| Rock House Creek (score and parts) Vibraphone and Marimba C. Alan Publications
Composed by Nathan Daughtrey. Percussion Ensemble. For Vibraphone and Marimba (4...(+)
Composed by Nathan Daughtrey. Percussion Ensemble. For Vibraphone and Marimba (4-mallet) (vibraphone (3-octave), marimba (4.5-octave), optional mandolin, Banjo or other Bluegrass Instrument, optional drum set, optional bass). Percussion Music. Medium difficult. Score and parts. Duration 8:00. Published by C. Alan Publications
$28.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Scots Guards Standard Settings Of Pipe Music Volume 1 Bagpipe - Intermediate Paterson Ltd For Bagpipes.
Traditional. Sheet Music.
290 pages. Published by
Paterson Ltd.
(1)$53.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Broadway Presents! Teen Male Vocal Anthology
Voice solo [CD] Alfred Publishing
(A Treasury of Songs from Stage * Film Specially Designed for Teen Singers! Incl...(+)
(A Treasury of Songs from Stage * Film Specially Designed for Teen Singers! Includes Story Synopsis, Song Set-up, Audition Tips & 16-Bar Cut Suggestions). Edited by Lisa DeSpain. For Voice. Vocal Collection. Broadway. Book. 208 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tara's Theme Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043663-010 From Gone with the WInd...(+)
Concert Band/Harmonie - Grade 3
SKU: BT.DHP-1043663-010
From Gone with the WInd. Arranged by Lorenzo Bocci. DHP Pop, Film and Show. Festive and Solemn Music. Set (Score and Parts). Composed 2004. De Haske Publications #DHP 1043663-010. Published by De Haske Publications (BT.DHP-1043663-010).
Max Steiner was born in Vienna in 1888, and grew up surrounded by music. He was a student of the Imperial Academy of Music, having among his teachers Gustav Mahler. In 1936 he signed an agreement with Warner. Steiner, considered the father of symphonic music in Hollywood style. One of his most famous and popular masterworks is, without any doubt, Gone with the Wind (1939). The movie was an immediate success and won ten Academy Awards. In spite of the years passed, this movie still moves young audiences around the world. Lorenzo Bocci has chosen the song Tara?s Theme from this movie and turned the romantic music into an arrangement for concert band.
Vom Winde verweht ist einer der Filme, der heute noch Generationen vor dem Fernseher vereint. Oft gezeigt, wird jeder doch immer wieder mitgerissen von der tragischen Liebesgeschichte inmitten der Kriegswirren. Einen nicht unwichtigen Anteil an der bewegenden Atmosphäre des Filmklassikers hat die großartige Musik von Max Steiner, der als Urvater der sinfonischen Filmmusik im Hollywoodstil gilt und neben Vom Winde verweht noch zahlreiche weitere erfolgreiche Filme vertonte. Lorenzo Bocci wählte aus der Musik Tara's Theme und bearbeitete die romantische Musik zu einem Arrangement für Blasorchester. Gefühlvoll und mitreißend!
$98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Rather Bumpy Sleigh Ride Concert band FJH
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1687S Score Only. A...(+)
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1687S Score Only. Arranged by Mekel Roger. Concert Band. FJH Starter Series. Holiday Pops. Score. Duration 1:00. The FJH Music Company Inc #98-B1687S. Published by The FJH Music Company Inc (FJ.B1687S). English. What a fantastic choice for a band's first winter concert! This clever work takes snippets of several holiday favorites and combines them into a fun, unpredictable winter ride through the woods. Using only six pitches and simple eighth note rhythms, this fun arrangement will delight both students and audiences alike. About FJH Starter Series Introduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5 $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Stephen Sondheim Collection - Volume 2 Piano, Vocal and Guitar Rilting music
40 Songs from 14 Shows and Films. Composed by Stephen Sondheim (1930-). Edited...(+)
40 Songs from 14 Shows and
Films. Composed by Stephen
Sondheim (1930-). Edited by
Richard Walters. P/V/G
Composer Collection.
Softcover. 328 pages.
Published by Rilting Music,
Inc.
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Highlights from Frozen II Concert band - Intermediate Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4006500 Composed by Kristen Anders...(+)
Concert Band (Score) - Grade 3 SKU: HL.4006500 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Michael Brown. Young Concert Band. Children, Disney, Movies. Softcover. Duration 330 seconds. Published by Hal Leonard (HL.4006500). UPC: 840126908893. 9.0x12.0x0.056 inches. The highly anticipated follow-up to the original Frozen movie features an equally powerful collection of songs. This marvelous concert setting includes the haunting Vuelie chant melody along with the songs All Is Found, Some Things Never Change, Into the Unknown, Lost in the Woods, and Show Yourself. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music from Frozen II Concert band - Intermediate Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4006502 Composed by Kristen Anders...(+)
Concert Band (Score) - Grade 3 SKU: HL.4006502 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Paul Murtha. Flex-Band Grade 3. Children, Disney, Movies. Softcover. 32 pages. Duration 330 seconds. Published by Hal Leonard (HL.4006502). UPC: 840126908916. 9.0x12.0x0.069 inches. From the powerful movie blockbuster Frozen II here is an exciting and well-paced medley scored for flexible instrumentation. Included is the opening chant Vuelie followed by Some Things Never Change, Into the Unknown, Lost in the Woods, and Show Yourself. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Greatest Hits -- The '50s and Early '60s for Piano Piano, Vocal and Guitar Alfred Publishing
Over 50 Pop Music Favorites (Piano/Vocal/Guitar). Composed by various artist...(+)
Over 50 Pop Music Favorites
(Piano/Vocal/Guitar).
Composed by various artists
and composers. This edition:
Piano/Vocal/Guitar.
Artist/Personality; Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Greatest
Hits. Pop; Pop/Rock; Rock.
248 pages. Published by
Alfred Music
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Collected Songs - Intermediate Forsyth Publications
Voice, recorder (descant, sopranino) and piano - Intermediate SKU: FP.FCH01(+)
Voice, recorder (descant, sopranino) and piano - Intermediate SKU: FP.FCH01 Composed by P. Crossley-Holland. Published by Forsyths Publications (FP.FCH01). ISBN 979-0-57050-024-6. This distinguished composer (and authority on Celtic and Tibetan music) wrote many songs performed by illustrious singers, including Kathleen Ferrier. His songs include two with recorder obbligato - Fairy Workers with sopranino recorder and piano (an Irishy jeu d'esprit), and The Philosopher Bird with descant recorder and piano, (a setting of a mysterious poem especially written by his famous poet son Kevin). $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Brave Harp Hal Leonard
(Music from the Motion Picture Arranged for Harp). Arranged by Sylvia Woods. For...(+)
(Music from the Motion Picture Arranged for Harp). Arranged by Sylvia Woods. For Harp. Harp. Softcover. 28 pages. Published by Hal Leonard
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Irish Session Tune Book [Sheet music] Mel Bay
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginnin...(+)
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stephen Sondheim - 25 Selected Favorites Piano, Vocal and Guitar Hal Leonard
(Songs from 13 Shows and Films). Composed by Stephen Sondheim (1930-). For V...(+)
(Songs from 13 Shows and
Films). Composed by Stephen
Sondheim (1930-). For Vocal,
Piano/Vocal/Guitar. P/V/G
Composer Collection. 144
pages. Published by Rilting
Music, Inc.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Feel It Still Concert band [Score] - Beginner Alfred Publishing
As recorded by Portugal. The Man. Composed by John Gourley, Zach Carothers, ...(+)
As recorded by Portugal. The
Man. Composed by John
Gourley, Zach Carothers,
Jason Sechrist, Eric Howk,
Kyle O'quin, John Hill, Asa
Taccone, Robert Bateman,
Georgia Dobbins, William
Garrett, Freddy Gorman, and
Brian Holland. Arranged by
Michael Kamuf. Concert Band;
Score. Pop Beginning Band.
Pop. 16 pages. Published by
Alfred Music
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Feel It Still Concert band [Score and Parts] - Beginner Alfred Publishing
As recorded by Portugal. The Man. Composed by John Gourley, Zach Carothers, J...(+)
As recorded by Portugal. The
Man. Composed by John
Gourley, Zach Carothers,
Jason Sechrist, Eric Howk,
Kyle O'quin, John Hill, Asa
Taccone, Robert Bateman,
Georgia Dobbins, William
Garrett, Freddy Gorman, and
Brian Holland. Arranged by
Michael Kamuf. Concert Band;
Part(s); Score. Pop
Beginning Band. Pop. 156
pages. Published by Alfred
Music
$57.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full score. Duration 24 minutes. Theodore Presser Company #116-41373S. Published by Theodore Presser Company (PR.11641373S). UPC: 680160680344. The concerto has always seemed an especially attractive medium to me, not necessarily because of its expectations of virtuosity (although flaunting it when you've got it certainly has its place), and emphatically not because of the perception of a concerto as a contest, but because so much of what I write feels song-like; I'm very much at home with the age-old texture of melody and accompaniment. I hope, before I move on, to have the opportunity to write concertos for all the major instruments, and perhaps some of the rarer ones as well. The oboe is not only one of the major instruments, it is one of my favorite instruments. I've always loved its sound, but since moving to New York I have gotten to hear and, in some cases, know some extremely fine oboists who broadened my appreciation of the instrument's possibilities. I especially remember a concert, probably in the late 1960's, in which Humbert Lucarelli played a Handel concerto, filling out large melodic leaps with cascading scale passages in a way that raised the hair on the back of your neck, somewhat in the way that John Coltrane's sheets of sound did. The sweeping scales in the second movement of my concerto were definitely inspired by Bert Lucarelli's performance. The first, third and fifth movements of the Concerto for Oboe and Orchestra are song-like, whereas the second and fourth have strong scherzo and dance qualities, including a couple of sections that sound like out-and-out pirate dances to me. The hymn-like tune at the beginning of the middle movement was originally begun as a vocal piece to be sung by my wife, son and daughter at my brother's wedding, but I couldn't come up with good works for it, so it ended up as an instrumental chant. The opening and closing of the concerto make use of the oboe's uniquely soulful singing. I had not heard Pamela Woods Pecha's solo playing in person when she approached me about writing a concerto, but I had heard her fine recording of chamber music for oboe and strings by the three B's (English, that is: Bliss, Bax and Britten) with the Audubon Quartet. I actually already had some oboe concerto ideas in my sketchbooks; although I didn't end up using any of those earlier ideas, it's interesting that most of them tended to share the general feeling and tonality of the eventual opening of the concerto. The work was completed on October 13, 1994. I hate the compromises involved in making piano reductions -- perhaps I would feel differently if I were a more accomplished pianist -- so I often decide to make piano reductions for four hands rather than two. My good friend Jon Kimura Parker is a terrific sight-reader, and I roped him into coming over to my place on February 17, 1995, to help me accompany Pamela on the first read-through of the piece. The first performance of the work took place on July 21, 1995, at the American Music Festival in Duncan, Oklahoma, with Mark Parker conducting the Festival Orchestra. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large ...(+)
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large Score. Duration 24 minutes. Theodore Presser Company #116-41373L. Published by Theodore Presser Company (PR.11641373L). UPC: 680160680337. The concerto has always seemed an especially attractive medium to me, not necessarily because of its expectations of virtuosity (although flaunting it when you've got it certainly has its place), and emphatically not because of the perception of a concerto as a contest, but because so much of what I write feels song-like; I'm very much at home with the age-old texture of melody and accompaniment. I hope, before I move on, to have the opportunity to write concertos for all the major instruments, and perhaps some of the rarer ones as well. The oboe is not only one of the major instruments, it is one of my favorite instruments. I've always loved its sound, but since moving to New York I have gotten to hear and, in some cases, know some extremely fine oboists who broadened my appreciation of the instrument's possibilities. I especially remember a concert, probably in the late 1960's, in which Humbert Lucarelli played a Handel concerto, filling out large melodic leaps with cascading scale passages in a way that raised the hair on the back of your neck, somewhat in the way that John Coltrane's sheets of sound did. The sweeping scales in the second movement of my concerto were definitely inspired by Bert Lucarelli's performance. The first, third and fifth movements of the Concerto for Oboe and Orchestra are song-like, whereas the second and fourth have strong scherzo and dance qualities, including a couple of sections that sound like out-and-out pirate dances to me. The hymn-like tune at the beginning of the middle movement was originally begun as a vocal piece to be sung by my wife, son and daughter at my brother's wedding, but I couldn't come up with good works for it, so it ended up as an instrumental chant. The opening and closing of the concerto make use of the oboe's uniquely soulful singing. I had not heard Pamela Woods Pecha's solo playing in person when she approached me about writing a concerto, but I had heard her fine recording of chamber music for oboe and strings by the three B's (English, that is: Bliss, Bax and Britten) with the Audubon Quartet. I actually already had some oboe concerto ideas in my sketchbooks; although I didn't end up using any of those earlier ideas, it's interesting that most of them tended to share the general feeling and tonality of the eventual opening of the concerto. The work was completed on October 13, 1994. I hate the compromises involved in making piano reductions -- perhaps I would feel differently if I were a more accomplished pianist -- so I often decide to make piano reductions for four hands rather than two. My good friend Jon Kimura Parker is a terrific sight-reader, and I roped him into coming over to my place on February 17, 1995, to help me accompany Pamela on the first read-through of the piece. The first performance of the work took place on July 21, 1995, at the American Music Festival in Duncan, Oklahoma, with Mark Parker conducting the Festival Orchestra. $175.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Drifting - Intermediate Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3 SKU: CF.CAS113 Composed by Bruce W. Tippette. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+3+12 pages. Duration 3 minutes, 50 seconds. Carl Fischer Music #CAS113. Published by Carl Fischer Music (CF.CAS113). ISBN 9781491151327. UPC: 680160908820. 9 x 12 inches. Key: E minor. Composed by Bruce W. Tippette, Drifting?utilizes musical passages to allude to the image of something drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.. The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.. The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Standard Settings Of Pipe Music Of The Seaforth Highlanders Bagpipe [Sheet music] - Intermediate Paterson Ltd
For Bagpipes. Traditional, Folk. Level: Intermediate. Sheet Music. 136 pages. Pu...(+)
For Bagpipes. Traditional, Folk. Level: Intermediate. Sheet Music. 136 pages. Published by Paterson Ltd.
$41.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music By Me, Book One
Piano solo [Activity Books] FJH
(A Composition Workbook) Written by Kevin Olson, Wynn-Anne Rossi. Instructional ...(+)
(A Composition Workbook) Written by Kevin Olson, Wynn-Anne Rossi. Instructional book for piano. Series: FJH - Music by Me. 32 pages. Published by The FJH Music Company Inc.
(1)$8.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Broadway Songs for Kids - 2nd Edition Easy Piano - Easy Hal Leonard
Composed by Various. Easy Piano Songbook. Softcover. 80 pages. Published by Ha...(+)
Composed by Various. Easy
Piano Songbook. Softcover.
80 pages. Published by Hal
Leonard
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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