How To Play Bagpipe Method and Songbook with CD for bagpipe. This edition: Paperback. Instructional. How to Play series. Method. Book and CD. Text Language: English. 48 pages. Published by Santorella Publications

For Bagpipes (Bagpipes). Waltons Irish Music Books. Book only. 64 pages. Hal Leonard #WM1012. Published by Hal Leonard

By W. Ross. For Bagpipes. W. Ross's Collection Of Highland Bagpipe Music. Traditional. Level: Intermediate-Advanced. Sheet Music. 54 pages. Published by Paterson Ltd.

Band bagpipe - beginner

SKU: KJ.L198

Composed by Eric Bailey. Band method. Kjos Lessons with the Artist Series. Individual Methods and Studies. Method Book. Neil A. Kjos Music Company #L198. Published by Neil A. Kjos Music Company (KJ.L198).

ISBN 9780084970260.

By Eric Bailey.

By W Ross. For Bagpipes. Traditional. Sheet Music. 46 pages. Published by Paterson Ltd.

By W. Ross. For Bagpipes. Traditional. Sheet Music. 50 pages. Published by Paterson Ltd.

By James D. Wetherald. For Organ, bagpipes (C instrument). Chamber Music. Level: Medium. Published by MorningStar Music Publishers.

Audio Access Included!. Instructional. Folk, Scottish, Traditional. Softcover Audio Online. 80 pages. Published by Hal Leonard

Composed by W. Ross. Book Only. Composed 2005. 50 pages. Music Sales #MUSPAT30055. Published by Music Sales

For Bagpipes. Traditional. Level: Intermediate. Sheet Music. 210 pages. Published by Paterson Ltd.

By Queens Own. For Bagpipes. Traditional. Sheet Music. 294 pages. Published by Paterson Ltd.

By Captain John A. Maclellan. For Bagpipes. Scottish. Sheet Music. Published by Paterson Ltd.

SATB choir a cappella, bagpipe - Intermediate

SKU: MN.CH-1220

Composed by Dale Jergenson. Multi-Movement/Large Choral Work. Catholic Year C Ordinary31. 21st Century. Choral score. Duration c. 15 minutes. Laurendale Associates #CH-1220. Published by Laurendale Associates (MN.CH-1220).

It was during a short, weekend vacation cruise to Ensenada. B.C. (from Los Angeles) with the St. Cyril Choir that the idea for an Amazing Grace Mass came about. The more I thought about it, the more I liked the idea of writing for chorus and bagpipes.

The early draft used two bagpipes, but when we had a piper come to a rehearsal so that we could see how it would work, it became readily apparent that one piper would be more than enough. It was, in fact, just right. The final form of the piece was achieved by a process of progressive simplification, i.e., the bagpipe part had to be simplified in order for it to be coherent and not just noise. The chorus, needed simplification in order to compete with the sheer volume of the bagpipe during performance. Thus, the piper basically plays the tune Amazing Grace throughout each movement of the Mass, while the chorus sometimes sings the same tune, and sometimes sings uncomplicated lines against the piper melody.

The text is the full Proper of the Roman Catholic Mass in Latin.

Piano

SKU: AY.PN3058PM

Composed by Gloria Rodriguez. Keyboards - Piano. Sheet music. Duration 4'. Periferia Publishing #PN3058PM. Published by Periferia Publishing (AY.PN3058PM).

ISBN 9790543573789.

According to the distinguished musicologist Juan Bautista Varela, the Galician Treboada is a musical term out of the songbook, as its sense is merely musical. From a lexicographical point of view it means thunderstorm, storm, squall, etc. It is almost an onomatopoeic sense, due to the great noise that the bass drums, fundamental elements of the Treboada, make. The Treboada is played always on the eves of celebrations or feasts and it is played by three or five bass drums, one or two Galician bagpipes and a drum.
The dispersion area of the Treboada is much reduced, according to the poet and essayist Eliseo Alonso Rodriguez, it comprises the parishes of Forcadela and Estas, both of them belong to the town of Tomino. Xose Hernique Rodriguez Portela, from Tomino, says that they also play it on the feast of the Virgin of St. Mary of Tomino eve (Virgen del Alivio de Santa Maria de Tomino). I owe him the idea of this piece, because Xose Henrique described to me how the bass drums sound in the distance, early in the morning, like great roars along with blank bullets that are shot every time a particular house donates money for the feast and they gradually approach the house until it trembles. He sang the melody I wrote and he confessed he had heard it not long ago in the rehearsal of a popular folk group where there was only a percussionist and a Galician bagpipe player, as with the drums it is difficult to appreciate the bagpipe. I also mix the Treboada with an Alborada, because in Galicia almost all the churches have loudspeakers that play this melody at around nine o'clock in the morning, the same time that the Treboada of Tomino starts playing. Gloria Rodriguez Gil.