SKU: CA.3062412
ISBN 9790007204334. Language: German/English.
Score available separately - see item CA.3062400.
SKU: CA.3914005
ISBN 9790007182038. Language: German.
Great Baroque church music full of color and powerful imagery! Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas shall rage, and the whole world and the rushing waters rejoice. This is such an ideal text for Telemann: The voices rejoice and praise together with the horns, harp, and trombones; and the choir and instruments make the sea roar, the earthquake tremble and the rivers and mountains exult. Score available separately - see item CA.3914000.
SKU: CA.3111805
ISBN 9790007108700. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm.
Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. Score available separately - see item CA.3111800.
SKU: CA.3914049
ISBN 9790007216252. Language: German.
Great Baroque church music full of color and powerful imagery! Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas shall rage, and the whole world and the rushing waters rejoice. This is such an ideal text for Telemann: The voices rejoice and praise together with the horns, harp, and trombones; and the choir and instruments make the sea roar, the earthquake tremble and the rivers and mountains exult. Score and part available separately - see item CA.3914000.
SKU: CA.3111813
ISBN 9790007207168. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm.
Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. Score and part available separately - see item CA.3111800.
SKU: CA.3914009
ISBN 9790007216214. Language: German.
Great Baroque church music full of color and powerful imagery! Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas shall rage, and the whole world and the rushing waters rejoice. This is such an ideal text for Telemann: The voices rejoice and praise together with the horns, harp, and trombones; and the choir and instruments make the sea roar, the earthquake tremble and the rivers and mountains exult. Score and parts available separately - see item CA.3914000.
SKU: CA.3111809
ISBN 9790007207137. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm.
Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. Score and parts available separately - see item CA.3111800.
SKU: CA.3914012
ISBN 9790007216238. Language: German.
SKU: CA.3914019
ISBN 9790007182069. Language: German.
SKU: CA.3914011
ISBN 9790007216221. Language: German.
SKU: CA.3112109
ISBN 9790007207335. Language: German/English.
This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame two arias for tenor and bass, and two secco recitatives for alto and soprano. The first and sixth movements are in old-fashioned style, with four-part vocal writing and colla parte instruments. In the aria (movement 2) the tenor is accompanied by an obbligato oboe d'amore, and in the 4th and most striking movement, the three string parts accompany the bass. The demands on the singers, instrumentalists, and chorus are typical of a Bach cantata. Score and parts available separately - see item CA.3112100.
SKU: CA.3111812
ISBN 9790007207151. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm.
SKU: CA.3914013
ISBN 9790007216245. Language: German.
SKU: CA.3111811
ISBN 9790007207144. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm.
SKU: CA.3914003
ISBN 9790007182960. Language: German.
SKU: CA.2719300
ISBN 9790007095789. Language: Latin/German.
The Te Deum, that was composed in 1832, is a convincing work with quick changes of expression and warm orchestral colors. Choruses, including a double chorus, alternate with arias and soloist ensembles, smooth woodwind sounds and an obbligato solo violin with orchestral tuttis and special sound combinations, e.g., in Tibi gloriosus for male voices, bassoons, contrabassoon and three trombones.
SKU: CA.3102319
ISBN 9790007136024. Key: C minor. Language: German/English.
Bach wrote the cantata Du wahrer Gott und Davids Sohn as a test piece in connection with his application for the position of Cantor of St. Thomas. For reasons unknown, Bach considered it necessary to use a cornett and three trombones to support the chorus - possibly this suggests the poor state of the St. Thomas choir after Kuhnau's death. New revised edition. Score and parts available separately - see item CA.3102300.
SKU: CA.3550311
ISBN 9790007213473. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.
SKU: CA.3550348
ISBN 9790007213497. Language: Latin.
SKU: CA.3550349
ISBN 9790007213503. Language: Latin.
SKU: CA.3550319
ISBN 9790007213480. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and parts available separately - see item CA.3550300.
SKU: CA.2780185
ISBN 9790007171810. Text language: Latin.
As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score available separately - see item CA.2780100.
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