| Jarba, Mare Jarba Choral SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700). ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk. In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.). In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂ. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Destination Moon Brass ensemble [Score] - Intermediate/advanced De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1175838-130 Composed by Paul Raphael. Co...(+)
Brass Band - Grade 6 SKU: BT.DHP-1175838-130 Composed by Paul Raphael. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Score Only. Composed 2017. 79 pages. De Haske Publications #DHP 1175838-130. Published by De Haske Publications (BT.DHP-1175838-130). 9x12 inches. English-German-French-Dutch. Destination Moon was first performed by Cory Band at the 2017 European Championships in Ostend, Belgium, and is inspired by the Belgian comic-book hero Tintin. The first part is called ‘Science’ and describes the development of the theory of space travel. The second part is ‘Humanity’ which addresses human concerns and philosophies about our place in the universe. The third part is ‘The Launch’ which ends with a repetition of the words ‘Earth to Moon Rocket are you receiving me?’ as the rocket vanishes into a tiny speck in the sky.
Destination Moon werd voor het eerst vertolkt door de Cory Band, tijdens de Europese Brassband Kampioenschappen van 2017 in Oostende, België. Het werk is ge nspireerd op de avonturen van de Belgische stripheld Kuifje. Het eerste deel, ‘Science’, beschrijft de ontwikkeling van de theorie achter de ruimtevaart. Het tweede deel heet ‘Humanity’: het verklankt verschillende menselijke overwegingen en filosofieën rondom onze plaats in het universum; de titel van het derde deel is ‘The Launch’: dit gedeelte eindigt met een herhaling van de woorden ‘Earth to Moon Rocket are you receiving me?’ terwijl de raket verdwijnt tot hij nog slechts een stipje aan de hemel is.
Destination Moon wurde 2017 im Rahmen der 40. European Brass Band Championships in Ostende (Belgien) von der Cory Band uraufgeführt. Als Inspiration für das Stück diente der belgische Comic-Held Tintin (Tim und Struppi“). Der erste Teil, Science“, beschreibt die Entwicklung der Wissenschaftler im Bereich der Raumfahrt. Der zweite Teil, Humanity“, beschäftigt sich mit den menschlichen Gedanken und Philosophien über unseren Platz im Universum. Der dritte Teil, The Launch“, endet mit der Wiederholung der Worte Erde an Mondrakete können Sie mich hören?“, während die Mondrakete als winziger Fleck im Himmel verschwindet.
Interprété pour la première fois par le Cory Band aux Championnats d’Europe en 2017 Ostende, Belgique, Destination Moon s’inspire du héros belge de BD Tintin, dans Objectif Lune. La première partie au sous-titre ‘Science’ décrit la mise au point de la théorie de navigation spatiale par les scientifiques ; la deuxième partie, ‘Humanity’, aborde les inquiétudes et philosophies humaines au sujet de notre place dans l’univers ; et la troisième partie ‘The Launch’ finit par une répétition des mots ‘Earth to Moon Rocket are you receiving me ?’ tandis que la fusée disparaît dans le ciel. $50.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Le Voyage Dans La Lune Orchestra [Score] University Of York Music Press
Orchestra SKU: BT.MUSM570366699 Composed by Ed Hughes. Score Only. 62 pag...(+)
Orchestra SKU: BT.MUSM570366699 Composed by Ed Hughes. Score Only. 62 pages. University of York Music Press #MUSM570366699. Published by University of York Music Press (BT.MUSM570366699). English. Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902), written and directed by the pioneering French film-maker, Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries, as well as the science fiction of Jules Verne. At the same time his work seems fantastic, surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide to launch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon’s face) and then encounter a strange race of aliens, whom they battle and destroy. The return to earth involves a dramatic descent, a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space, and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score, which is by turns abrupt, smooth, lyrical and violent, and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted, reflecting the violent encounters with the moon’s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers’ return from their adventuring. The music could be considered to be a surreal mini-opera without voices, voicing instead the characters of the silent screen. - Ed Hughes. $29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Le Voyage Dans La Lune Orchestra University Of York Music Press
Orchestra SKU: BT.MUSM570366712 Composed by Ed Hughes. Classical. Study S...(+)
Orchestra SKU: BT.MUSM570366712 Composed by Ed Hughes. Classical. Study Score. 62 pages. University of York Music Press #MUSM570366712. Published by University of York Music Press (BT.MUSM570366712). English. Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902), written and directed by the pioneering French film-maker, Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries, as well as the science fiction of Jules Verne. At the same time his work seems fantastic, surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide to launch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon’s face) and then encounter a strange race of aliens, whom they battle and destroy. The return to earth involves a dramatic descent, a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space, and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score, which is by turns abrupt, smooth, lyrical and violent, and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted, reflecting the violent encounters with the moon’s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers’ return from their adventuring. The music could be considered to be a surreal mini-opera without voices, voicing instead the characters of the silent screen. - Ed Hughes. $27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Southland in Springtime String Orchestra [Score and Parts] - Easy Carl Fischer
By Alan Lee Silva. For string orchestra. Carl Fischer Young String Orchestra Ser...(+)
By Alan Lee Silva. For string orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Open Space Concert band [Score] - Intermediate FJH
Concert Band Concert Band - Grade 3.5 SKU: FJ.B1617S Score Only. C...(+)
Concert Band Concert Band - Grade 3.5 SKU: FJ.B1617S Score Only. Composed by Brian Balmages. Concert Band. FJH Concert Band. Programmatic. Score. Duration 8:45. The FJH Music Company Inc #98-B1617S. Published by The FJH Music Company Inc (FJ.B1617S). English. Experience the International Space Station through the power of music. This epic three-movement work musically depicts several astronauts' first-hand accounts of launch, first experiences of floating, and a breathtaking spacewalk. Movements include Launch; Floating, yet Falling; and Spacewalk. A powerful and substantial centerpiece for any program. About FJH Concert Band Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5 $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christmas! - Choral Book Word Music
SKU: WD.080689533174 Choral, cantatas. Christmas. Book. Word Music #08068...(+)
SKU: WD.080689533174 Choral, cantatas. Christmas. Book. Word Music #080689533174. Published by Word Music (WD.080689533174). UPC: 080689533174.
The word alone rings with an audible exclamation point! It is called that most wonderful time of the year for good reason... Because it is!Spring boarding off of the launch of a new line of contemporary evangelical choral products from Integrity Music, brought to you by Word Music and Church Resources, this new seasonal collection for Children's Worship Choir, simply called, Christmas!, is the freshman release in an exciting new line of Integrity music products for children's choir and children's church resources that will be coming your way via the Word Choral Club and the WordKidz Club. Adapted for children's worship choir from the successful Shout Praises Kids line of products from Integrity Music, Christmas! features 9 arrangements for kids choir, with soloists and scripture narratives. These easy-to-sing, extremely appealing songs and arrangements will be the perfect seasonal offering for your children's worship choir, and can be used as a powerful outreach tool to your community. A balanced blend of new songs, carols and hymns, Christmas! is sure to become a favorite go-to resource for your kid's choir for years to come. $10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Praise! - Choral Book Word Music
SKU: WD.080689544170 Choral, cantatas. Book. Word Music #080689544170. Pu...(+)
SKU: WD.080689544170 Choral, cantatas. Book. Word Music #080689544170. Published by Word Music (WD.080689544170). UPC: 080689544170. Moving forward with the exciting launch of a fast-growing line of new contemporary evangelical choral products from Integrity Music, this nonseasonal collection for Children’s Worship Choir, aptly named Praise!, is the sophomore Kids Choir release made available via The Word Choral Club and The WordKidz Club.
Adapted for children’s worship choir from the successful Shout Praises Kids! line of products from Integrity Music, Praise! features 10 arrangements for kids choir, with occasional solos and scripture narratives. These easy-to-sing, extremely appealing songs and arrangements will be the perfect addition to your children’s worship choir, and can be used as a powerful outreach tool from your church to the community. The carefully selected list of songs is sure to make Praise! a favorite “go-to†resource for years to come.
Highlight your presentation of Praise! with the use of the DVD Accompaniment Track, especially designed to enhance the impact of this new children’s ministry resource from Integrity Music and The WordKidz Club. $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite No. 1 Guitar Classical guitar [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308). ISBN 9782898522253. Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.
FRANCESCO BIRAGHI
Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'Ã
Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'Ã
Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'Ã
Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'Ã
Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des Ã
Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'Ã
Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.
FRANCESCO BIRAGHI. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Roger Nichols Recording Method [Book + DVD] - Intermediate Alfred Publishing
(A Primer for the 21st Century Audio Engineer). By Roger Nichols. Book; Books an...(+)
(A Primer for the 21st Century Audio Engineer). By Roger Nichols. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. 180 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Quintet Schott
Piano Quintet (Score & Parts) - difficult SKU: HL.49045531 For string ...(+)
Piano Quintet (Score & Parts) - difficult SKU: HL.49045531 For string quartet and piano. Composed by Pierre Jalbert. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 2017. 84 pages. Duration 19'. Schott Music #ED31291. Published by Schott Music (HL.49045531). ISBN 9781495094767. UPC: 888680685058. 9.0x12.0x0.401 inches. My Piano Quintet consists of four contrasting movements. The first movement, entitled Mannheim Rocket, is a modern take on the 18th-century musical technique in which a rising figure speeds up and grows louder. Marked 'Furioso', the movement is gradually filled with rising scalar figures which build in volume and finally 'launch' into space with ethereal string harmonics. At this point, the music becomes almost static, though the inner rhythm continues.The second movement, entitled Kyrie, is marked 'Still, chant-like'. The principal idea, stated between first violin and viola, is a chromatically transformed chant-like motive. It also features a long, lyrical cello line, made up exclusively of natural harmonics, emphasizing the non-tempered ('out of tune') 7th and 11th partials.The third movement is a scherzo in which the strings and piano sometimes alternate and imitate each other, reacting to each other's gestures, and at other times, combine and synchronize to produce a more blended sound. A short Trio-like section appears before the return of the scherzo music.The last movement, Pulse, is made up of perpetually moving 8th notes, sometimes harmonically static, but always pushing forward. The work is interrupted twice with short, freer sections, but always returns to its pulse-oriented nature.- Pierre Jalbert. $101.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate James Horner Film Score Collection Piano, Vocal and Guitar Amsco Wise Publications
Composed by James Horner (1953-2015). TV-Film-Musical- Show. Book Only. Compose...(+)
Composed by James Horner
(1953-2015). TV-Film-Musical-
Show. Book Only. Composed
2015. 64 pages. Wise
Publications #MUSAM1011109.
Published by Wise
Publications
$27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 50 Renaissance and Baroque Standards - English version [CD] - Beginner Anne Fuzeau Productions
With Variants, Examples and Advice for Playing and Improvising on any instrument...(+)
With Variants, Examples and Advice for Playing and Improvising on any instrument. Edited by Pascale Boquet, Gerard Rebours. Music Books/CDs. Teaching Works. Level: Grade 0. 144 pages. Published by Editions Fuzeau Classique - France (French import).
$26.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Folk Songs Around the World Choral 2-part Alfred Publishing
(2-Part choir; Unison choir) SKU: AP.50731 Arranged for Unison or 2-Pa...(+)
(2-Part choir; Unison choir) SKU: AP.50731 Arranged for Unison or 2-Part Singers. Composed by George L.O. Strid, Greg Gilpin, Jerry Lim, Mary Donnelly, Russell L. Robinson, Ruth Morris Gray, Sarah Martinez, and Victor C Johnson. Classroom/Pre-School; General Music and Classroom Publications - Songbooks; Reproducible; Songbooks. Folk; Multicultural; Secular; World. Enhanced CD. Alfred Music #00-50731. Published by Alfred Music (AP.50731). ISBN 9781470664022. UPC: 038081580456. English. Music is an inviting gateway to discover and celebrate diverse cultures. These ten authentic folk songs from around the globe are arranged for both two-part treble singers and unison voices (downloadable song sheets for both are included). Lightly orchestrated accompaniment tracks capture the unique rhythm, tone, and timbre of the West Indies, Japan, South Africa, Greece, Spain, China, Ukraine, Scotland, Ghana, and Haiti. This informed publication includes the background, pronunciation, and translation for every song, designed to launch your exploration of world music. Recommended for grades three and up. $44.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Folk Songs Around the World Choral 2-part Alfred Publishing
(2-Part choir; Unison choir) SKU: AP.50729 Arranged for Unison or 2-Pa...(+)
(2-Part choir; Unison choir) SKU: AP.50729 Arranged for Unison or 2-Part Singers. Composed by George L.O. Strid, Greg Gilpin, Jerry Lim, Mary Donnelly, Russell L. Robinson, Ruth Morris Gray, Sarah Martinez, and Victor C Johnson. Classroom/Pre-School; General Music and Classroom Publications - Songbooks; Reproducible; Songbooks. Folk; Multicultural; Secular; World. Book and Online PDF/Audio. Alfred Music #00-50729. Published by Alfred Music (AP.50729). ISBN 9781470664008. UPC: 038081580432. English. Music is an inviting gateway to discover and celebrate diverse cultures. These ten authentic folk songs from around the globe are arranged for both two-part treble singers and unison voices (downloadable song sheets for both are included). Lightly orchestrated accompaniment tracks capture the unique rhythm, tone, and timbre of the West Indies, Japan, South Africa, Greece, Spain, China, Ukraine, Scotland, Ghana, and Haiti. This informed publication includes the background, pronunciation, and translation for every song, designed to launch your exploration of world music. Recommended for grades three and up. $64.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Folk Songs Around the World Choral 2-part Alfred Publishing
(2-Part choir; Unison choir) SKU: AP.50730 Arranged for Unison or 2-Pa...(+)
(2-Part choir; Unison choir) SKU: AP.50730 Arranged for Unison or 2-Part Singers. Composed by George L.O. Strid, Greg Gilpin, Jerry Lim, Mary Donnelly, Russell L. Robinson, Ruth Morris Gray, Sarah Martinez, and Victor C Johnson. Classroom/Pre-School; General Music and Classroom Publications - Songbooks; Reproducible; Songbooks. Folk; Multicultural; Secular; World. Book and Online PDF. Alfred Music #00-50730. Published by Alfred Music (AP.50730). ISBN 9781470664015. UPC: 038081580449. English. Music is an inviting gateway to discover and celebrate diverse cultures. These ten authentic folk songs from around the globe are arranged for both two-part treble singers and unison voices (downloadable song sheets for both are included). Lightly orchestrated accompaniment tracks capture the unique rhythm, tone, and timbre of the West Indies, Japan, South Africa, Greece, Spain, China, Ukraine, Scotland, Ghana, and Haiti. This informed publication includes the background, pronunciation, and translation for every song, designed to launch your exploration of world music. Recommended for grades three and up. $34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Voyage of the Dragon Armada Concert band [Score] - Beginner FJH
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1717S Score Only. C...(+)
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1717S Score Only. Composed by Timothy Loest. Concert Band. FJH Starter Series. Multicultural. Score. Duration 1:00. The FJH Music Company Inc #98-B1717S. Published by The FJH Music Company Inc (FJ.B1717S). English. This gripping work depicts the epic voyages of China's great naval Admiral Zheng He who commanded 250 ships and 28,000 men a century before Columbus set sail for the New World. Experience a captivating pentatonic melody immersed in vivid orchestration and colorful percussion writing. An exceptional choice for your next concert and a perfect launch pad to multicultural discovery. About FJH Starter Series Introduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5 $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bernstein Century - Copland (Sony CD) Choral Hal Leonard
By Aaron Copland (1900-1990). For Choral (CD). Resource. Published by Hal Leonar...(+)
By Aaron Copland (1900-1990). For Choral (CD). Resource. Published by Hal Leonard
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Way to Heaven Concert band [Score and Parts] - Intermediate Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-010 Droga do Nieba...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-010 Droga do Nieba. Composed by Philip Sparke. Elite Series. Opening Pieces. Set (Score & Parts). Composed 2017. Anglo Music Press #AMP 426-010. Published by Anglo Music Press (BT.AMP-426-010). English-German-French-Dutch. The Way to Heaven was commissioned by the Royal Air Force Music Services. 2015 was the 75th anniversary of the Battle of Britain, which took place between July and October 1940, when the courageous fighter pilots of the Royal Air Forcethwarted Hitler’s ambitions to launch an invasion on the UK. The Way to Heaven opens with fluttering woodwind figures and brass fanfares, which build to a climax before a change of key introduces a short quotation for the Polish National Anthem - Mazurek Dbrowskiego. This fades and you can hear thesignal to scramble and the throaty sounds of the squadron’s Merlin engines bursting into life before they line up to take off. This leads to the main thematic material of the work, which depicts the heaven-bound flight of 303 Squadron as it climbs tointercept the incoming Messerschmitt 109s. A brief allusion to the Polish national anthem brings the piece to a triumphant close.
The Way to Heaven is geschreven in opdracht van de Britse Royal Air Force Music Services. In 2015 was het 75 jaar geleden dat de Slag om Engeland plaatsvond, tussen juli en oktober 1940, toen de moedige gevechtspiloten van de Royal Air Forcede ambities van Hitler om het Verenigd Koninkrijk tot capitulatie te dwingen wisten te dwarsbomen. The Way to Heaven opent met ‘dwarrelende’ motieven in het hout en koperfanfares, die worden opgebouwd tot een climax voordat een modulatie een kort citaat van het Poolse volkslied Mazurek Dbrowskiego introduceert. Dit sterft weg endan horen we het alarmsignaal voor het opstijgen van de vliegtuigen, en het schorre geluid van de Merlin-motoren voordat de gevechtstoestellen de lucht in gaan. Dit leidt tot het belangrijkste thematische materiaal van het werk, dat de ‘vlucht naarde hemel’ van het 303 Squadron beschrijft tijdens de klim omhoog met als doel het onderscheppen van de Duitse Messerschmitts Bf 109. Een toespeling op het Poolse volkslied brengt het werk naar zijn triomfantelijke slot.
The Way to Heaven wurde von den Royal Air Force Music Services in Auftrag gegeben. 2015 jährte sich die Luftschlacht um England, die von Juli bis Oktober 1940 stattgefunden hat, zum 75. Mal. Die mutigen Jagdflieger der Royal Air Force hattenHitlers Ambitionen einer Invasion Englands verhindert. The Way to Heaven beginnt mit einer unruhigen Figur in den Holzbläsern und mit Blechbläser-Fanfaren, die sich zu einem Höhepunkt aufbauen, bevor ein Tonartwechsel einen kurzen Verweis auf die polnische Nationalhymne Mazurek Dbrowskiego“ einleitet. Dies verklingt langsam und man hört das Signal zum Kampf und das Dröhnen der Merlin-Triebwerke der Staffeln, die vor dem Start zum Leben erwachen und sich aufstellen. Dies führt zum Hauptthema des Werkes, das den Flug in den Himmel vonStaffel 303 beschreibt, um die herankommenden Messerschmidt 109 abzufangen. Es klingt nochmals kurz die polnische Nationalhymne an, bevor das Stück mit einem triumphalen Schluss endet.
The Way to Heaven est une commande des services de musique de la Royal Air Force. 2015 a marqué le 75e anniversaire de la Bataille d’Angleterre qui eut lieu de juillet octobre 1940, et durant laquelle les courageux pilotes de chasse de laRoyal Air Force entravèrent les ambitions d’Hitler d’envahir le Royaume-Uni. The Way to Heaven commence par des motifs tremblants pour bois et des fanfares de cuivres qui se développent vers une apogée ; ensuite une modulation introduit une courte citation de l’hymne national polonais, Mazurek Dbrowskiego. Alorsque ces idées s’affaiblissent, on entend le signal pour décoller en urgence, puis le son rauque des moteurs Merlin de l’escadron mis en marche, avant que les avions ne s’alignent pour décoller. Ceci mène au matériel thématique principal de l’œuvrequi dépeint le vol vers le ciel de l’escadron 303 alors qu’il monte pour intercepter les Messerschmitt 109 entrants. Une brève allusion l’hymne national polonais mène la fin triomphante de l’œuvre.
Way to Heaven (La strada per il Paradiso) è stata commissionato dai Servizi Musicali della Royal Air Force britannica. Nel 2015 è stato ricordato il 75° anniversario della Battaglia d'Inghilterra, che ebbe luogo tra luglio e ottobre del 1940, quando i coraggiosi piloti della RAF impedirono le ambizioni di Hitler, che voleva invadere il Regno Unito. $140.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Way to Heaven Concert band [Score] - Intermediate Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-140 Droga do Nieba...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-140 Droga do Nieba. Composed by Philip Sparke. Elite Series. Opening Pieces. Score Only. Composed 2017. Anglo Music Press #AMP 426-140. Published by Anglo Music Press (BT.AMP-426-140). English-German-French-Dutch. The Way to Heaven was commissioned by the Royal Air Force Music Services. 2015 was the 75th anniversary of the Battle of Britain, which took place between July and October 1940, when the courageous fighter pilots of the Royal Air Forcethwarted Hitler’s ambitions to launch an invasion on the UK. The Way to Heaven opens with fluttering woodwind figures and brass fanfares, which build to a climax before a change of key introduces a short quotation for the Polish National Anthem - Mazurek Dbrowskiego. This fades and you can hear thesignal to scramble and the throaty sounds of the squadron’s Merlin engines bursting into life before they line up to take off. This leads to the main thematic material of the work, which depicts the heaven-bound flight of 303 Squadron as it climbs tointercept the incoming Messerschmitt 109s. A brief allusion to the Polish national anthem brings the piece to a triumphant close.
The Way to Heaven<+O> is geschreven in opdracht van de Britse Royal Air Force Music Services. In 2015 was het 75 jaar geleden dat de Slag om Engeland plaatsvond, tussen juli en oktober 1940, toen de moedige gevechtspiloten van de Royal Air Forcede ambities van Hitler om het Verenigd Koninkrijk tot capitulatie te dwingen wisten te dwarsbomen. The Way to Heaven opent met ‘dwarrelende’ motieven in het hout en koperfanfares, die worden opgebouwd tot een climax voordat een modulatie een kort citaat van het Poolse volkslied Mazurek Dbrowskiego introduceert. Dit sterft weg endan horen we het alarmsignaal voor het opstijgen van de vliegtuigen, en het schorre geluid van de Merlin-motoren voordat de gevechtstoestellen de lucht in gaan. Dit leidt tot het belangrijkste thematische materiaal van het werk, dat de ‘vlucht naarde hemel’ van het 303 Squadron beschrijft tijdens de klim omhoog met als doel het onderscheppen van de Duitse Messerschmitts Bf 109. Een toespeling op het Poolse volkslied brengt het werk naar zijn triomfantelijke slot.
The Way to Heaven wurde von den Royal Air Force Music Services in Auftrag gegeben. 2015 jährte sich die Luftschlacht um England, die von Juli bis Oktober 1940 stattgefunden hat, zum 75. Mal. Die mutigen Jagdflieger der Royal Air Force hattenHitlers Ambitionen einer Invasion Englands verhindert. The Way to Heaven beginnt mit einer unruhigen Figur in den Holzbläsern und mit Blechbläser-Fanfaren, die sich zu einem Höhepunkt aufbauen, bevor ein Tonartwechsel einen kurzen Verweis auf die polnische Nationalhymne Mazurek Dbrowskiego“ einleitet. Dies verklingt langsam und man hört das Signal zum Kampf und das Dröhnen der Merlin-Triebwerke der Staffeln, die vor dem Start zum Leben erwachen und sich aufstellen. Dies führt zum Hauptthema des Werkes, das den Flug in den Himmel vonStaffel 303 beschreibt um die herankommenden Messerschmidt 109 abzufangen. Es klingt nochmals kurz die polnische Nationalhymne an, bevor das Stück mit einem triumphalen Schluss endet.
The Way to Heaven est une commande des services de musique de la Royal Air Force. 2015 a marqué le 75e anniversaire de la Bataille d’Angleterre qui eut lieu de juillet octobre 1940, et durant laquelle les courageux pilotes de chasse de laRoyal Air Force entravèrent les ambitions d’Hitler d’envahir le Royaume-Uni. The Way to Heaven commence par des motifs tremblants pour bois et des fanfares de cuivres qui se développent vers une apogée ; ensuite une modulation introduit une courte citation de l’hymne national polonais, Mazurek Dbrowskiego. Alorsque ces idées s’affaiblissent, on entend le signal pour décoller en urgence, puis le son rauque des moteurs Merlin de l’escadron mis en marche, avant que les avions ne s’alignent pour décoller. Ceci mène au matériel thématique principal de l’œuvrequi dépeint le vol vers le ciel de l’escadron 303 alors qu’il monte pour intercepter les Messerschmitt 109 entrants. Une brève allusion l’hymne national polonais mène la fin triomphante de l’œuvre.
Way to Heaven (La strada per il Paradiso) è stata commissionato dai Servizi Musicali della Royal Air Force britannica. Nel 2015 è stato ricordato il 75° anniversario della Battaglia d'Inghilterra, che ebbe luogo tra luglio e ottobre del 1940, quando i coraggiosi piloti della RAF impedirono le ambizioni di Hitler, che voleva invadere il Regno Unito. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Aaron Copland: The Music of an Uncommon Man Hal Leonard
Choral (clASSrm kit) SKU: HL.9971239 Lessons and Activities Based on t...(+)
Choral (clASSrm kit) SKU: HL.9971239 Lessons and Activities Based on the Works of Aaron Copland. Resource. Americana, Classical, Classroom Resources, Music History. Published by Hal Leonard (HL.9971239). ISBN 9781423461845. UPC: 884088270995. 8.5x11 inches. Patrick Bolek/Norma Freeman/Linda Rann. We are pleased to announce the launch of the Leonard Bernstein Young People's Classics, a new series for the music classroom that presents essential selections from the Leonard Bernstein recorded library with units of study built around them. The first in this series features some of the more popular works of Aaron Copland, including Fanfare for the Common Man, and his ballets Billy the Kid, Appalachian Spring and Rodeo.
Make music listening engaging and active with beautifully-designed full-color listening maps, easy-to-follow lesson plans and full-length recorded orchestral versions of Copland's music. Included in the Classroom Kit is the Bernstein Century Copland CD featuring Leonard Bernstein conducting the New York Philharmonic. The Enhanced CD in the Teacher book contains audio folksong recordings, full-color PDFs of the student booklet, student handouts and bonus materials, all for duplication or projection.
Part II features an in-depth study of Copland's ballet Rodeo, specifically “Hoe-down,” based on the Artful Learning transformative learning system inspired by Leonard Bernstein. Working together in learning centers, students engage in cross-curricular activities that are incorporated into the music lessons. Available separately: Teacher Book/Enhanced CD, Student Book 5-Pak, the Bernstein Century Copland CD, and a Classroom Kit (1 Teacher Edition/Enhanced CD, 20 Student Books, 1 Copland CD). Suggested for Grades 5-9. $119.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bolivian Fantasy Jazz Ensemble [Score and Parts] - Intermediate Hal Leonard
Composed by Michael Philip Mossman. Professional Editions-Jazz Ens. Jazz, Lat...(+)
Composed by Michael Philip
Mossman. Professional
Editions-Jazz Ens. Jazz,
Latin. Softcover. Published
by Hal Leonard
$60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 1944 Concert band - Intermediate/advanced Molenaar Edition
Concert Band - Grade 6 SKU: ML.013702080 Composed by Alex Poelman. Full s...(+)
Concert Band - Grade 6 SKU: ML.013702080 Composed by Alex Poelman. Full set. Molenaar Edition #013702080. Published by Molenaar Edition (ML.013702080). At the end of 1944, Allied troops invaded the Netherlands from Belgium. Hope and longing for freedom, which now seemed so close, swept through the Netherlands: Operation Market Garden was launched. Huge numbers of paratroopers made the dangerous jump to take over enemy territory on the south side of the Rhine. Fierce fighting and attempts to cross and secure the river resulted in heavy casualties for the liberating forces. Ground support from the south came too late and there was no alternative but to call off Operation Market Garden. What looked like a quick liberation of the Netherlands turned into a long, bitter struggle. To make matters worse, a harsh winter followed: hunger and cold ate away at hope and the prospect of a liberated Netherlands. The composition 1944 uses original radio fragments from 1944 to describe these events.
Download the electronic sounds:fragmentADownload the electronic sounds:fragmentBDownload the electronic sounds:fragmentCDownload the electronic sounds:fragmentDEind 1944 vielen geallieerde troepen vanuit België Nederland binnen. Hoop en verlangen naar vrijheid, die nu zo dichtbij leek, golfden door Nederland: Operatie Market Garden werd gelanceerd. Enorme aantallen parachutisten maakten de gevaarlijke sprong om vijandelijk gebied aan de zuidkant van de Rijn in te nemen. Hevige gevechten en pogingen om de rivier over te steken en veilig te stellen resulteerden in zware verliezen voor de bevrijdende troepen. Grondsteun vanuit het zuiden kwam te laat en er was geen alternatief dan Operatie Market Garden af te blazen. Wat leek op een snelle bevrijding van Nederland veranderde in een lange, bittere strijd. Tot overmaat van ramp volgde er een strenge winter: honger en kou vrat de hoop en het vooruitzicht op een bevrijd Nederland weg. De compositie 1944 gebruikt originele radiofragmenten uit 1944 om deze gebeurtenissen te beschrijven.<< Download the electronic sounds:fragmentADownload the electronic sounds:fragmentBDownload the electronic sounds:fragmentCDownload the electronic sounds:fragmentDFin 1944, les troupes alliées envahissent les Pays-Bas à partir de la Belgique. L'espoir et la nostalgie de la liberté, qui semble désormais si proche, envahissent les Pays-Bas : L'opération Market Garden est lancée. D'innombrables parachutistes font le dangereux saut pour s'emparer du territoire ennemi sur la rive sud du Rhin. Les combats acharnés et les tentatives pour traverser et sécuriser le fleuve se soldent par de lourdes pertes pour les forces libératrices. Le soutien terrestre en provenance du sud arrive trop tard et il n'y a pas d'autre choix que d'annuler l'opération Market Garden. Ce qui s'annonçait comme une libération rapide des Pays-Bas s'est transformé en une lutte longue et acharnée. Pour ne rien arranger, un hiver rigoureux a suivi : la faim et le froid ont rongé l'espoir et la perspective d'une libération des Pays-Bas. La composition 1944 utilise des fragments radiophoniques originaux de 1944 pour décrire ces événements. Download the electronic sounds:fragmentADownload the electronic sounds:fragmentBDownload the electronic sounds:fragmentCDownload the electronic sounds:fragmentDEnde 1944 marschierten die alliierten Truppen von Belgien aus in die Niederlande ein. Die Hoffnung und die Sehnsucht nach der Freiheit, die nun so nah zu sein schien, überkam die Niederlande: Die Operation Market Garden wurde gestartet. Zahlreiche Fallschirmjäger wagen den gefährlichen Absprung, um das feindliche Gebiet auf der Südseite des Rheins zu erobern. Heftige Kämpfe und Versuche, den Fluss zu überqueren und zu sichern, forderten schwere Verluste für die Befreiungstruppen. Die Bodenunterstützung aus dem Süden kam zu spät und es gab keine andere Möglichkeit, als die Operation Market Garden abzubrechen. Was nach einer schnellen Befreiung der Niederlande aussah, wurde zu einem langen, erbitterten Kampf. Zu allem Überfluss folgte ein harter Winter: Hunger und Kälte zehrten an der Hoffnung und der Aussicht auf befreite Niederlande. In der Komposition 1944 werden diese Ereignisse anhand von Original-Funkfragmenten aus dem Jahr 1944 beschrieben. Download the electronic sounds:fragmentADownload the electronic sounds:fragmentBDownload the electronic sounds:fragmentCDownload the electronic sounds:fragmentD $251.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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