SKU: RM.DEVO01929
ISBN 9790231019292.
SKU: RM.BAST04145
ISBN 9790231041453.
SKU: CA.3119605
ISBN 9790007210434. Language: German/English.
Especially due to the early date of its composition, from the pen of the just turned 22-year-old Johann Sebastian Bach, the cantata The Lord careth for us BWV 196 has its charm, and through its conciseness, as well as its simple scoring, it is quite accessible for performance by ensembles with only modest means. The cantata was composed on the occasion of a wedding in the 1797/08, the details of which cannot be exactly ascertained. The text of the libretto contains no freely written poetry, rather is drawn solely from the Bible (Psalm 115:12-13), there are no recitatives, and the arias are kept very short. The scoring is also of modest propoportions: In addtion to the solo voices soprano, tenor and bass, as well as a four-voice choir, only strings and basso continuo are requried. The cantata begins, as is typical early Bach cantatas, with a short instrumental sinfonia and ends, not with a chorale, but with a choral movement. Score available separately - see item CA.3119600.
SKU: CA.3000114
ISBN 9790007039417. Language: German/English.
Score available separately - see item CA.3000100.
SKU: CA.1701111
Language: all languages.
Score available separately - see item CA.1701100.
SKU: CA.2923207
ISBN 9790007109684. Language: German.
Score available separately - see item CA.2923200.
SKU: RM.BROU02444-BA
ISBN 9790231024449.
Conducteur BT Partie separee R.
SKU: CA.4076111
ISBN 9790007077099. Key: E minor. Language: Latin.
Score available separately - see item CA.4076100.
SKU: RM.BADA02388-BA
ISBN 9790231023886.
CD Rhapsodie.
SKU: GH.CG-3252U
ISBN 979-0-070-04347-2. A4 inches.
For small orchestra.
SKU: CA.4025250
ISBN 9790007104351. Key: G major. Language: Czech/German. Text: Halek, Vitezslav. Text: Vitezslav Halek.
Score available separately - see item CA.4025200.
SKU: RM.NAUL04435
ISBN 9790231044355.
SKU: RM.BARB04939-BA
ISBN 9790231049398.
SKU: RM.IMME03663-BA
ISBN 9790231036633.
SKU: PR.11441998S
UPC: 680160681730. 9 x 12 inches.
The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.
SKU: CA.3608149
ISBN 9790007239978. Language: German. Text: Hembold, Ludwig.
The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks after a meal, in the form of a strophic hymn with instrumental interludes. His sensitive approach to the textual model emphasizes inner details of the hymn, the content of which extends far beyond a mere musical grace. Score and part available separately - see item CA.3608100.
SKU: RM.BOIS02782-BA
ISBN 9790231027822.
CD Sax de voyage.
SKU: RM.MICH04619
ISBN 9790231046199.
SKU: CF.SPS69F
ISBN 9781491143513. UPC: 680160901012.
This new march from composer James Meredith is traditional in style and is based on the famous circus tune The Man on the Flying Trapeze. It is a challenging march that can stand with the marches of Sousa and Fillmore in its quality and is fun for the band and audience. The march ends with the circus tah, dah that the circus bands use to signal the end of the act and to encourage the audience to applause. We know your audiences will enjoy this piece.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version