SKU: HL.14026905
ISBN 9788759857588. English-French.
Completed in 1977, Le Tombeau de Pere Igor or The Tomb of Father Igor is a fabulous Chamber work for Cello, Clarinet and Piano by Karl Aage Rasmussen, one of the most important post-war Danish composers. This set for his terrific piece includes both the Cello and the B flat Clarinet parts. The full score is also available (KP00193).
SKU: HL.49017074
ISBN 9790001151573. 9.0x12.0x0.182 inches.
In this trio, as in most of his compositions, Jost has pictures and associations with true incidents, films and novels in his mind. What inspired him to write this piece was Joseph Conrad's novel 'Heart of Darkness' in which the protagonist Marlow says about the city of Brussels: 'In a few hours I arrived in a city that always make me think of a whited sepulchre.'In 'Sepulchral City', a work commissioned to mark the tenth anniversary of the Jerusalem Chamber Music Festival, however, the title refers to Jerusalem, the city of white tombs. The topic of Jost's trio is a travel into the soul and living spirit of a city, with no physical movement being needed to find the heart of impenetrable darkness: It lies within the city walls.In this respect, 'Sepulchral City' equals a compositionally unfolded funeral bell. Even the animated middle section rather has insisting than progressive power. At the end, the only thing to do is to inhale and exhale.
SKU: SU.80103040
A major work by this highly respected but seldom played composer. The three movements are marked Allegro, Largo, and Scherzo. The edition is by Joel Krosnick and Gilbert Kalish. 56 pages Published by: Columbia University Music Press.
SKU: HL.14041936
8.25x11.75x0.127 inches.
In four movements: 1. Prelude, 2. Capriccio, 3. Nocturne, 4. Tarantella.
SKU: CF.CY3410
ISBN 9780825876325. UPC: 798408076320.
SKU: HL.51481532
UPC: 840126989298. 9.25x12.25x0.357 inches.
After the great success of his first Piano Trio in d minor op. 49, some five years passed before Mendelssohn set to work on a new composition for this formation. But then the c-minor Trio came into being in a relatively short period in March/April 1845 and was published around a year later. Much more sombre in character than the sibling work, this second trio is also considered much more difficult in terms of technique (above all in the piano part). Thus, it has always stood somewhat in the shadow of the earlier trio. However, chamber music aficionados generally regard it as the more mature and challenging work in terms of compositional technique. The trio, taken from the volume Mendelssohn • Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.49046417
ISBN 9781540090553. UPC: 840126915457.
The Seven Ballet Scenes have been extracted from a ballet music that I composed in 2008. The basic idea was to use different combinations of the three instruments and to get very different characters and forms of movement, which nevertheless form a whole. There is a piece for cello solo, one for violin and piano, one for violin and cello etc. At the beginning, in the middle and at the end there are different variants of a fast movement for all three instruments, which form a kind of refrain. Anno Schreier.
SKU: OU.9780193359857
ISBN 9780193359857. 12 x 8 inches.
For clarinet in C/violin, cello and piano As is typical of Finnissy, this piece is demanding for the performers. The tempo is slow and much of the music of the upper two parts consists of sustained notes, with more movement occurring in the piano. The clarinet part can be played on the violin.
SKU: HL.49047373
ISBN 9798350124897. UPC: 196288207702.
SKU: HL.14033570
ISBN 9788759883297. English.
Three Mobiles For Flute, Cello and Piano by Bent Lorentzen. The instrumentation is open. A score is not available for this version.
SKU: BT.MUSM570204205
English.
For cello and Piano. Published 1993. First_performance: Tokyo (Tokyo Summer Festival), 1993, Rohan de Saram (vc), Durvi de Saram (Ppf).
SKU: HL.49045797
The first movement of my Piano Quintet is filled with drama and passion. Its atmosphere can be related to my Second Symphony Johannes Angelos. The second movement is a set of polyphonic variations in a form reminiscent of a passacaglia. The music seems to be hypnotized by a theme consisting of a chromatic cluster of ten notes. In the beginning of the last movement, materials from the previous movements start to reappear, but this time in a mysterious, incoherent way. The strings find new music resembling a fragmented hymn. Fast-moving triplets start to appear and the music reaches a joyful and ecstatic conclusion. Olli Mustonen.
SKU: HL.14026906
ISBN 9788759857571. English.
Work for Clarinet, Cello and Piano. Parts available: KP00598.
SKU: BT.MUSM570201778
After Colonna was expertly composed, in 2001, by Sadie Harrison . First performed at Hampstead Town hall in March 2001 by Miriam Lowbury and David Carhart . After Colonna later featured on Harrison ’s 2002 album, No Title Required . Australian born freelance composer and performe, Sadie Harrison ’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist, often abrasive style, have led her to be compared with Bartok, but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplished musicians; Paul Carey, Peter Sheppard Skaerved, Sergej Okrushko, Alex South, Duncan Honeybourne are among many whohave had the privilege to work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano, London Chamber Symphony, Music Projects/ London, Ixion, Okeanos, Bournemouth Sinfonietta, Kokoro and the St. Christopherus Chamber Orchestra, and many others.
SKU: PR.114422760
ISBN 9781491135785. UPC: 680160687855.
A heartfelt memorial to the composer’s sister, SAMBA FOR SUSAN bears a tempo marking of “Sensual,†and this 5-minute elegy is set as a slow bossa nova, full of the jazz flavor and syncopations of samba tradition. In the hands of this celebrated opera and theater composer, Gordon’s samba is a drama cast in a dance feel. Themes alternate, always returning transformed into fresh textures at each recurrence, creating a work that is catchy on first hearing, and reveals its depth upon repeated hearings.
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