SKU: CF.CM9635
ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).
Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.†The singer should make a motion as if they have a paintbrush in their hand and “paint†the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
SKU: WD.080689875229
UPC: 080689875229.
God's people are called to sing. His song has been written on our hearts, and we must give voice to what He has written there. And there may be nothing quite so powerful as a men's chorus joining strong voices together in songs of honor and praise to their God and King!
SKU: WD.080689504679
UPC: 080689504679.
SKU: WD.080689800726
UPC: 080689800726.
SKU: WD.080689704024
UPC: 080689704024.
SKU: PR.312416820
UPC: 680160050376. 8.5 x 11 inches.
Chen Yi’s most performed and most beloved choral music is a series of 10 Chinese folk songs adapted for S.A.T.B. Chorus (published in 3 volumes: 312-41731, 312-41732, 312-41733). This special version is a setting of the familiar collection, adapted for children’s chorus and strings.Remembering when I studied composition in the Central Conservatory of Music in Beijing, I learned to sing hundreds of Chinese folk songs collected from more than twenty provinces and fifty ethnic groups, and went to countryside to collect original folk music every year. I got to know that the folk songs are a mirror of people’s daily lives, their thoughts and sentiments, local customs and manners. They are sung in regional dialects and use the idioms of everyday speech with their particular intonations, accents and cadences. This correlation between speech and music distinguishes folk songs of one region from another. I learned all songs by heart and sang them back in the exams every week. They melted in my blood and became my natural music language. The more I walk into the music life,the more I treasure the rich culture I have learned from my homeland. When I became the Composer-in-Residence of Chanticleer and was invited to write the first work for its concert program, as well as another version for its Singing-In-The-Schools program, I decided to introduce A Set of Chinese Folk Songs to my American audiences, and add a new flavor to Chanticleer’srich repertoire. The work includes ten folk songs, taken from eight provinces (Anhui, Shaanxi, Yunnan, Shanxi, Taiwan, Sinkiang, Jiangsu and Guizhou) and five ethnic groups (Han, Hasake, Uighur, Miao and Yi). I arranged them for choirs (men’s or children’s chorus) with various combinations in voices, to be sung mostly in Chinese, some in English.  From the mysterious mountain songs originally sung in the open air with high and long notes that can carry over great distances, the sweet and delicate melodies of young love compared with nature, the humorous antiphony by little children, and the lively dancing tune by villagers, you may get an idea of various music styles in Chinese folk songs according to geographic, ethnic and linguistic differences, and appreciate the beauty of the Chinese folk music. The pure choir sound and the sophisticated singing by Chanticleer, in terms of pitches, language and musical expressions, really attract and inspire me to create some more new works in the years to come. In thisedition of A Set of Chinese Folk Songs for standard SATB mixed choir (with piano rehearsal score), I divided these ten songs into three volumes. They are Fengyang Song, The Flowing Stream, Guessing, Thinking of My Darling, Mayila, Jasmine Flower, Riding on a Mule, Awariguli, Diu Diu Deng, andMountain Song and Dancing Tune.—Chen Yi.
SKU: CF.CM9781
ISBN 9781491164525. UPC: 680160923434. Key: D major. English. Based on an African American Spiritual with Additional Music by Donald Moore.
The Shepherdâ??s Spiritual is a fun and energetic choral work that has become a favorite of choirs around the world. The heart and soul of the piece is the driving piano accompaniment, which should be played with an upbeat tempo and very little pedal. Singers should follow the piano lead with gusto and enthusiasm. Be sure to allow plenty of dynamic contrast, which will add to the enjoyment of the piece.Have fun with this one!
SKU: CF.CM9571
ISBN 9781491153659. UPC: 680160911158. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).
Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By?is certain to paint a picture of a better time for us all to look forward. Also available for SATB Voices (CM9572).I have great memories of my family gathering around the piano to sing hymns. As my sister and I learned more about music through lessons, band and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.
SKU: BT.WH28597
International.
For Male Voice Choir (TTBB).
SKU: HL.419542
UPC: 196288060949. 6.75x10.5x0.029 inches. John 15:13.
There is no more poignant sight than the solemn ceremony of the folded flag. The dignity associated with honoring one who has given the last full measure of devotion is rich with tradition and provides a moment of deep reverence for those in grief. This inspiring anthem presents three moments with the flag as it moves from the hands of grief to soaring and into the hearts of the future. The music has a cinematic scope, following the text with a theme that lifts the message of commitment and devotion to the heavens. An instant classic! Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tbn3/tba, perc 1-3, timp, pno, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.421316
UPC: 196288061274. 6.75x10.5x0.029 inches. Luke 12:26-28, Philippians 4:19, Psalm 37:23-24.
Alive with gospel goodness, this song of assurance and follow-ship has become a sanctuary standard since its first release. Trusting Jesus is a subject appropriate for any time of year, and the cheerful styling found in this choral is immediately engaging.
SKU: JK.01062
Moses 4:1-2, Alma 42:14-15.
Hymn arrangement combining original melody by Jon Holloman with the beloved lyrics of Eliza R. Snow--arranged for mixed chorus (SSATTBB) and piano accompaniment. Highest soprano note: F. Composer: Jon G. Holloman Lyricist: Eliza R. Snow Difficulty: Medium Performance time: 3:20Reference: Moses 4:1-2, Alma 42:14-15.
SKU: HL.210338
UPC: 888680659226. 6.75x10.5 inches. Ronald W. Cadmus/Robert S. Cohen.
This original spiritual for male voices is infused with energy! Opening with a layered speech chorus, it moves into a southern gospel feel with a dynamic call-and-response that leads back into the speech chorus, this time with hand clapping. Excellent for male honor choirs and festival performances.
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