Piano - Intermediate

SKU: FJ.E1109

Composed by Mary Leaf. Piano Duet; Piano Supplemental; Solo Small Ensembles. The FJH Piano Ensemble Series. Score. The FJH Music Company Inc #98-E1109. Published by The FJH Music Company Inc (FJ.E1109).

UPC: 241444381168. English.

Each part plays steady, flowing eighth notes while the other part plays quarter notes in this Impressionistic piece in C major. The perpetual eighth-note movement evokes the image of smooth sailing on a windy day. The ensemble is very easy.

Piano

SKU: DB.01-00697

Fur Klavier. Composed by Gernot Wolfgang. Keyboard music. Doblinger Music Publishers #01-00697. Published by Doblinger Music Publishers (DB.01-00697).

ISBN 9790012204824.

Die Komposition besteht aus sechs miteinander verbundenen Segmenten (...) Die Segmente 1 und 3 beziehen sich deutlich auf den Road Trip, wahrend Segment 6 ein Hybrid ist. Beginnend in einer Halbtraumwelt greift das Stuck hier allmahlich auf die Klarheit des am Anfang der Komposition verwendeten musikalischen Materials zuruck. (Gernot Wolfgang)
1. Smooth Sailing - 2. Dream 1: Disjointed - 3. Open Road - 4. Dream 2: Gentle - 5. Dream 3: Storm - 6. Awaking Slowly.

By Janet Vogt. For piano. Level: Early Intermediate. Educational piano collection. Published by Heritage Music Press. (70/1499H)

By James Bastien. (Bastien Supplimentry Books). Bastien Piano. Technic. Level: Grade 4. Music Book. Size 232. Published by Neil A. Kjos Music Company.

By David Carr Glover and Louise Garrow. For Piano. Piano - Glover Library. Book. 48 pages. Published by Alfred Publishing.

Keyboard. Level: Early Intermediate/Intermediate (3/4/5). Published by Alfred Publishing.

By Melody Bober. For Piano. Written For You Collections. Each is remarkably choreographed for the Intermediate player with rhythmic verve, lush harmonies, and inspired melodies. Level: Intermediate. Solo Sheet. Published by The FJH Music Company Inc.

By Bonnie Von Reis Doe. For piano. Piano. Level: Intermediate. Music Book. Published by Neil A. Kjos Music Company.

Smooth Songs of the '70s and '80s. Arranged by Roger Emerson. Pop Choral Series. Concert, Eighties, Medley, Rock, Seventies, Show Choir, Soft Rock. Octavo. 32 pages. Duration 460 seconds. Published by Hal Leonard

String Festival Solos, Volume 1 (Violin Solo). Edited by Sel., transcr., and ed. Samuel Applebaum. For Violin Solo. String Series. Grade 1; Grade 1.5; Grade 2. Book. 16 pages. Published by Alfred Music Publishing

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

Books and Journals; Harp

SKU: UT.LB-4

Composed by Mirella Vita. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 4. Published by Ut Orpheus (UT.LB-4).

ISBN 9788881094479. 6.5 x 9.5 inches.

â??During my career spanning half a century, like all my fellow harpists I constantly had to grapple with the commonly held view that the harp has neither music nor history of its own.
Fortunately, over the years I have been able to give the lie to this myth and have tried to bring to light some of the vast repertoire, both early and modern, expressly composed for this instrument which has been treated somewhat as an outsider in the musical world.
The research work for my books on Italian and Swiss harp music was plain sailing because source materials were specific titles and title pages. Were I to write books on French, German, Austrian, British, Bohemian, Spanish, Portuguese or Scandinavian harp music, the work involved would be equally smooth and straightforward.
However, where Dutch music is concerned, the approach is rather different, because here it is the painters, treatise-writers and historians who provide the evidence and guidance necessary to discover the musical customs and traditions where the harp played a significant part.
Performers looking for pieces of music may use this book as follows: chapter II deals with treatises, chapter III with paintings, chapter IV with history and research accounts. Chapters V and VI are concerned with confusions in terminology. Chapter VII describes recent developments and chapters VIII and IX cover composers and pieces of music. Libraries and publishers are listed with their addresses in chapters X and XI, and finally chapter XII consists of the index based on the various groups of performers.
In this last chapter harpists will find the composers most suited to their programme, and can then turn to chapters VIII and IX for details. The actual pieces can be obtained by consulting chapters X and XI. I wish you every success in your search, in your rehearsals and in your concerts !
In order to define what is Dutch or non-Dutch in early music, I have followed the current approach, i.e. all art and history prior to the separation of the â??Seven Provin­ces in the 16th century is the common heritage of the Low Countries, whereas everything pertaining to those courageous lands from then onwards is specifically Dutch..

Orchestra Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.1039509

Composed by Ludwig van Beethoven. Edited by Sven Hiemke. 1x 10.395/21 flute 1, 1x 10.395/22 flute 2, 1x 10.395/23 oboe 1, 1x 10.395/24 oboe 2, 1x 10.395/25 clarinet 1, 1x 10.395/26 clarinet 2, 1x 10.395/27 bassoon 1, 1x 10.395/28 bassoon 2, 1x 10.395/31 horn 1, 1x 10.395/32 horn 2, 1x 10.395/33 horn 3, 1x 10.39. Harmony parts. Secular choral music. Set of Orchestra Parts. Op. 112. Duration 8 minutes. Carus Verlag #CV 10.395/09. Published by Carus Verlag (CA.1039509).

ISBN 9790007245320. Language: German.

Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) op. 112 for four-part mixed chorus and symphony orchestra - his setting of a pair of poems by Johann Wolfgang von Goethe - defies straightforward categorization, but can best be described as a choral ode. Beethoven in fact never voyaged by sea, but his composition, premiered in 1815, continues to surprise even today. He depicted in music the smooth surface of the motionless water and the oppressive calm, which meant nothing other than being becalmed, a delayed voyage, and short rations in the era of sailing, with the same intensity as a freshening increasing wind, with which Aeolus, the God of the winds, ultimately enabled the longed-for prosperous voyage to take place. The composed calmness of the motionless sea is conveyed in the low register used throughout, in which the chorus sings the first poem accompanied by washes of pianissimo sounds on the strings. There is a surprising moment with the musical portrayal of the ungeheuere Weite (immense breadth), at which the vocal-instrumental writing suddenly crescendos to forte and unfolds into a texture of over five octaves. By contrast Gluckliche Fahrt is written in restlessly-compiled meters, whose musical setting in flowing movement with diatonic scale passages evokes happy excitement and confidence. The work was dedicated to Johann Wolfgang von Goethe, whom Beethoven greatly admired throughout his life. The work has now been published in a new critical edition based on the first printed edition and the performance score which Beethoven himself checked and corrected. Score and parts available separately - see item CA.1039500.

By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 312 pages. Published by Hal Leonard

Orchestra Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.1039505

Composed by Ludwig van Beethoven. Edited by Sven Hiemke. Secular choral music. Choral Score. Op. 112. 8 pages. Duration 8 minutes. Carus Verlag #CV 10.395/05. Published by Carus Verlag (CA.1039505).

ISBN 9790007188139. Language: German.

Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) op. 112 for four-part mixed chorus and symphony orchestra - his setting of a pair of poems by Johann Wolfgang von Goethe - defies straightforward categorization, but can best be described as a choral ode. Beethoven in fact never voyaged by sea, but his composition, premiered in 1815, continues to surprise even today. He depicted in music the smooth surface of the motionless water and the oppressive calm, which meant nothing other than being becalmed, a delayed voyage, and short rations in the era of sailing, with the same intensity as a freshening increasing wind, with which Aeolus, the God of the winds, ultimately enabled the longed-for prosperous voyage to take place. The composed calmness of the motionless sea is conveyed in the low register used throughout, in which the chorus sings the first poem accompanied by washes of pianissimo sounds on the strings. There is a surprising moment with the musical portrayal of the ungeheuere Weite (immense breadth), at which the vocal-instrumental writing suddenly crescendos to forte and unfolds into a texture of over five octaves. By contrast Gluckliche Fahrt is written in restlessly-compiled meters, whose musical setting in flowing movement with diatonic scale passages evokes happy excitement and confidence. The work was dedicated to Johann Wolfgang von Goethe, whom Beethoven greatly admired throughout his life. The work has now been published in a new critical edition based on the first printed edition and the performance score which Beethoven himself checked and corrected. Score available separately - see item CA.1039500.