| Ryan's Mammoth Collection of Fiddle Tunes Violin [Sheet music] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Tribute to Gershwin Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094651-010 Composed by Georg...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094651-010 Composed by George Gershwin. Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094651-010. Published by De Haske Publications (BT.DHP-1094651-010). 9x12 inches. English-German-French-Dutch. Naohiro Iwai, the master of entertaining concert band arrangements, has selected four songs from the wide repertoire of George Gershwin for this wonderful medley. A fitting tribute to one of the all time jazz masters.
De componist Naohiro Iwai gebruikte vier hitsongs van Georg Gershwinvoor deze prachtige medley: Swanee, Gershwins eerste grote hit uit 1924, Oh, Lady Be Good - onvergetelijk in de uitvoering van Ella Fitzgerald - evenalsSomeone to Watch Over Me en S’ Wonderful.
Naohiro Iwai, der Meister der unterhaltsamen Blasorchesterarrangements wählte vier Songs von George Gershwin für dieses wundervolle Medley: Swanee, Gershwins ersten großen Hit von 1924, Oh, Lady Be Good - unvergessen in Ella Fitzgeralds Interpretation - sowie Someone to Watch Over Me und S’ Wonderful, die beide ins Great American Songbook aufgenommen wurden.
George Gershwin (1898-1937) commença sa carrière de musicien dans les milieux du music-hall avant d’être admis dans la sphère ‘classique’ gr ce au succès retentissant de Rhapsody in Blue (1924). Naohiro Iwai conjugue quatre chansons de cet éblouissant pianiste de jazz et mélodiste de génie dans un medley enchanteur et pétillant.
George Gerswhin (1898-1937) iniziò la sua carriera di musicista nelle music-hall prima di essere ammesso nella sfera “classica†grazie al successo di Rhapsody in Blue del 1924. Naohiro Iwai raccoglie quattro canzoni di questo indimenticabile pianista jazz in un medley che incanter il pubblico. $155.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Die Gesangstexte Von Tschaikowskys Romanzen, Liedern Und Duetten Schott
SKU: HL.49044515 Book (German). Composed by Thomas Kohlhase. This ...(+)
SKU: HL.49044515 Book (German). Composed by Thomas Kohlhase. This edition: Paperback/Soft Cover. Book. Misc. Classical. Softcover. 448 pages. Schott Music #ED22238. Published by Schott Music (HL.49044515). ISBN 9783795708788. German. Author: Thomas Kohlhase. In einer Zeit, als viele Werke Tschaikowskys ausserhalb Russlands unbekannt und weder in Noten noch auf Tontragern erreichbar, als authentisches biographisches Material und auf Primarquellen basierende Literatur rar und schwierig zu beschaffen und Russischkenntnisse bei westlichen Musikern und Musikwissenschaftlern selten waren, leistete die Tanzerin und Pianistin Louisa von Westernhagen Pionierarbeit. Sie grundete 1952 in Hamburg das Tschaikowsky-Studio und widmete sich der Erschliessung vor allem russischer Quellen. Der vorliegende Band der Cajkovskij-Studien hat sich unmittelbar aus der Arbeit an der Dokumentation des Studios entwickelt. In einem grosseren Kontext prasentiert er eines der wichtigsten Arbeitsergebnisse, an dem Louisa von Westernhagen neben ihrer Propaganda fur das Werk Tschaikowskys besonders gelegen war: die von ihr und Hellmuth Pattenhausen erarbeiteten deutschen Ubertragungen der Gesangstexte von Tschaikowskys Romanzen, Liedern und Duetten sowie die von Louisa von Westernhagen zusammen mit dem Herausgeber dieses Buches revidierten deutschen Ubertragungen zweier Opernlibretti: Die Jungfrau von Orleans und Jolanthe. Diese werden um die deutschen Ubertragungen der Libretti der wenig gespielten Opern Der Opritschnik, Oxanas Launen bzw. Die Pantoffelchen und Die Zauberin erganzt. $64.00 - See more - Buy online | | |
| Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio B Flat, E Flat, C and Bass clef Instruments [Sheet music + CD] Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jazz Play-A-Long For All Musicians. Book with CD. Published by Jamey Aebersold Jazz.
$17.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hermann und Dorothea Op. 136 Breitkopf & Härtel
Double bass (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-27 ...(+)
Double bass (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-27 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Urtext of Revolutionary Overture Overture; Romantic. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 5320-27. Published by Breitkopf and Haertel (BR.OB-5320-27). ISBN 9790004341391. 10 x 12.5 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hermann und Dorothea Op. 136 Breitkopf & Härtel
Violin 2 (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-16 ...(+)
Violin 2 (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-16 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Urtext of Revolutionary Overture Overture; Romantic. Part. 8 pages. Duration 10'. Breitkopf and Haertel #OB 5320-16. Published by Breitkopf and Haertel (BR.OB-5320-16). ISBN 9790004341360. 10 x 12.5 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hermann und Dorothea Op. 136 Orchestra Breitkopf & Härtel
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5548-07 (+)
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5548-07 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Partitur-Bibliothek (Score Library). Urtext of the Revolutionary. Overture; Romantic. Study Score. 40 pages. Duration 10'. Breitkopf and Haertel #PB 5548-07. Published by Breitkopf and Haertel (BR.PB-5548-07). ISBN 9790004213582. 6.5 x 9 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hermann und Dorothea Op. 136 Orchestra Breitkopf & Härtel
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5320 Ov...(+)
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5320 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Partitur-Bibliothek (Score Library). Urtext of Revolutionary Overture Overture; Romantic. Full score. 44 pages. Duration 10'. Breitkopf and Haertel #PB 5320. Published by Breitkopf and Haertel (BR.PB-5320). ISBN 9790004212363. 10 x 12.5 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $44.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Short & Sweet: Duets Easy Piano Schaum Publications
Level 2 1 Piano, 4 Hands - Late Elementary SKU: HL.645141 1 Piano, 4 H...(+)
Level 2 1 Piano, 4 Hands - Late Elementary SKU: HL.645141 1 Piano, 4 Hands Level 2 Upper Elementary Level. Composed by Louis Ganne. Arranged by Wesley Schaum. Educational Piano. Duet. Softcover. 8 pages. Schaum Publications, Inc. #1738. Published by Schaum Publications, Inc. (HL.645141). ISBN 9781936098873. UPC: 008148017386. 9.0x12.0 inches. NFMC 2016-2020 Piano Duet Event Primary II Selection 5 fun to play equal part duets for two students at one piano: Caissons Go Rolling Along (Edmund L. Gruber) * My Heart Ever Faithful (J.S. Bach) * Romanze (Beethoven) * Skip to My Lou (American folk song) * Swingin' Great (Wesley Schaum). $4.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rondeau No. 3 - Easy Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: CF.YAS222F Composed by Joseph Bologne. Arranged by Robert Debbaut. Full score. 8 pages. Duration 2 minutes. Carl Fischer Music #YAS222F. Published by Carl Fischer Music (CF.YAS222F). ISBN 9781491163047. UPC: 680160921799. Key: G major. As a composer, Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck and Grand Duke of Spain. All of his quartets feature a prominent first violin part and the Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the century in A-B-A form with the ‘A’ sections being robust allegros and all ‘B’ sections marked rondo.This lively Rondeau from Bologne's Six String Quartets, Op. 1 is a classic seven-part rondo with an ABACAB’A formula. The ‘A’ sections are set in G Major, ‘B’ in D Major, and ‘C’ in G Minor. As was typical of the Classical style, the primary melody is heard mainly in first violin, while other sections provide supporting harmonic and rhythmic roles. The essence of the string quartet scoring is retained by having the bass double the cello part. This makes more of this significant composer’s music accessible to school ensembles, resulting in a charming concert selection appropriate for concert or festival. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hermann und Dorothea Op. 136 Breitkopf & Härtel
Viola (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-19 Ove...(+)
Viola (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-19 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Urtext of Revolutionary Overture Overture; Romantic. Part. 8 pages. Duration 10'. Breitkopf and Haertel #OB 5320-19. Published by Breitkopf and Haertel (BR.OB-5320-19). ISBN 9790004341377. 10 x 12.5 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hermann und Dorothea Op. 136 Breitkopf & Härtel
Violoncello (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-23 ...(+)
Violoncello (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-23 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Urtext of Revolutionary Overture Overture; Romantic. Part. 10 pages. Duration 10'. Breitkopf and Haertel #OB 5320-23. Published by Breitkopf and Haertel (BR.OB-5320-23). ISBN 9790004341384. 10 x 12.5 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Rondeau No. 3 - Easy Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: CF.YAS222 Composed by Joseph Bologne. Arranged by Robert Debbaut. Set of Score and Parts. Duration 2 minutes. Carl Fischer Music #YAS222. Published by Carl Fischer Music (CF.YAS222). ISBN 9781491162705. UPC: 680160921454. Key: G major. As a composer, Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck and Grand Duke of Spain. All of his quartets feature a prominent first violin part and the Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the century in A-B-A form with the ‘A’ sections being robust allegros and all ‘B’ sections marked rondo.This lively Rondeau from Bologne's Six String Quartets, Op. 1 is a classic seven-part rondo with an ABACAB’A formula. The ‘A’ sections are set in G Major, ‘B’ in D Major, and ‘C’ in G Minor. As was typical of the Classical style, the primary melody is heard mainly in first violin, while other sections provide supporting harmonic and rhythmic roles. The essence of the string quartet scoring is retained by having the bass double the cello part. This makes more of this significant composer’s music accessible to school ensembles, resulting in a charming concert selection appropriate for concert or festival. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hermann und Dorothea Op. 136 Breitkopf & Härtel
Woodwinds (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-30 (+)
Woodwinds (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-30 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Folder. Orchester-Bibliothek (Orchestral Library). Urtext of Revolutionary Overture Overture; Romantic. Set of parts. 52 pages. Duration 10'. Breitkopf and Haertel #OB 5320-30. Published by Breitkopf and Haertel (BR.OB-5320-30). ISBN 9790004341407. 10 x 12.5 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $73.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Total Beginning Guitarist Guitar notes and tablatures [Sheet music + CD] - Beginner Alfred Publishing
(A Fun and Comprehensive Beginning Method Featuring Rock, Blues, and Jazz Styles...(+)
(A Fun and Comprehensive Beginning Method Featuring Rock, Blues, and Jazz Styles). By Rich Hinman and Amanda Monaco. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. The Total Guitarist. Beginner. 128 pages. Published by Alfred Music Publishing
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hermann und Dorothea Op. 136 Breitkopf & Härtel
Violin 1 (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-15 ...(+)
Violin 1 (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-15 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Urtext of Revolutionary Overture Overture; Romantic. Part. 8 pages. Duration 10'. Breitkopf and Haertel #OB 5320-15. Published by Breitkopf and Haertel (BR.OB-5320-15). ISBN 9790004341353. 10 x 12.5 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Canticle of Mary - Full Score and Parts Choral SATB GIA Publications
SATB choir, assembly, piano accompaniment, flute, oboe, cello, harp SKU: GI.G...(+)
SATB choir, assembly, piano accompaniment, flute, oboe, cello, harp SKU: GI.G-7142INST Composed by Jan Michael Joncas. Annunciation, Visitation, Advent 3 B, Assumption. Tune Name: Magnificat. Sacred. Full score and parts. With guitar chord names. 16 pages. GIA Publications #7142INST. Published by GIA Publications (GI.G-7142INST). UPC: 785147714293. English. Text Source: Magnificat, based on Luke 1:46-55, Primary text: Mary Louise Bringle, Secondary text: John T. Mueller, adapt. for Praise God in Song, 1979. Text by Mary Louise Bringle. Tune Name: MAGNIFICAT. $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Whispering Wind Concert band - Intermediate/advanced De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1053880-040 Composed by Maxime Aulio. ...(+)
Concert Band - Grade 4 SKU: BT.DHP-1053880-040 Composed by Maxime Aulio. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053880-040. Published by De Haske Publications (BT.DHP-1053880-040). 9x12 inches. English-German-French-Dutch. “Don’t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.†Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind†of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.
“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.†(Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!
Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!
« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémère, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Ventâ€) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.
“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.†Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore. $191.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Whispering Wind Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-140 Composed by Maxim...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-140 Composed by Maxime Aulio. Inspiration Series. Concert Piece. Score Only. Composed 2005. 28 pages. De Haske Publications #DHP 1053880-140. Published by De Haske Publications (BT.DHP-1053880-140). 9x12 inches. English-German-French-Dutch. “Don’t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.†Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind†of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.
“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.†(Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!
Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!
L« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémère, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Ventâ€) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.
“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.†Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Whispering Wind Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-010 Composed by Maxim...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-010 Composed by Maxime Aulio. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053880-010. Published by De Haske Publications (BT.DHP-1053880-010). 9x12 inches. English-German-French-Dutch. “Don’t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.†Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind†of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.
“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.†(Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!
Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!
« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémère, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Ventâ€) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.
“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.†Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore. $191.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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