and Piano) SKU: HL.51481458 For...(+)
Score & Parts High Voice; Vocal (Voice and Piano) SKU: HL.51481458 For High Voice and Piano. Composed by Richard Strauss. Henle Music Folios. Classical. Softcover. G. Henle #HN1458. Published by G. Henle (HL.51481458). UPC: 840126989601. 8.25x11.75x0.14 inches. Written in 1885, the eight songs after texts by the now little-known poet Hermann von Gilm have a special place in Richard Strauss' corpus of Lieder. For the first time, he composed an entire set of songs on texts by a single poet, collecting them into one opus that was also to appear in print. Some of the numbers in it, like Zueignung, Die Nacht, and Allerseelen, are among the most popular Strauss songs of all time, but the entire cycle with its well-planned structure is also worthy of closer examination and performance. The aspiring composer quite consciously aligns himself with the tradition ranging from Schubert to Wolf, choosing the highly Romantic subject of unrequited love and illuminating its most diverse facets. The primary source for the Henle Urtext edition is the first edition from 1887, which Strauss furnished with a dedication to the Royal Bavarian chamber singer Heinrich Vogl - a serious invitation to today's male singers not to leave these wonderful Strauss songs solely to female singers! About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Eight Poems Op. 10 Low voice, Piano G. Henle
Medium Voice; Piano Accompaniment (Low Voice) SKU: HL.51481460 Low Voi...(+)
Medium Voice; Piano Accompaniment (Low Voice) SKU: HL.51481460 Low Voice and Piano. Composed by Richard Strauss. Edited by Annette Oppermann. Henle Music Folios. Classical, Song Cycle. Softcover. 40 pages. G. Henle #HN1460. Published by G. Henle (HL.51481460). UPC: 196288093046. 8.25x11.5x0.177 inches. Written in 1885, the eight songs after texts by the now little-known poet Hermann von Gilm have a special place in Richard Strauss’corpus of Lieder. For the first time, he composed an entire set of songs on texts by a single poet, collecting them into one opus that was also to appear in print. Some of the numbers in it, like “Zueignung,†“Die Nacht,†and “Allerseelen,†are among the most popular Strauss songs of all time, but the entire cycle with its well-planned structure is also worthy of closer examination and performance. The aspiring composer quite consciously aligns himself with the tradition ranging from Schubert to Wolf, choosing the highly Romantic subject of unrequited love and illuminating its most diverse facets. The first edition of op. 10, published in 1887 for high voice, was followed during the composer's lifetime by transposed versions for middle and low registers, something that was then to become the rule for all of Strauss's songs. Henle has returned to these tried and tested transpositions for its own Urtext edition for low voice, so as to offer this wondrous song-cycle to all voice ranges. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Great Classical Themes
Piano solo [Sheet music] - Intermediate/advanced Hal Leonard
(The World's Great Classical Music) For solo piano. Format: piano solo book. Wit...(+)
(The World's Great Classical Music) For solo piano. Format: piano solo book. With introductory text and composer biographies. Classical period, romantic period, impressionistic and baroque. 240 pages. 9x12 inches. Published by Hal Leonard.
(11)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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