SKU: GI.WW1746
UPC: 785147017561. Latin. Traditional Latin.
This gentle Marian lullaby has been set beautifully by Ivo Antognini for women's voices. True to the composer's style, the melody is compelling with rich and simple harmonies. A great option for mid- to upper-level women's choruses. Recording: Lawrence University Cantala, Phillip A. Swan, conductor.
SKU: ST.CN23P
ISBN 9790220225147.
Commissioned by the BBC as part of the celebrations for International Women's Day, and reflecting its theme of hope, Like a Singing Bird was premiered live on Radio 3 on 8 March 2015 by Sarah Connolly and the St Catharine's Girls' Choir, conducted by Edward Wickham. The distinctive vocal scoring features a small solo group of sopranos or mezzo-sopranos drawn from the upper-voice ensemble. The anthem is the first of three which are collectively entitled Echoes from Willow Wood, the second also being available in Choral Now. The text, Christina Rossetti's poem 'A Birthday', features in Virginia Woolf's classic essay A Room of One's Own, based on lectures delivered at Newnham College and at Randle's own Cambridge alma mater, Girton, an institution at the forefront of women's education for two centuries. Inspired by the clock in Girton's Stanley Library, the 'chiming rhythms' which are a driving force within the piece offer a further level of connection. The music moves from quiet anticipation to bright affirmation, the sense of something life-changing heralded by an Advent plainchant quoted in the second half. The final couplet is set apart in a hushed recitative, reflecting, in the composer's words, 'the hope I and other young female composers can have as we try to make our mark in what has traditionally been a male domain.'.
SKU: HL.14024685
Nicola Porpora (1686-1768) was a Neopolitan composer and singing teacher. A rival of Handel, he formed an opera company which performed his own compositions all over Europe. He was widely acclaimed during his lifetime both as a composer and also as a pedagogue, counting Haydn among his students. Regrettably, most of his compositions have largely fallen into obscurity since his death.
Credidi Propter is a setting of Psalm 116, originally for SSAA Upper Voice Choir, Strings and Organ Continuo, with optional Viola part. It has been edited by D. E. Hyde, and arranged with Piano accompaniment.
SKU: AP.48438
UPC: 038081552613. English.
It's been covered by everyone from Frank Sinatra to the Muppets, but the classic heartfelt Christmas ballad was originally composed for none other than Judy Garland. Jay Althouse retains the timeless and unaffected character of the original song in this no-nonsense arrangement, evoking warm feelings and a touch of nostalgia.
SKU: OU.9780193400955
ISBN 9780193400955. 12 x 8 inches.
for SSAA unaccompanied Originally written for SATB, this hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to a spirited exchange between the voices. This pattern of contrasts is repeated throughout the piece before the final jubilant chords fade away to pianissimo. This is an approachable and rewarding motet, appropriate for any time of the year and in particular, the Feast of the Blessed Virgin Mary and Eastertide. The original SATB version of Regina Caeli has also been recorded by the renowned American choir, the Phoenix Chorale, and released on a Grammy award-winning CD by Chandos (Spotless Rose CHSA 5066).
SKU: HL.49045229
ISBN 9790001162685. German.
Since Brahms' “Guten Abend, gut Nacht†it has been impossible to imagine concert programmes without lullabies. Heinrich Poos set to music three traditional lullabies for women's choir which are perfect for evening concerts or serenades at events on a smaller scale.
SKU: HL.159356
UPC: 888680617608. 6.75x10.5 inches. Czech.
The poem by Yeats that serves as the text for this Ron Kean piece has been set by many fine composers. Ron's approach is unique, bringing in overtones through whirlies to add an ultra-spiritual dimension to the impact of the work. Ron's vocal writing is always careful, pulling lines into one another with suspended results. Singers simply love to sing them because everyone is equally important. Selected for the Iris Levine Treble Chorus Series, this piece fits any general program for advanced treble high school, college and community choir. Medium.
SKU: HL.35031888
UPC: 888680732905. 6.75x10.5 inches.
One of our most treasured octavos, this definitive arrangement has been a best-seller since its release in 1985. Now a new edition appears with updates by the composer and for the first time, a superb orchestration. The Chopin-esque accompaniment is beloved by all who have played it, and with the voicing options, this true classic is a permanent part of the Holy Week repertoire. Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-3, tba, glock, perc, timp, hp, pno, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.1145659
ISBN 9781705185278. UPC: 196288117353. 6.75x10.5x0.036 inches.
From the 1970 movie Scrooge, this beloved song has been covered by many artists ever since: from gospel greats to contemporary stars. The arrangement captures the beauty, strength and scope of the original and may be accompanied by either piano or additional chamber instruments. What a glorious moment for any holiday concert!
SKU: HL.275373
UPC: 888680743758. 6.75x10.5x0.019 inches.
This Jazz standard by Thelonious Monk is melodically and harmonically sophisticated and interesting. It has been covered by more artists that can be counted and on every instrument, every band-big and small and singers and singing ensembles. The options are seemingly endless. Here, Ed gives us another worthy arrangement for the jazz, show or concert choir.
SKU: HL.286858
UPC: 888680899158. 6.75x10.5x0.036 inches.
Four movements from the end of the “Passion†section of Considering Matthew Shepard we hear from a deer. It has been well established that Matt loved the outdoors and it is fitting that a deer should sing “All night I lay there beside you, I cradled your pain in my care.†The women sing this delicate text accompanied by three soprano soloists who bring the breeze and the hope of redemption.
SKU: BT.WH33161
ISBN 9788759841525. Danish.
This work have been composed for the DR Girl choir in 2014, with lyrics by Knud Romer.
SKU: C4.9790902257145
ISBN 9790902257145. 8.27 x 11.7 inches.
Written for Chis Watson and the Choir of Trinity College, Melbourne, these fine settings augment the familiar tunes with changes in form. They have been recorded by the Choir of Trinity College under the direction of Christopher Watson on Walking on Waves (ACIS; 194-660-710-178).
SKU: GI.G-8360
UPC: 785147836001. Italian.
Giovanni Gabrieli's Se cantano gl'augelli comes from a collection of madrigals entitled Il trionfo di Dori. Each madrigal is scored for six voices and each ends with the text Viva la bella Dori (Long live fair Dori). This late sixteenth-century collection of madrigals enjoyed great success and was the model of the famous English collection of madrigals entitled, The Triumphes of Oriana. The GIA Historical Music Series edited by Dennis Shrock, presents repertoire suitable for performance by public school, college and university, church, and community ensembles, with the purpose of making available to today’s conductors lesser-known and previously difficult-to-procure historical masterpieces. The music, drawn from the Renaissance through the Romantic eras, is in performance editions based on the most current and rigorous scholarly research. The musical scores reflect original intent of notation, with all editorial markings and emendations clearly identified as such. In addition, preface material accompanying the music contains literal translations of foreign language texts and information regarding the lives of the composers, genres, and relevant performance practices. Dennis Shrock is Director of Choral Activities at Texas Christian University. He has been called one of the top choral scholars in the United States and has received a number of awards for his work. He received a bachelor's degree in music education from Westminster Choir College and both master's and doctoral degrees in choral conducting from Indiana University. .