SKU: GH.CG-6215
ISBN 9790070039741. A4 inches. Text: Jan Arvid Hellstrom / Ingemar von Heijne (Swedish).
2 satser ur Chandos Anthem Nr. 7 sammanstallda och bearbetade for blandad kor och orgel med cello eller kontrabas ad lib (separat stamma ingar).
SKU: GH.SK-692
ISBN 9790070017695. A4 inches.
SKU: CA.2046816
ISBN 9790007196578. Key: G mixolydian. Language: Latin/German.
Score available separately - see item CA.2046800.
SKU: GH.CG-6206P
ISBN 9790070039567. A4 inches.
SKU: GH.CG-6220P
ISBN 9790070039789. A4 inches. Text: Jan Arvid Hellstrom / Ingemar von Heijne / Anders Ohrwall.
SKU: CA.7007315
ISBN 9790007082932. Key: B major. Language: Czech/German.
Score available separately - see item CA.7007300.
SKU: MN.50-0045
UPC: 688670500459.
Double texted setting (Isaiah 40/ Psalms 42-43) of FREU DICH SEHR/GENEVAN 42 that could be used for Advent or general. Purposeful contrast of chordal and plyphonic styles. ABA format.B section borders onvocal scat style. May be performed by Organ and Solo Instrument.
SKU: GH.CG-3848K
ISBN 9790070009980. 185 x 262 mm inches. Text: Biblical.
SKU: CA.9186815
ISBN 9790007235154. Language: Latin.
Score available separately - see item CA.9186800.
SKU: CA.7004713
ISBN 9790007227975. Key: C major. Language: Latin.
Score available separately - see item CA.7004700.
SKU: CA.4011014
ISBN 9790007062118. Key: D major. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
E flat major setting, transposed into D major. Score and part available separately - see item CA.4011000.
SKU: CA.1240811
ISBN 9790007027988. Language: German. Text: Maslo, Helmut. Text: Helmut Maslo.
Score available separately - see item CA.1240800.
SKU: GH.CG-7524
ISBN 9790070042017. 185 x 262 mm inches. Text: Per Olof Nisser (Swedish).
For blandad kor och orgel. Generalbasen realiserad av Lars Hallgren.
SKU: CA.4011214
ISBN 9790007062286. Key: D major. Language: Latin/English.
Setting in E flat major, transposed into D major. Score and part available separately - see item CA.4011200.
SKU: GH.SK-299
ISBN 9790070015271. 185 x 262 mm inches.
SKU: CA.9187515
ISBN 9790007235406. Key: B flat major. Language: Latin.
Score available separately - see item CA.9187500.
SKU: CA.7007615
ISBN 9790007083175. Key: D flat major. Language: Czech/German.
Score available separately - see item CA.7007600.
SKU: CA.4044614
ISBN 9790007068370. Key: B flat major. Language: Latin.
Score available separately - see item CA.4044600.
SKU: PR.114418820
ISBN 9781491113998. UPC: 680160667697.
Composed by Telemann as a double concerto for recorder and transverse flute, Zart Dombourian-Eby’s new edition is prepared for piccolo, flute, and piano — remaining compatible with available orchestral editions, and respectfully faithful to Telemann’s detailed nuances. Cast in the slow-fast, slow-fast four-movement mold typical of Baroque concert works, the CONCERTO IN E MINOR is at once among the most beautiful and exhilarating works of Telemann’s formidable output.______________________________________Text from the scanned back cover:ZART DOMBOURIAN-EBY is the Principal Piccoloist of the SeattleSymphony and is regularly featured as both a soloist and clinician in Seattle and across the world. Her performances consistently receive highest praise from both critics and audiences. A native of New Orleans, she received B.A. and M.M. degrees from Louisiana State University. After a year of study with Albert Tipton she attended Northwestern University earning a Doctor of Music degree under the tutelage of Walfrid Kujala. She has been a member of the New Orleans Pops, Baton Rouge Symphony, Colorado Philharmonic, and the Civic Orchestra of Chicago. She has performed with the Chicago Symphony and served on the faculties of the University of Washington and Pacific Lutheran University. She was the founding editor of Flute Talk and ison the Editorial Board for The Flutist Quarterly. Zart is the immediate past president of the National Flute Association, and been a featured soloist and presenter at numerous NFA conventions. Zart has commissioned numerous works, including two for piccolo and piano by Martin Amlin, sonatas by Gary Schocker and Levente Gyongyosi, and a chamber work by Ken Benshoof. She can be heard in over 100 recordings by the Seattle Symphony, and her solo CD, in shadow, light, is available on Crystal Records. Her award-winning edition of the three Vivaldi piccolo concertos is published by Theodore Presser.A native of Seattle, VALERIE SHIELDS received her B.M. summa cum laude in organ and violin from St. Olaf College. While completing her M.M. from Northwestern University, she became increasingly interested and skilled in the art of improvisation. She served as Director of Music at St. Luke’s Lutheran Church in Park Ridge, Illinois, where she developed a music program involving over 150 participants in choirs and chamber music groups.Upon her return to Seattle, she served for 12 years as director of adivision of the Northwest Girlchoir. She became organist and developed a vibrant Youth Choir at Phinney Ridge Lutheran Church, where she served for over 30 years, as well as enjoying a 20-year tenure as Music Director and Composer-in-Residence of Temple De Hirsch Sinai. Valerie’s work with children’s choirs,churches, and synagogues has inspired over 100 published compositions.When I was invited to perform a Vivaldi piccolo concerto in Italy a few years ago, my host, Luisa Sello, wrote that Carol Wincenc was going to be on the same concert, and was there any piece that we could play together? I looked and asked around, and my colleague Joanna Bassett recommended the Telemann Concerto in E Minor for Traverso and Recorder. I didn’t know the piece, but as I listened to a recording of it, I immediately loved it and could easily envision how beautifully it could work, with a few “adjustments,†for flute and piccolo. I got to work, and the current publication is the result. I have performed it many times, and enjoy it even more every time. It fits a unique place in our repertoire, and works equally well with piano as with the string orchestra setting.According to Steven D. Zohn, pre-eminent Telemann scholar, and author of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s Instrumental Works, much is unknown about the concerto itself; it likely dates from the 1720s, soon after Telemann moved to Hamburg. Only an eighteenth-century copyist’s set of parts is extant, that of Johann Samuel Endler, who was engaged at the Darmstadt court as a singer and violinist, later becoming Vice-Kapellmeister and Kapellmeister, and who had a large collection of Telemann’s works.As in my Vivaldi concertos edition (Presser 414-41190), I have added virtually all of the articulations and dynamics that appear here, and have inserted quite a bit of ornamentation. Unlike the Vivaldi edition, I have not included any indication of the original Telemann in those passages, nor have I included any pedagogical markings, such as fingerings.Finally, I would like to acknowledge, with gratitude, Joanna Bassett, Daniel Dorff, Benton Gordon, Evan Pengra-Sult, Sandra Saathoff, Valerie Shields, Carol Wincenc, and Steven Zohn, for the various roles they played in the making of this publication.— Zart Dombourian-EbyJune 2018.
SKU: OU.9780193954052
ISBN 9780193954052. 12 x 8 inches.
For SSAATTBB and organ This fine double choir setting, published to celebrate the 200th anniversary of the composer's birth, uses the two choirs to great effect, with the Gloria starting with striding imitation between the soprano and tenor (later alto and bass) over a pedal point in the organ.
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