| Fragment I Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-8259 Kyrie Eleison. Composed by Friedhelm Dohl. S...(+)
Organ SKU: BR.EB-8259 Kyrie Eleison. Composed by Friedhelm Dohl. Solo instruments; Softcover. Edition Breitkopf. World premiere: Munich, 1980 Music post-1945. Score. Composed 1980. 12 pages. Duration 12'. Breitkopf and Haertel #EB 8259. Published by Breitkopf and Haertel (BR.EB-8259). ISBN 9790004175750. 9 x 12 inches. Das Fragment Kyrie eleison fur Orgel im Fruhjahr 1980 fur Zsigmond Szathmary komponiert ist Fragment im fruher angedeuteten Sinn. Als Ausschnitt aus dem Labyrinth unserer musikalischen Moglichkeiten, als Teilausdruck von diesen. Vielleicht auch Beginn eines grosseren Zyklus.Zugleich Ruckerinnerung an meine musikalische Kindheit, als ich, die Pedale mit den Fussen kaum erreichend, auf einer Orgelbank sass in einem kleinen Dorf mit dem schonen Namen Odenspiel, improvisierend ohne Ende, traumverloren.Spater wurden Kirche wie Orgel zum Problem. In neuen Stucken nun Ausgang von einfachen Elementen (Ton und Farbe, Intervall und Cluster, periodischer und aperiodischer Rhythmus, Gestik und Feld), Versuch, entsprechend den Bedingungen der Orgel, Punkt und Linie zur Flache zu formen. Auch zu explosiven Ausbruchen.Die Tone zu Beginn und Ende bilden ein Halbtonintervall, zugleich ein stationares Tongewebe. Erinnerung eines alten Klagerituals? Versteinert als nicht mehr mogliches oder noch nicht wieder mogliches Kyrie eleison?(Friedhelm Dohl)Bibliography:Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 111-120.
World premiere: Munich, 1980. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Schubert's "Winter Journey" Piano, Voice Breitkopf & Härtel
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-clar.S-sax.muha).2(kfg.muha) - 1.1(corn [ad lib.]).1.0 - timp.perc(3) - acc(windmachine I).hp(rainmaker.windmachine II).guit(rainmaker.windmachine III) - str: 1.1.2.1.1) SKU: BR.EB-9394 A Composed Interpretation. Composed by Hans Zender. Voice; Softbound. Edition Breitkopf. World premiere: Frankfurt am Main, September 21, 1993. Song; Music post-1945. Piano/Vocal Score. Composed 1993. 120 pages. Duration 85'. Breitkopf and Haertel #EB 9394. Published by Breitkopf and Haertel (BR.EB-9394). ISBN 9790004188682. 9 x 12 inches. My lecture of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. In addition, there are further ways of reading; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase ... All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects.(Hans Zender)CDs:Hans Peter Blochwitz (Tenor), Ensemble Modern, Conductor: Hans Zender CD BMG 9026-68067-2 Christoph Pregardien (Tenor), Klangforum Wien, Conductor: Sylvain Cambreling CD Kairos 0012002KAIJulien Pregardien (Tenor), Deutsche Radio Philharmonie Kaiserslautern, Conductor: Robert Reimer2 CD's P.RHEI (2016)Bibliography:Adam-Schmidmeier, Eva-Maria von: Schubert interpretieren. Hans Zender: Schuberts Winterreise. Eine komponierte Interpretation im Unterricht, in: Musik und Unterricht Heft 96 (2009), pp. 50-56.Gruhn, Wilfried: Wider die asthetische Routine. Hans Zenders Version von Schuberts Winterreise, in: Neue Zeitschrift fur Musik 1/1997.Hebling, Harald: Kompositorische Schubertrezeption im 20. Jahrhundert, Magisterarbeit Universitat Wien 2003, especially pp. 148-157.Nonnenmann, Rainer: Vom Nutzen und Nachteil der Musikhistorie fur das Musikleben. Zur Kritik aktualisierender Interpretation am Beispiel von Hans Zenders Schuberts ,Winterreise, in: Musik und Asthetik 7, Heft 26 (April 2003), pp. 65-90.ders.: Schuberts ,Winterreise . Komponierte Interpretation von Hans Zender / Ballett von John Neumeier, in: Osterreichische Musikzeitung 60 (2005), Heft 3, p. 42f.ders.: Fremd bin ich eingezogen, fremd zieh ich wieder aus. Versuch zur Rettung der Vergangenheit Schuberts Winterreise. Eine komponierte Interpretation fur Tenor und kleines Orchester (1993) von Hans Zender, in ders.: Winterreisen. Komponierte Wege von und zu Franz Schuberts Liederzyklus aus zwei Jahrhunderten, 2 Bande (= Taschenbucher zur Musikwissenschaft, Band 150/151), Wilhelmshaven: Florian Noetzel 2006, pp. 143-205.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 11-24.Revers, Peter: ... Schnee, du weisst von meinem Sehnen. Aspekte der Schubert-Rezeption in Hans Zenders Winterreise (1993), in: Dialekt ohne Erde. Franz Schubert und das 20. Jahrhundert, hrsg. von Otto Kolleritsch, Wien-Graz 1998 (Studien zur Wertungsforschung, Band 34), pp. 98-120.Schafer-Lembeck, Hans-Ulrich: Gegenstrebige Fugungen. Hans Zenders Musik und seine komponierte Interpretation von Schuberts Winterreise, in: Neue Musik vermitteln. Analysen Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott, 2004, pp. 295-307.Stahmer, Klaus Hinrich: Bearbeitung als Interpretation - Zur Schubertrezeption Gustav Mahlers, Hans Zenders und Friedhelm Dohls, in: Franz Schubert und Gustav Mahler in der Musik der Gegenwart, Mainz 1998.Zender, Hans: warum wieder die Winterreise? Hartmut Regitz im Gesprach mit dem Komponisten, in: ballet.tanz - international.aktuell, Heft 12 (2001), p. 18.
World premiere: Frankfurt am Main, September 21, 1993. $102.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Walks and Games Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.EB-9077 14 Piano Pieces for Children. Composed by Ha...(+)
Piano SKU: BR.EB-9077 14 Piano Pieces for Children. Composed by Hans Zender. Solo instruments; Softcover. Edition Breitkopf. World premiere: Detmold, November 4, 1990 Music post-1945; New music (post-2000). Score. Composed 1990. 20 pages. Duration 10'. Breitkopf and Haertel #EB 9077. Published by Breitkopf and Haertel (BR.EB-9077). ISBN 9790004179529. 9 x 12 inches. Bibliography: Mahlert, Ulrich: Postmoderne Kinderstuecke? Zu Spazierwege und Spiele von Hans Zender, in: Ueben & Musizieren 5/1992.Nimczik, Ortwin: Leiterspiele und Kreuzwege. Gestaltungsanregungen mit zwei Klavierstucken von Hans Zender, in: Musik und Bildung 39 (2007), Heft 2, pp. 70-73.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 81-96.
World premiere: Detmold, November 4, 1990. $40.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Und ich sah wie ein glasernes Meer, mit Feuer gemischt ... Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9110 Composed by Adriana Holszky. Solo instruments; stap...(+)
Organ SKU: BR.EB-9110 Composed by Adriana Holszky. Solo instruments; stapled. Edition Breitkopf. World premiere: Nuremberg, July 5, 1997Commissioned by Internationale Orgelwoche Nurnberg Music post-1945. Score. Composed 1997. 20 pages. Duration 12'. Breitkopf and Haertel #EB 9110. Published by Breitkopf and Haertel (BR.EB-9110). ISBN 9790004181676. 12.5 x 10 inches. Der Titel bezieht sich auf ein Fragment aus der Apokalypse nach Johannes.Die Aufmerksamkeit des Horers wird in diesem Orgelwerk auf die ruhelos changierenden Klangraume gelenkt. Die Unendlichkeit dieser Raume lassen Farben entstehen wie Wellen eines allen durchflutenden Ozeans.Von Augenblick zu Augenblick wechseln gewaltige Bilder von Licht und Farbe mit geheimnisvollen, ruhenden Momenten, die wie Spaltoffnungen zu anderen Dimensionen sich verhalten.Durch Friedemann Herz hat dieses Werk den ersten idealen Interpreten gefunden.(Adriana Holszky)CD:Dominik Susteck (organ)CD WERGO WER 6789 2Bibliography:Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 97-110.
World premiere: Nuremberg, July 5, 1997, Commissioned by Internationale Orgelwoche Nurnberg. $57.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| NOUNS TO NOUNS Ib [Score] Breitkopf & Härtel
Violin(s) solo SKU: BR.EB-9216 After a Poem by E. E. Cummings. Com...(+)
Violin(s) solo SKU: BR.EB-9216 After a Poem by E. E. Cummings. Composed by Adriana Holszky. Solo instruments; Softcover. Edition Breitkopf. World premiere: Waltham/USA, March 20, 1983 Music post-1945; New music (post-2000). Score. Composed 1983. 16 pages. Duration 7'. Breitkopf and Haertel #EB 9216. Published by Breitkopf and Haertel (BR.EB-9216). ISBN 9790004184127. 8 x 11.5 inches. CD: Monika Holszky-Wiedemann (violin) Tonstudio Bauer 66472 und Koch-Schwann-Aulos 3-1417 2 Bibliography : Petersen , Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 97-110.
World premiere: Waltham/USA, March 20, 1983. $36.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Horfenster fur Franz Liszt Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.EB-9213 Composed by Adriana Holszky. Solo instruments; stap...(+)
Piano SKU: BR.EB-9213 Composed by Adriana Holszky. Solo instruments; stapled. Edition Breitkopf. World premiere: Frankfurt am Main, Alte Oper, January 8, 1989. Music post-1945; New music (post-2000). Score. Composed 1986/87. 52 pages. Duration 16'. Breitkopf and Haertel #EB 9213. Published by Breitkopf and Haertel (BR.EB-9213). ISBN 9790004184097. 9 x 12 inches. CDs: Georg Friedrich Schenck (piano) cpo 999 112 2 Tomoko Mukaiyama (piano) BV Haast 9406 Bibliography : Bozzetti , Elmar: Horfenster im Unterricht. Versuch einer musikalisch-praktischen Erarbeitung im Unterricht, in: Musik & Bildung 29 (1997), Heft 2, S. 16-18. Petersen , Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, S. 97-110.
World premiere: Frankfurt am Main, Alte Oper, January 8, 1989. $62.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Decorum Harpsichord [Score] Breitkopf & Härtel
Harpsichord SKU: BR.EB-9211 Composed by Adriana Holszky. Solo instruments...(+)
Harpsichord SKU: BR.EB-9211 Composed by Adriana Holszky. Solo instruments; Softcover. Edition Breitkopf. World premiere: Stuttgart, June 7, 1983 Music post-1945; New music (post-2000). Score. Composed 1983. 12 pages. Duration 7'. Breitkopf and Haertel #EB 9211. Published by Breitkopf and Haertel (BR.EB-9211). ISBN 9790004184073. 9.5 x 13.5 inches. CD: Maria Grossmann (harpsichord) Aulos 53595 und Koch-Schwann-Aulos 3-1417 2 Bibliography : Petersen , Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 97-110.
World premiere: Stuttgart, June 7, 1983. $34.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Concerto No. 1 in C minor op. 26 Breitkopf & Härtel
Violoncello (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-23 Urtex...(+)
Violoncello (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-23 Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15126-23. Published by Breitkopf and Haertel (BR.OB-15126-23). ISBN 9790004341919. 10 x 12.5 inches. Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.
From the early years of the clarinet concerto. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Concerto No. 1 in C minor op. 26 Breitkopf & Härtel
Violin 2 (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-16 Urtext(+)
Violin 2 (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-16 Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 15126-16. Published by Breitkopf and Haertel (BR.OB-15126-16). ISBN 9790004341896. 10 x 12.5 inches. Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.
From the early years of the clarinet concerto. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Concerto No. 1 in C minor op. 26 Breitkopf & Härtel
Viola (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-19 Urtext....(+)
Viola (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-19 Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15126-19. Published by Breitkopf and Haertel (BR.OB-15126-19). ISBN 9790004341902. 10 x 12.5 inches. Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.
From the early years of the clarinet concerto. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Concerto No. 1 in C minor op. 26 Breitkopf & Härtel
Violin 1 (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-15 Urtext(+)
Violin 1 (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-15 Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 15126-15. Published by Breitkopf and Haertel (BR.OB-15126-15). ISBN 9790004341889. 10 x 12.5 inches. Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.
From the early years of the clarinet concerto. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Concerto No. 1 in C minor op. 26 [Score] Breitkopf & Härtel
Clarinet and orchestra (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15126 ...(+)
Clarinet and orchestra (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15126 Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Partitur-Bibliothek (Score Library). From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Full score. 60 pages. Duration 20'. Breitkopf and Haertel #PB 15126. Published by Breitkopf and Haertel (BR.PB-15126). ISBN 9790004214275. 10 x 12.5 inches. Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.
From the early years of the clarinet concerto. $58.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Concerto No. 1 in C minor op. 26 Breitkopf & Härtel
Woodwinds (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-30 Urtext<...(+)
Woodwinds (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-30 Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Set of parts. 60 pages. Duration 20'. Breitkopf and Haertel #OB 15126-30. Published by Breitkopf and Haertel (BR.OB-15126-30). ISBN 9790004341933. 10 x 12.5 inches. Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.
From the early years of the clarinet concerto. $79.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Concerto No. 1 in C minor op. 26 Breitkopf & Härtel
Double bass (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-27 Urtex...(+)
Double bass (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15126-27 Urtext. Composed by Louis Spohr. Edited by Ullrich Scheideler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15126-27. Published by Breitkopf and Haertel (BR.OB-15126-27). ISBN 9790004341926. 10 x 12.5 inches. Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.
From the early years of the clarinet concerto. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Concerto No. 1 in C minor op. 26 Breitkopf & Härtel
Study score (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15145-07 Urtex...(+)
Study score (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15145-07 Urtext. Composed by Louis Spohr. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Classical. Study Score. Duration 20'. Breitkopf and Haertel #PB 15145-07. Published by Breitkopf and Haertel (BR.PB-15145-07). ISBN 9790004803394. 6.5 x 9 inches. Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition. The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.
From the early years of the clarinet concerto. $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Concerto No. 1 in C minor op. 26 Breitkopf & Härtel
Clarinet and orchestra (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15145 ...(+)
Clarinet and orchestra (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15145 Urtext. Composed by Louis Spohr. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Classical. Study Score. Duration 20'. Breitkopf and Haertel #PB 15145. Published by Breitkopf and Haertel (BR.PB-15145). ISBN 9790004803394. 6.5 x 9 inches. Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition. The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.
From the early years of the clarinet concerto. $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Allegro Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-010(+)
Concert Band/Harmonie and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-010 From the Clarinet Concerto in Eb Major, Op. 36. Composed by Franz Krommer. Arranged by Timothy Topolewski. Solo Spectrum. Solo & Concerto. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053790-010. Published by De Haske Publications (BT.DHP-1053790-010). 9x12 inches. English-German-French-Dutch. Der erste Satz des Klarinettenkonzerts, das Allegro, ist kühn und brilliant in seinen technischen Anforderungen in den schnellen Passagen und flüssig und ausdrucksvoll in den lyrischen Abschnitten. Er ist eine spannende Herausforderung für Klarinettisten von heut und war sehr wahrscheinlich ein virtuoses Stück für Klarinettisten im frühen 19. Jahrhundert.Wie so viele Komponisten der Klassik, beschrieb Krommer die Aritkulation von kaum mehr als ein paar Phrasen seiner Soli für Bläser. Infolgedessen nahmen sich die einzelnen Spieler viel Freiheiten, wo und wann sie angestoßen oder gebunden spielten. Artikulation für Bläser, genau wie Bogenbewegung für Streicher, mussflexibel in ihrer Auslegung und Durchführung sein. Die richtige Spielweise ergibt aus dem technischen Können und der Ausdrucksstärke des jeweiligen Spielers. Der Dirigent sollte dies zusammen mit seinem Solisten erarbeiten.
Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André. $211.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Allegro Concert band [Score] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053790-140 From the Clari...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053790-140 From the Clarinet Concerto in Eb Major, Op. 36. Solo Spectrum. Solo & Concerto. Score Only. Composed 2005. 64 pages. De Haske Publications #DHP 1053790-140. Published by De Haske Publications (BT.DHP-1053790-140). 9x12 inches. English-German-French-Dutch. Der erste Satz des Klarinettenkonzerts, das Allegro, ist kühn und brilliant in seinen technischen Anforderungen in den schnellen Passagen und flüssig und ausdrucksvoll in den lyrischen Abschnitten. Er ist eine spannende Herausforderung für Klarinettisten von heut und war sehr wahrscheinlich ein virtuoses Stück für Klarinettisten im frühen 19. Jahrhundert.Wie so viele Komponisten der Klassik, beschrieb Krommer die Aritkulation von kaum mehr als ein paar Phrasen seiner Soli für Bläser. Infolgedessen nahmen sich die einzelnen Spieler viel Freiheiten, wo und wann sie angestoßen oder gebunden spielten. Artikulation für Bläser, genau wie Bogenbewegung für Streicher, mussflexibel in ihrer Auslegung und Durchführung sein. Die richtige Spielweise ergibt aus dem technischen Können und der Ausdrucksstärke des jeweiligen Spielers. Der Dirigent sollte dies zusammen mit seinem Solisten erarbeiten.
Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Allegro Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-040 Fro...(+)
Concert Band and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-040 From the Clarinet Concerto in Eb Major, Op. 36. Composed by Franz Krommer. Arranged by Timothy Topolewski. Solo Spectrum. Solo & Concerto. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053790-040. Published by De Haske Publications (BT.DHP-1053790-040). 9x12 inches. English-German-French-Dutch. Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André. $211.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| PB's Folk Buch Guitar - Intermediate Voggenreiter
Guitar - intermediate SKU: M7.VOGG-85 Composed by Peter Bursch. Sheet mus...(+)
Guitar - intermediate SKU: M7.VOGG-85 Composed by Peter Bursch. Sheet music. Incl. TAB. Voggenreiter #VOGG 85. Published by Voggenreiter (M7.VOGG-85). ISBN 9783802400858. Für alte und junge Hippies Mit über 100 Songs, die sich mit Spaß singen und spielen lassen. Von den Beach Boys, Joan Baez, Bob Dylan, Simon & Garfunkel, John Denver, Reinhard Mey, Fugees u. v. a. Dazu die richtigen Griffe, gute Gitarrenbegleitungen, Tabulaturen und alle Texte. Mit Hintergrundwissen und Entstehungsgeschichte zu den Liedern und ihren Interpreten. Alles Wichtige über die Gitarre und andere Folk-Instrumente. Songliste: Alberta, All around my hat, All my trials, Amazing grace, Banana-Boat (Day-O), Banks of the Ohio, Barbara Allen, Bella ciao, Can the circle be unbroken, Catch the wind, Cocaine, Colours, Come all ye fair and tender ladies, Days of '49, Der Deserteur, Der Winter ist vergangen, Die freie Republik, Die Gedanken sind frei, Die Moorsoldaten, Donna, Donna, Drill ye tarriers, drill, East Virginia, El condor pasa, Es dunkelt schon in der Heide, Es geht ein' dunkle Wolk' herein, Es saß ein klein wild Vögelein, Es zogen einst fünf wilde Schwäne, Go down, Moses, Greensleeves, Grizzly bear, Guantanamera, Gypsy Rover, Havah nagila, Heute hier, morgen dort, House of the rising sun, Ich komme schon durch manche Land, (La Marmotte), If I had a hammer, I'll fly away, In 1841 (Paddy works on the railway), Jackaroe, John Barleycorn, Joshua fit the battle of Jericho, Kalinka, Killing me softly, Kinder, Kisses sweeter than wine, Kumbaya, Lady in black, La-le-lu, La Marmotte, (Ich komme schon durch manche Land), Lady in black, Little beggarman, Lord Franklin, Matty Groves, Mein Vater wird gesucht, Mr. Bo Jangles, Nehmt Abschied, Brüder, Oh, freedom, Oh Susanna, Pick a bale of cotton, Plaisir d'amour, Pretty Peggy-O, Puff, the magic dragon, Sag mir, wo die Blumen sind?, St. James Infirmary, Santy Anno, Scarborough Fair, Should auld acquaintance (Auld lang syne), Sloop John B., Sometimes I feel like a motherless child, Stewball, Streets of London, Take me home, country roads, The bonny lass of FYVIE-O, The circle game, The cuckoo, The Foggy Dew, The last thing on my mind, The marvelous toy, There but for fortune, Three drunken maidens, The trees they grow high, This land is your land, Three drunken maidens, Trotz alledem, Turn, turn, turn, Über den Wolken, Un as der Rebbe singt, Waxie's Dargle, Wayfaring stranger, We shall overcome, What shall we do with the drunken sailor?, Where have all the flowers gone?, Whiskey in the jar (Gilgary Mountain), Will ye go, lassie, go (Wild Mountain Thyme). $34.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Feelings Marching band [Score and Parts] - Easy De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1084465-020 Composed by Morris Alber...(+)
Fanfare Band - Grade 2.5 SKU: BT.DHP-1084465-020 Composed by Morris Albert, Louis Gasté. Arranged by John Blanken and Roland Kernen. DHP Pop, Film and Show. Pop & Rock. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1084465-020. Published by De Haske Publications (BT.DHP-1084465-020). 9x12 inches. English-German-French-Dutch. Feelings is a well-known easy listening hit that was written halfway through the 1970s, by the Brazilian singer-songwriter Morris Albert. However, the melody is derived from a French song (Pour toi) from 1957, written by Louis Gaste, who made this claim successfully. Over the years, Feelings has been performed by famous artists like Ella Fitzgerald, Frank Sinatra and Elvis Presley. Numerous arrangements have been made for various instrumentations. This arrangement by Roland Kernen does justice to the original.
Feelings is een bekende easy-listeninghit van halverwege de jaren zeventig. Het nummer werd geschreven door de Braziliaanse singer-songwriter Morris Albert. De oorspronkelijke melodie is echter afkomstig van een Frans lied(Pour toi) uit 1957, van de hand van Louis Gaste, die dit met succes claimde. In de loop der jaren is Feelings uitgevoerd door beroemde artiesten als Ella Fitzgerald, Frank Sinatra en Elvis Presley. Ook zijn er talrijkearrangementen gemaakt voor diverse bezettingen. Dit arrangement van Roland Kernen doet recht aan het origineel.
Der gefühlvolle Song Feelings machte Morris Albert, einen gebürtigen Brasilianer, im Jahre 1975 über Nacht zum Weltstar. In den folgenden Jahren sangen sich auch berühmte Künstler, wie Ella Fitzgerald, Nina Simone, Sarah Vaughan und Johnny Mathis mit dem romantischen Liebeslied in die Hitparaden. Mit der stimmungsvollen Fanfareorchesterbearbeitung von Roland Kernen bringen Sie jedes Publikum zum Schmelzen!
Auteur et chanteur de variété brésilien, Morris Albert (*1951) est surtout connu pour son succès international Feelings, sorti au milieu des années 1970. Reprise par les plus grands comme Ella Fitzgerald, Frank Sinatra et Elvis Presley, cette superbe chanson est en fait le plagiat de la chanson française Pour toi que Louis (dit Loulou) Gasté avait initialement composée en 1956 pour Dario Moreno, et que Line Renaud avait enregistrée un peu plus tard. Après huit ans de bataille juridique menée aux États-Unis (1981-1987), Loulou Gasté obtient réparation en 1988 et une reconnaissance définitive de la paternité de sa chanson. En 1975, cette chanson a été réenregistréepar Mike Brant qui la réintroduit en France sous le titre Dis-lui. Il s’agit d’une des dernières chansons enregistrée par l'artiste avant sa mort. Feelings a fait l’objet de nombreux arrangements divers et variés. Cet arrangement de Roland Kernen reste fidèle la version originale. $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Feelings Brass ensemble [Score and Parts] - Easy De Haske Publications
Brass Band - Grade 2.5 SKU: BT.DHP-1084465-030 Composed by Morris Albert,...(+)
Brass Band - Grade 2.5 SKU: BT.DHP-1084465-030 Composed by Morris Albert, Louis Gasté. Arranged by John Blanken and Roland Kernen. DHP Pop, Film and Show. Pop & Rock. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1084465-030. Published by De Haske Publications (BT.DHP-1084465-030). 9x12 inches. English-German-French-Dutch. Feelings is a well-known easy listening hit that was written halfway through the 1970s, by the Brazilian singer-songwriter Morris Albert. However, the melody is derived from a French song (Pour toi) from 1957, written by Louis Gaste, who made this claim successfully. Over the years, Feelings has been performed by famous artists like Ella Fitzgerald, Frank Sinatra and Elvis Presley. Numerous arrangements have been made for various instrumentations. This arrangement by Roland Kernen does justice to the original.
Feelings is een bekende easy-listeninghit van halverwege de jaren zeventig. Het nummer werd geschreven door de Braziliaanse singer-songwriter Morris Albert. De oorspronkelijke melodie is echter afkomstig van een Frans lied(Pour toi) uit 1957, van de hand van Louis Gaste, die dit met succes claimde. In de loop der jaren is Feelings uitgevoerd door beroemde artiesten als Ella Fitzgerald, Frank Sinatra en Elvis Presley. Ook zijn er talrijkearrangementen gemaakt voor diverse bezettingen. Dit arrangement van Roland Kernen doet recht aan het origineel.
Der gefühlvolle Song Feelings machte Morris Albert, einen gebürtigen Brasilianer, im Jahre 1975 über Nacht zum Weltstar. In den folgenden Jahren sangen sich auch berühmte Künstler, wie Ella Fitzgerald, Nina Simone, Sarah Vaughan und Johnny Mathis mit dem romantischen Liebeslied in die Hitparaden. Mit dem stimmungsvollen Brass-Band-Arangement von Roland Kernen bringen Sie jedes Publikum zum Schmelzen!
Auteur et chanteur de variété brésilien, Morris Albert (*1951) est surtout connu pour son succès international Feelings, sorti au milieu des années 1970. Reprise par les plus grands comme Ella Fitzgerald, Frank Sinatra et Elvis Presley, cette superbe chanson est en fait le plagiat de la chanson française Pour toi que Louis (dit Loulou) Gasté avait initialement composée en 1956 pour Dario Moreno, et que Line Renaud avait enregistrée un peu plus tard. Après huit ans de bataille juridique menée aux États-Unis (1981-1987), Loulou Gasté obtient réparation en 1988 et une reconnaissance définitive de la paternité de sa chanson. En 1975, cette chanson a été réenregistréepar Mike Brant qui la réintroduit en France sous le titre Dis-lui. Il s’agit d’une des dernières chansons enregistrée par l'artiste avant sa mort. Feelings a fait l’objet de nombreux arrangements divers et variés. Cet arrangement de Roland Kernen reste fidèle la version originale. $72.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Feelings Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1084465-010 Composed by Mor...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1084465-010 Composed by Morris Albert, Louis Gasté. Arranged by Roland Kernen. DHP Pop, Film and Show. Pop & Rock. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1084465-010. Published by De Haske Publications (BT.DHP-1084465-010). 9x12 inches. English-German-French-Dutch. Feelings is a well-known easy listening hit that was written halfway through the 1970s, by the Brazilian singer-songwriter Morris Albert. However, the melody is derived from a French song (Pour toi) from 1957, written by Louis Gaste, who made this claim successfully. Over the years, Feelings has been performed by famous artists like Ella Fitzgerald, Frank Sinatra and Elvis Presley. Numerous arrangements have been made for various instrumentations. This arrangement by Roland Kernen does justice to the original.
Feelings is een bekende easy-listeninghit van halverwege de jaren zeventig. Het nummer werd geschreven door de Braziliaanse singer-songwriter Morris Albert. De oorspronkelijke melodie is echter afkomstig van een Frans lied(Pour toi) uit 1957, van de hand van Louis Gaste, die dit met succes claimde. In de loop der jaren is Feelings uitgevoerd door beroemde artiesten als Ella Fitzgerald, Frank Sinatra en Elvis Presley. Ook zijn er talrijkearrangementen gemaakt voor diverse bezettingen. Dit arrangement van Roland Kernen doet recht aan het origineel.
Der gefühlvolle Song Feelings machte Morris Albert, einen gebürtigen Brasilianer, im Jahre 1975 über Nacht zum Weltstar. In den folgenden Jahren sangen sich auch berühmte Künstler, wie Ella Fitzgerald, Nina Simone, Sarah Vaughan und Johnny Mathis mit dem romantischen Liebeslied in die Hitparaden. Mit der stimmungsvollen Blasorchesterbearbeitung von Roland Kernen bringen Sie jedes Publikum zum Schmelzen!
Auteur et chanteur de variété brésilien, Morris Albert (*1951) est surtout connu pour son succès international Feelings, sorti au milieu des années 1970. Reprise par les plus grands comme Ella Fitzgerald, Frank Sinatra et Elvis Presley, cette superbe chanson est en fait le plagiat de la chanson française Pour toi que Louis (dit Loulou) Gasté avait initialement composée en 1956 pour Dario Moreno, et que Line Renaud avait enregistrée un peu plus tard. Après huit ans de bataille juridique menée aux États-Unis (1981-1987), Loulou Gasté obtient réparation en 1988 et une reconnaissance définitive de la paternité de sa chanson. En 1975, cette chanson a été réenregistréepar Mike Brant qui la réintroduit en France sous le titre Dis-lui. Il s’agit d’une des dernières chansons enregistrée par l'artiste avant sa mort. Feelings a fait l’objet de nombreux arrangements divers et variés. Cet arrangement de Roland Kernen reste fidèle la version originale. $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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