SKU: HL.49027089
SKU: HL.49027086
SKU: HL.49027087
SKU: HL.49027073
SKU: HL.49027074
SKU: HL.14022114
SKU: HL.14072877
SKU: HL.49027088
SKU: HL.49027082
UPC: 884088098155.
SKU: HL.49027084
SKU: HL.49027075
SKU: HL.49027083
SKU: BR.PB-5513-07
The Prague Symphony will sound different with the new Breitkopf Urtext material.
ISBN 9790004211656. 6.5 x 9 inches.
The present edition is the first since 1932 to be based on Mozarts autograph score. It reflects the conviction that his autograph scores represent not only the substance of his works, but also actual performances. A Fassung letzter Hand is scarcely possible.Cliff Eisen, one of the leading Mozart specialists of his generation, takes particular care in bringing his expert knowledge of contemporary performance practice into play when evaluating authentic part material. In the Prague Symphony, Eisen comes to surprising conclusions in a number of cases, such as the delicate matter of the division of the bassoons led col basso. Which of the low strings are they intended to play along with? When read properly, the sources provided a clear-cut answer.The Prague Symphony will sound different with the new Breitkopf Urtext material.
SKU: BR.PB-5372
ISBN 9790004210956. 10 x 12.5 inches.
With the Symphony K. 112, Cliff Eisen, Professor at the renowned Kings College and one of the leading Mozart specialists of the younger generation, continues the series of new editions of Mozarts orchestral works which began with the Prague Symphony. Here too, the editorial principles follow the guidelines of Urtext. In his work, he takes particular care in bringing his expert knowledge of contemporary performance practice into play when evaluating authentic part material. Eisen comes to surprising conclusions in a number of cases. At the very least, the Symphony K. 112 will sound different in these passages with the new material.
SKU: BA.BA04558-01
ISBN 9790006450619. 33 x 26 cm inches.
The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time, it also serves as an aid to authentic performances.The principal Series I to IX, containing Mozart's actual oeuvre, appeared between 1956 and 1991. They are regarded as a supreme achievement of Mozart scholarship in our time; modern performances of Mozart's music are unthinkable without them. The important supplementary volumes shed fresh and illuminating light on neglected aspects of Mozart's creative work, such as his activities as a teacher or as an arranger of other composer's works.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.PB-5298-07
ISBN 9790004211786. 6.5 x 9 inches.
Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.
SKU: HL.48187753
UPC: 888680868024. 5.5x7.5x0.173 inches.
Following nearly 4 years without having composed a new symphony, although still writing opera overtures and works from orchestral serenades, Mozart composed the ?Paris? Symphony. Mozart received the commission from Joseph Legros, when him and his mother were in Paris in 1778.Mozart composed the work for the largest orchestra he?d written for until then in a symphony, marking the first time which he had used Clarinets in one of his symphonies. Mozart had taken pains to write the work in a style that would appeal to the French and, despite a dismal rehearsal, the first performance was well received.Available here is a study score of Mozart?s Symphony No.31 in D ?Paris? K.297, which is ideal for study and perusal usage..
SKU: HL.48187751
UPC: 888680868031. 5.5x7.5x0.208 inches.
Mozart composed two new symphonies in the Autumn of 1773, after having returned to Salzburg from Vienna. The first of the two was the <I>Symphony No.24 In B Flat K.182, and the second was the Symphony No.25 in G Minor K.183<BR><BR>This symphony was one of two which Mozart composed in a minor key ? the other being the Symphony No.40 in G Minor K.550</I>. The latter can be identified with some of Mozart?s most troubled and agitated music, reflecting those difficult moments in his life. However, the twenty-fifth symphony is thought to have been composed as part of a sudden wave of minor-key symphonies which appeared in the later 1760s and early 1770s ? among others were composed by Vanhal, Ordonez, and Joseph Haydn.Available here is the study score for one of Mozart?s two symphonies composed in a minor key, the Symphony No.25 in G Minor K.183</I>. This score is ideal for study and perusal usage..
SKU: BR.PB-5552-07
ISBN 9790004213629. 6.5 x 9 inches.
Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print.
SKU: BR.PB-5373
ISBN 9790004212417. 10 x 12.5 inches.
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