SKU: GI.G-2795
English, German. Scripture: Luke 1:39–45.
A lively motet that joyfully proclaims the story of the Annunciation.Â
SKU: CL.LDP-7186-00
Courtly pageantry, simple beauty and rambunctious fun abound in this wonderful setting! A delightful suite of Mr. Purcells Riggadoon. Over the Hills and Far Away, and Lazy Pirate’s Jig. Music to delight the king, the commoner and everyone else!
SKU: CL.LDP-7186-01
SKU: WD.080689592171
UPC: 080689592171.
Easter! Resurrection Sunday! Believers across the world gather to offer praise and thanksgiving as they celebrate our Lord’s glorious victory over death, hell and the grave! Cries of “Hallelujah, He is risen!†ring out in the halls of cathedrals, from behind pulpits, and within the walls of our churches; they soar around the globe on broadcast signals, are proclaimed on the hillsides, shouted from the shores during Easter Sunrise services, and rise up from choir lofts, as singers lift their voices to sing of our Redeemer and conquering King. Yes, Hallelujah! He is risen!But before God’s awesome display of resurrection power raised Christ from the dead, the Savior had to walk that long, lonely road leading to Calvary. It is on that dark and dangerous road, through a journey of sorrow and suffering, that Christ willingly went to the cross. There He died for our sins, paying the ultimate price for our redemption. ROAD TO CALVARY, the new Easter musical from Word Music & Church Resources, arranged by Daniel Semsen, walks us down the path leading to Calvary’s road. Together we follow His footsteps as Jesus traveled from Nazareth, across the hills of Galilee, traversing the Mount of Olives, and walking a lifetime of steps toward Gethsemane. There He prayed all alone in the garden, agonizing over the terrible pain and suffering He knew He would soon endure. Carrying the weight of our sins up Calvary's hill, He gave His life’s blood for the redemption of every man, woman and child; there He established this unimaginably beautiful truth for all people, for all time...Calvary covers it all.
SKU: FP.FBS03
ISBN 9790570500192.
Sarah Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills. Suitable for players of around grade 4-5 standard, her evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Air Balloon!: One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front! The sound of the gas being blown into the balloon to try to keep it high enough to pass the house sounded so loud and intimidating, and then there was the bustle of the neighbours as we all went out into the street to watch. It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling: There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. Growing up in the Chilterns gave me plenty of opportunity to watch buzzards and red kites. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers: Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child, looking out of the window and seeing the cow walking round and eating the flowers. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By: A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies: A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone. Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond: One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again. Here I portray the sense of the hazy summer afternoon as I peacefully watched the tiny movements of fish in the pond, contrasted with the fear and excitement of seeing the snake appear.Morning Commute: I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. There is one main road out of the village where I grew up, and that got more and more congested the closer we got to the town. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage: My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up. - Sarah Baker 2023.
SKU: ST.Y279
ISBN 9790220223068.
Such is the character of the accordion that any work featuring its distinctive voice within an ensemble is likely to be a piece d'occasion. Written for the prizewinning young soloist Milos Milivojevic and performed with the Juritz String Quartet at the 2011 Machynlleth Festival in Wales, Rhian Samuel's Mist on the Hills is no exception. The composer has used the rare opportunity of writing for the instrument in combination with solo strings to exploit its illustrative powers and create a fourteen-minute score inspired by the changing weather over the hills around her Welsh home on the Dyfi Estuary. In particular, its three movements are suggestive of the appearance of mist in the landscape, 'settling', 'lingering' and 'swirling'. In the first movement, which is a gentle prelude, brief accordion motifs break through the timbre of strings like glints of sunshine through mist. The second movement, more song-like, presents three verses of a lament; in the first half of each verse the accordion sings as if from afar, while in the second half (led by the viola) the music intensifies greatly. In the dance-like and virtuosic last movement a short, constantly changing refrain alternates with two types of material: 'swirling' music and lighter, more rhythmical ideas. Finally, scale passages invade the texture, ceasing only as the accordion ascends to the top of its range in the closing bars.
SKU: MB.WBM58M
ISBN 9781736363058. 8.75x11.75 inches.
A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version