SKU: BT.EMBZ14721

László Dubrovay wrote the following about Liszt and the piece now being published: Liszt was for me the most important composer in my youth, and as a pianist I played a great number of his works. I admired him as an innovator, who enriched the technique of playing the instrument in a manner unparalleled in piano literature. Later his creative genius captivated me, as he opened up new paths for the future. His works paved the way for impressionism, expressionism, 20th-century folklorism and dodecaphonic thinking. His innovations were always material realisations of spiritual renewal. My Rapsodia ungherese follows the Slow Fast single-movement formal concept of Liszt srhapsodies. Piano Score: 14633, score and orchestral material on hire.

Klavierauszug: 14633, die Partitur und das Orchestermaterial können ausgeleihen werden.

SKU: FG.706334-10-3

ISBN 979-0-706334-10-3.

A work in five movements which are played without pause. Juhani Nuorvala makes his music using elements that fascinate him most and that his mind and body respond to. These elements he finds not only in old or new classical music but in various forms of urban music, such as the electronic music or modern dance clubs.

SKU: SU.32010121

Performance Edition edited by David BernardIncludes Winds, Brass, Percussion and Strings (8-7-6-5-4)solo cl; 2002; 2000; stgs Composed: 1791 Also available: FULL SCORE (32010120).

SKU: BT.EMBZ8651

SKU: HH.HH452-SSC

ISBN 9790708146599.

Three Imaginary Folksongs was requested by the Concerts Society of Liverpool Metropolitan Cathedral for their concert season celebrating the 50th anniversary of the opening of the Cathedral. The composer was asked specifically for a work which would highlight the much-admired talents of the principal clarinet, Jacqueline Thomas. The title is unambiguous. Taking three different approaches, each of which has a modal starting point, the three ‘folksongs’ from imaginary places, were developed in styles which reflect the work of earlier folksong-inspired composers. The first performance took place at Liverpool Metropolitan Cathedral at a concert that not only celebrated the Cathedral’s 50th birthday, but also Stephen’s 70th.