SSATB vocal soli, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911513

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Viola. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. TVWV 1:1452. 8 pages. Duration 22 minutes. Carus Verlag #CV 39.115/13. Published by Carus Verlag (CA.3911513).

ISBN 9790007215620. Language: German.

Uns ist ein Kind geboren is one of Telemann's most beautiful Christmas cantatas, which features an opening duet for two sopranos based on Polish-Moravian folklore, as well as two substantial choral movements. The two horns allotted to the second choral movement to the text Ehre sei Gott in der Hohe can be replaced by two flutes. This is supported by a source from the Telemann tradition in Frankfurt, in which these parts are present. Score and part available separately - see item CA.3911500.

SATB vocal soli, SATB choir, 3 oboes, 3 trumpets, timpani, 2 violins, viola, cello piccolo, basso continuo

SKU: CA.3104111

Cantata for New Year's Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Jesu, Nun Sei Gepreiset. Neujahrskantate. Sacred vocal music, New year. Single Part, Violin 1. Composed 1725. BWV 41. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.041/11. Published by Carus Verlag (CA.3104111).

ISBN 9790007205782. Language: German/English.

Score available separately - see item CA.3104100.

Organ and orchestra (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.PB-5383

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Partitur-Bibliothek (Score Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Full score. 24 pages. Duration 12'. Breitkopf and Haertel #PB 5383. Published by Breitkopf and Haertel (BR.PB-5383).

ISBN 9790004209998. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Violin 3 (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5216-17

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Softcover. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 2 pages. Duration 13'. Breitkopf and Haertel #OB 5216-17. Published by Breitkopf and Haertel (BR.OB-5216-17).

ISBN 9790004332078. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2

SKU: CF.CM9742

Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742).

ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 1.2(ob d'am).0.0. - 0.0.0.0. - str - bc)

SKU: BR.PB-4594

9th Sunday after Trinity. Composed by Johann Sebastian Bach. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Full score. 32 pages. Duration 29'. Breitkopf and Haertel #PB 4594. Published by Breitkopf and Haertel (BR.PB-4594).

ISBN 9790004204672. 9 x 12 inches.

Orchestra Contrabass, Viola, Violin, Violin 1, Violin 2, Violoncello

SKU: PR.41641455L

Composed by Eric Ewazen. Contemporary. Large Score. With Standard notation. Composed 1997. 92 pages. Duration 23 minutes. Theodore Presser Company #416-41455L. Published by Theodore Presser Company (PR.41641455L).

UPC: 680160612024. 11 x 14 inches.

SATB choir, school, congregation, organ (2 trumpet, 2 trombones, tuba) - Level 2

SKU: CA.9194232

Deutsches Proprium. Composed by Gustav Biener. German title: Allerheiligen 5007501. Sacred vocal music. Single Part, Trumpet 1. 2 pages. Duration 13 minutes. Carus Verlag #CV 91.942/32. Published by Carus Verlag (CA.9194232).

Language: German.

Score available separately - see item CA.9194200.

Band - Grade 1.5

SKU: CF.FPS148F

Composed by Matthew R. Putnam. SWS. First Plus Performance Series. Full score. With Standard notation. 16 pages. Duration 2 minutes, 56 seconds. Carl Fischer Music #FPS148F. Published by Carl Fischer Music (CF.FPS148F).

ISBN 9781491148020. UPC: 680160905522. 9 x 12 inches.

Invictus Rex is the Latin phrase for an invincible or undefeatable king. It calls to mind a paragon of strength, boldness, and confidence in the face of challenges and adversity. Audiences will imagine a medieval king attired in heavy armor confidently leading his men into battle, assured in the idea that, though the battle is to be long and arduous, they will ultimately reign victorious. New composer Matthew Putnam draws on his experience as a music educator to provide us with this piece that students will absolutely love to play.

Organ and orchestra (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.PB-5216

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Full score. 16 pages. Duration 13'. Breitkopf and Haertel #PB 5216. Published by Breitkopf and Haertel (BR.PB-5216).

ISBN 9790004209929. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Violin 1 (solo: fl - 0.2.0.0. - 2.0.0.0. - str)

SKU: BR.OB-4772-15

Composed by Anton Stamitz. Edited by Walter Lebermann. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Early classical; Classical. Part. 12 pages. Duration 18'. Breitkopf and Haertel #OB 4772-15. Published by Breitkopf and Haertel (BR.OB-4772-15).

ISBN 9790004320969. 9 x 12 inches.

Men's choir (TTBB) a cappella and horn-Quartett or piano (BASS2) - advanced

SKU: HL.49028501

Aus der Operette Der Wildschutz. Composed by Albert Lortzing. Edited by Theodor Jung. Sheet music. Edition Schott. Choir part. 1 pages. Duration 3'. Schott Music #CRZ 50108-04. Published by Schott Music (HL.49028501).

ISBN 9790204004485. German.