SKU: LO.99-3444L

UPC: 000308144376.

With a subtle folk-song flavor, this memorable anthem explores the ministry of Jesus and the beauty of His boundless grace. His love for me, high as the heavens and deep as the sea, love that will last through eternity..

SKU: BR.OB-5533-20

The present setting of the Seven Last Words of Jesus Christ grippingly depicts the story of Christ's Crucifixion in fourteen Musical Dialogues. Listen to the world premiere recording of this major work of the Neapolitan Baroque, performed by the Akadem. Solo concerto; Baroque. Part. 24 pages. Breitkopf and Haertel #OB 5533-20. Published by Breitkopf and Haertel (BR.OB-5533-20).

ISBN 9790004341209. 10 x 12.5 inches.

Hermann Scherchen, who was the first to take up the cause of the one-hour-plus long, colorfully scored work, came to the conclusion: One of the most heartfelt works of art, full of gentleness and profound sensitivity. Since 1936, when two manuscripts of monastic provenance were discovered, musical scholars have been asking themselves whether the Septem verba is authentic or solely attributable to Sig. Pergolese. It is only thanks to the scholarly comparison of all manuscripts and to the discovery of two new sources which impressively confirm the existence of an active reception of this work in the mid 18th century, that the authorship and transmission can be newly evaluated.

SKU: BR.OB-5533-23

The present setting of the Seven Last Words of Jesus Christ grippingly depicts the story of Christ's Crucifixion in fourteen Musical Dialogues. Listen to the world premiere recording of this major work of the Neapolitan Baroque, performed by the Akadem. Solo concerto; Baroque. Part. 32 pages. Breitkopf and Haertel #OB 5533-23. Published by Breitkopf and Haertel (BR.OB-5533-23).

ISBN 9790004341216. 10 x 12.5 inches.

Hermann Scherchen, who was the first to take up the cause of the one-hour-plus long, colorfully scored work, came to the conclusion: One of the most heartfelt works of art, full of gentleness and profound sensitivity. Since 1936, when two manuscripts of monastic provenance were discovered, musical scholars have been asking themselves whether the Septem verba is authentic or solely attributable to Sig. Pergolese. It is only thanks to the scholarly comparison of all manuscripts and to the discovery of two new sources which impressively confirm the existence of an active reception of this work in the mid 18th century, that the authorship and transmission can be newly evaluated.