| JumpStart First Concert for Strings - Cello String Orchestra [Sheet music] - Beginner Heritage Music Press
By Robert Woods. String Orchestra. For Cello. Grade 1. Book. Published by Herita...(+)
By Robert Woods. String Orchestra. For Cello. Grade 1. Book. Published by Heritage Music Press
$3.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| JumpStart First Concert for Strings - Score with CD String Orchestra - Beginner Heritage Music Press
By Robert Woods. String Orchestra. Grade 1. Score with CD. Published by Heritage...(+)
By Robert Woods. String Orchestra. Grade 1. Score with CD. Published by Heritage Music Press
$19.95 - See more - Buy online | | |
| Bellingrath Gardens String Orchestra [Score and Parts] - Intermediate Alfred Publishing
By Ralph Ford. By Ralph Ford. For Full Orchestra. Full Orchestra. Belwin Interme...(+)
By Ralph Ford. By Ralph Ford. For Full Orchestra. Full Orchestra. Belwin Intermediate Full/String Orchestra. Level: Easy to Medium Easy (grade II-III). Conductor Score, Parts & CD. Duration 2:37. Published by Alfred Publishing
(1)$63.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Into the Stars Orchestra [Score and Parts] - Intermediate Alfred Publishing
A Galactic Journey. Composed by Anthony Granata. Performance Music Ensemble; ...(+)
A Galactic Journey. Composed
by Anthony Granata.
Performance Music Ensemble;
Single Titles; String
Orchestra. Belwin
Intermediate String
Orchestra. Part(s); Score.
Alfred Music #00-49031.
Published by Alfred Music
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Nutcracker ... In About Three Minutes String Orchestra [Score and Parts] - Easy Belwin
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Mark Weston, scored by Doug...(+)
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Mark Weston, scored by Douglas E. Wagner. Orchestra. For strings w/ vln 3. Masterworks; Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Christmas; Light Concert; Masterwork Arrangement; Novelty; Romantic; Winter. Grade 2.5. 144 pages. Published by Belwin Publishing
$49.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Winter Palace String Orchestra - Intermediate Alfred Publishing
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Siberian Orchestra]. Arranged by Bob Phillips. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Pop Concert String Orchestra. Light Concert; Pop/Rock; Winter. Grade 3.5. 140 pages. Published by Alfred Music
$63.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Winter Palace String Orchestra [Score] - Intermediate Alfred Publishing
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Siberian Orchestra]. Arranged by Bob Phillips. Orchestra. Score; SmartMusic; String Orchestra. Pop Concert String Orchestra. Light Concert; Pop/Rock; Winter. Grade 3.5. 28 pages. Published by Alfred Music
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Album for the Young String Orchestra - Easy FJH
Orchestra String Orchestra - Grade 2.5 SKU: FJ.ST6496 Composed by Peter I...(+)
Orchestra String Orchestra - Grade 2.5 SKU: FJ.ST6496 Composed by Peter Ilyich Tchaikovsky. Arranged by Robert D McCashin. Series; String Orchestra. FJH Developing Strings. Masterwork Arrangement. Score and Part(s). Duration 6:30. The FJH Music Company Inc #98-ST6496. Published by The FJH Music Company Inc (FJ.ST6496). UPC: 241444413760. English. This spectacular arrangement features four movements from Tchaikovsky's famous Album for the Young. Opening with the endearing Morning Prayer, the piece then moves into the lighthearted waltz, The Hurdy-Gurdy Man. The beautiful Sweet Dream sets the stage for the delightful last movement, March of the Wooden Soldiers. Remarkably faithful to the original while also quite accessible to younger students! (6:30). About FJH Developing Strings Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5 $60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Album for the Young String Orchestra [Score] - Easy FJH
Orchestra String Orchestra - Grade 2.5 SKU: FJ.ST6496S Score Only....(+)
Orchestra String Orchestra - Grade 2.5 SKU: FJ.ST6496S Score Only. Composed by Peter Ilyich Tchaikovsky. Arranged by Robert D McCashin. Series; String Orchestra. FJH Developing Strings. Masterwork Arrangement. Score. The FJH Music Company Inc #98-ST6496S. Published by The FJH Music Company Inc (FJ.ST6496S). English. This spectacular arrangement features four movements from Tchaikovsky's famous Album for the Young. Opening with the endearing Morning Prayer, the piece then moves into the lighthearted waltz, The Hurdy-Gurdy Man. The beautiful Sweet Dream sets the stage for the delightful last movement, March of the Wooden Soldiers. Remarkably faithful to the original while also quite accessible to younger students! About FJH Developing Strings Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5 $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Scenes from the Old West Orchestra [Score and Parts] - Intermediate Alfred Publishing
By Bob Cerulli. Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. C...(+)
By Bob Cerulli. Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Contemporary; Light Concert. Grade 3. Conductor Score and Parts. 240 pages
$63.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shifting Sands Orchestra - Easy Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.48075 The Shifting Song. Composed by...(+)
Orchestra - Grade 2.5 SKU: AP.48075 The Shifting Song. Composed by Bob Phillips. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Programmatic. Score and Part(s). 140 pages. Duration 3:10. Alfred Music #00-48075. Published by Alfred Music (AP.48075). UPC: 038081557083. English. Teach shifting with this beautiful melody by Bob Phillips. Shifting Sands is also perfectly suited for the concert stage. The moderate, lyric tempo provides students in the early stages of practicing shifts the time they need to make the shifts successfully. Musically, this piece is very accessible so students can focus on the shifts. Violins will practice 3rd position on the D, A, and E strings. Violas will practice 3rd position on the D and A strings. Cellos will practice 3rd and 4th positions on the D and A strings. Basses will practice 3rd, 4th, and 5th positions on the D and G strings. Shifts for all instruments are introduced by moving the first finger in a sliding (portamento) motion from 1st position up to 3rd position and back again, then progresses to shifting. Correlated to Sound Innovations for String Orchestra, Book 2, Level 3. (3:10) This title is available in MakeMusic Cloud. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shifting Sands Orchestra [Score] - Easy Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.48075S The Shifting Song. Composed b...(+)
Orchestra - Grade 2.5 SKU: AP.48075S The Shifting Song. Composed by Bob Phillips. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Score. 16 pages. Duration 3:10. Alfred Music #00-48075S. Published by Alfred Music (AP.48075S). UPC: 038081557090. English. Teach shifting with this beautiful melody by Bob Phillips. Shifting Sands is also perfectly suited for the concert stage. The moderate, lyric tempo provides students in the early stages of practicing shifts the time they need to make the shifts successfully. Musically, this piece is very accessible so students can focus on the shifts. Violins will practice 3rd position on the D, A, and E strings. Violas will practice 3rd position on the D and A strings. Cellos will practice 3rd and 4th positions on the D and A strings. Basses will practice 3rd, 4th, and 5th positions on the D and G strings. Shifts for all instruments are introduced by moving the first finger in a sliding (portamento) motion from 1st position up to 3rd position and back again, then progresses to shifting. Correlated to Sound Innovations for String Orchestra, Book 2, Level 3. (3:10) This title available in MakeMusic Cloud. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flying Theme (from E.T. the Extra-Terrestrial) String Orchestra [Score and Parts] - Beginner Hal Leonard
Score and Parts String Orchestra (Score and Parts) - Grade 1 SKU: HL.4493045<...(+)
Score and Parts String Orchestra (Score and Parts) - Grade 1 SKU: HL.4493045 Composed by John Williams. Arranged by Robert Longfield. Easy Music For Strings. Movies. Softcover. Published by Hal Leonard (HL.4493045). UPC: 196288156482. Elevate your orchestra's performance to new heights with the â??Flying Theme from E.T.â? by John Williams, brilliantly arranged for string orchestra by Robert Longfield. Let the enchanting melody and soaring strings take your audience through the skies, capturing the magic and wonder of this iconic Spielberg masterpiece. Perfect for young orchestras seeking to create a memorable musical experience. Bring the magic of E.T. to your stage with this exquisite arrangement, where the music truly takes flight! $40.00 - See more - Buy online | | |
| Primal Strings Orchestra [Score] - Easy Highland/Etling
Orchestra - Grade 3 SKU: AP.47480S Composed by Gary Fagan. Performance Mu...(+)
Orchestra - Grade 3 SKU: AP.47480S Composed by Gary Fagan. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 16 pages. Highland/Etling #00-47480S. Published by Highland/Etling (AP.47480S). UPC: 038081544892. English. The word primal is defined as relating to an early stage in development or basic, fundamental, essential, elemental. Imagine this tune challenging your players who fit that definition. Many young and developing musicians experience difficulty with mastering rhythmic accuracy with confidence. Yet, rhythm is essential to music performance. Student proficiency in reading rhythmic figures and being able to move comfortably from one meter to another should be a goal of the orchestra director. This work provides rhythmic challenges and uses multiple meter changes to create interesting, appealing, and unique rhythmic textures. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Primal Strings Orchestra - Easy Highland/Etling
Orchestra - Grade 3 SKU: AP.47480 Composed by Gary Fagan. Performance Mus...(+)
Orchestra - Grade 3 SKU: AP.47480 Composed by Gary Fagan. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 124 pages. Highland/Etling #00-47480. Published by Highland/Etling (AP.47480). UPC: 038081544885. English. The word primal is defined as relating to an early stage in development or basic, fundamental, essential, elemental. Imagine this tune challenging your players who fit that definition. Many young and developing musicians experience difficulty with mastering rhythmic accuracy with confidence. Yet, rhythm is essential to music performance. Student proficiency in reading rhythmic figures and being able to move comfortably from one meter to another should be a goal of the orchestra director. This work provides rhythmic challenges and uses multiple meter changes to create interesting, appealing, and unique rhythmic textures. $49.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto - Piano And Orchestra - Solo Part Schott
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchest...(+)
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchestra. Composed by Gyorgy Ligeti. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 1985-1988. Duration 24'. Schott Music #ED23178. Published by Schott Music (HL.49046544). ISBN 9781705122655. UPC: 842819108726. 9.0x12.0x0.224 inches. I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. The markings of the movements are the following: 1. Vivace molto ritmico e preciso 2. Lento e deserto 3. Vivace cantabile 4. Allegro risoluto 5. Presto luminoso.The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale; my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. In the Piano Concerto I realized new concepts of harmony and rhythm. The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time 'rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form; later in the fourth movement it will be considerably developed. The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement; however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly; they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales; in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting; illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated; the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus; indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. (Gyorgy Ligeti). $34.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Into the Stars Orchestra [Score] - Easy Belwin
Orchestra - Grade 2 SKU: AP.49031S A Galactic Journey. Composed by...(+)
Orchestra - Grade 2 SKU: AP.49031S A Galactic Journey. Composed by Anthony Granata. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Score. 12 pages. Duration 1:45. Belwin Music #00-49031S. Published by Belwin Music (AP.49031S). ISBN 9781470645472. UPC: 038081564012. English. Written by Anthony Granata, Into the Stars: A Galactic Journey is an exciting space-themed adventure piece that will captivate your developing orchestras and have them feeling and playing confidently in 6/8 time. With an epic and memorable sounding main theme, your students will be transported into a world of simple and compound meters as they dig into their strings for this fun programmatic piece of music. Students will feel as though they have stepped into the sound stage for a film score of a Hollywood science fiction movie. (1:45). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Collected Edition Vol.5 Orchestra Promethean Editions
Orchestra SKU: PO.PEP05S Works for String Orchestra. Composed by L...(+)
Orchestra SKU: PO.PEP05S Works for String Orchestra. Composed by Larry Pruden. Perfect. Collection - Full Score. Promethean Editions #PEP05S. Published by Promethean Editions (PO.PEP05S). ISBN 9781877218057. Preface to the Collected EditionOver the span of his composing career, Larry Carrol Pruden (1925-82) completed some 60 works, including music for piano, chamber ensemble, orchestra, stage and film. The scope of the ten-volume Collected Edition incorporates every work that the composer is known to have considered complete, and a very few incomplete works which the editors felt warranted inclusion. The works in the latter category are either virtually complete or have been deemed worthy of inclusion due to the significance that the composer is known to have attached to them.Throughout Pruden's output, whether the music is modest in scale and purely functional (civic fanfares and radio advertising jingles, for example) or more extended and overtly serious in tone (such as the larger works for orchestra and strings), his vivid response to urban society and rural life in New Zealand is revealed. With Douglas Lilburn, John Ritchie and others, Larry Pruden belongs to the earliest generation of New Zealand composers to discover a genuine vernacular, and in his music is reflected the trail-blazing spirit of the pioneers, their passion for creativity and their rebelliousness of spirit.The scores in the Collected Edition are based on Pruden's underlying autograph or holograph manuscripts, which have been consulted extensively throughout the editorial process. Comparison has been made to all extant forms of each title, published and unpublished. In some cases, several variants exist, and the goal has been to determine as far as possible the composer's final intention and to convey this comprehensively in the published score. Emendations have been made to account for the composer's revisions and for certain errors and inconsistencies, and each volume includes a short commentary and editorial notes on the source materials.In consultation with the Estate of Larry Pruden, Promethean Editions appointed an Editorial Panel and an Advisory Panel to oversee publication of the Collected Edition. The role of the Editorial Panel has been to undertake the research into the composer's archival and manuscript materials and to make the necessary editorial decisions and ensure the accuracy of the musical and textual content of the Edition. The Advisory Panel has been responsible for monitoring the overall approach to the project and for ensuring the maintenance of a wider perspective. $76.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Procession of the Heroes String Orchestra [Score and Parts] - Beginner Belwin
By George Frideric Handel (1685-1759). Arranged by Douglas E. Wagner. Orchestra....(+)
By George Frideric Handel (1685-1759). Arranged by Douglas E. Wagner. Orchestra. Masterworks; Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Form: Transcription. Baroque; Masterwork Arrangement. Grade 1.5. 72 pages. Published by Belwin Publishing
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Heavy Lifting Orchestra [Score] - Easy Alfred Publishing
Orchestra - Grade 2 SKU: AP.49926S Cello and String Bass Feature. ...(+)
Orchestra - Grade 2 SKU: AP.49926S Cello and String Bass Feature. Composed by Chris M. Bernotas. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Light Concert; Rock. Score. Duration 3:00. Alfred Music #00-49926S. Published by Alfred Music (AP.49926S). ISBN 9781470657918. UPC: 038081575773. English. Your cello and string bass sections take center stage in this rockin' piece by Chris M. Bernotas. Heavy Lifting is a driving, hard-rock selection that gives everyone in the orchestra the opportunity to shine while highlighting the low strings. With FLEX parts available as a free download, this cello and string bass feature can highlight any instrument or group of instruments in the string orchestra. Perfect for your second-year players! Correlated to Sound Innovations for String Orchestra, Book 2, Level 2. (3:00). $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Heavy Lifting Orchestra - Easy Alfred Publishing
Orchestra - Grade 2 SKU: AP.49926 Cello and String Bass Feature. C...(+)
Orchestra - Grade 2 SKU: AP.49926 Cello and String Bass Feature. Composed by Chris M. Bernotas. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Light Concert; Rock. Score and Part(s). Alfred Music #00-49926. Published by Alfred Music (AP.49926). ISBN 9781470657901. UPC: 038081575766. English. Your cello and string bass sections take center stage in this rockin' piece by Chris M. Bernotas. Heavy Lifting is a driving, hard-rock selection that gives everyone in the orchestra the opportunity to shine while highlighting the low strings. With FLEX parts available as a free download, this cello and string bass feature can highlight any instrument or group of instruments in the string orchestra. Perfect for your second-year players! (3:00) Correlates to Sound Innovations, Book 2, Level 2. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Holst Christmas Orchestra [Score and Parts] - Intermediate Alfred Publishing
(Featuring: In the Bleak Midwinter / Lullay My Liking / excerpts from Christmas...(+)
(Featuring: In the Bleak Midwinter / Lullay My Liking / excerpts from Christmas Day ). By Gustav Holst (1874-1934). Arranged by Douglas E. Wagner. Orchestra. Full Orchestra; Part(s); Score. Belwin Intermediate Full Orchestra. Form: Medley. 20th Century; Christmas; Masterwork Arrangement; Romantic; Winter. Grade 3. 224 pages. Published by Alfred Music Publishing
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Troilus and Cressida Orchestra [Score] Oxford University Press
By William Walton (1902-1983). Arranged by Stuart Hutchinson. For Opera ([3.2(1 ...(+)
By William Walton (1902-1983). Arranged by Stuart Hutchinson. For Opera ([3.2(1 cor anglais).2( bass clarinet).2( contra)-4.3.3.1], timpani, 4 percussion, 2 harp, celeste, strings (off-stage=1 horn, 4 trumpets, tenor drum side drum)). This edition: WE1. Scores. William Walton Edition. Walton Edition. Full score [1995 version (William Walton Edition)]. 704 pages. Duration 120'
$507.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Beautiful Music for Two String Instruments, Book IV 2 Cellos (duet) [Sheet music] Alfred Publishing
By Samuel Applebaum. For 2 Cellos. String Orchestra Method/Supplement. Book. 32 ...(+)
By Samuel Applebaum. For 2 Cellos. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beautiful Music for Two String Instruments, Book III 2 Violas (duet) [Sheet music] Alfred Publishing
By Samuel Applebaum. For 2 Violas. String Orchestra Method/Supplement. Book. 32 ...(+)
By Samuel Applebaum. For 2 Violas. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beautiful Music For Two String Instruments (two Cellos) V.3
2 Cellos (duet) [Sheet music] Alfred Publishing
2 Cellos. Composed by Samuel Applebaum. Duet or Duo; Solo Small Ensembles; Strin...(+)
2 Cellos. Composed by Samuel Applebaum. Duet or Duo; Solo Small Ensembles; String Orchestra Method/Supplement. Book. 32 pages. Alfred Music #00-EL02224. Published by Alfred Music
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