SKU: HL.49007847
ISBN 9790001030830. UPC: 073999362770. 9.25x12.0x0.074 inches.
2 violins, string orchestra, organ. Organ part.
SKU: HL.50484905
SKU: HL.48187818
Meditation sur Bach - Prelude No.1 in C major (for piano, violin and organ).
SKU: HL.14017508
9.5x14.25x0.15 inches.
Fantasy on the Chorale 'Es ist genug' for Violin and Organ.
SKU: SU.80101430
Fantasia on Greensleeves (2015) is based on the famous English melody and develops across several sections of varied dramatic character, with a particular emphasis on the tune's modal possibilities. Instrumentation: Organ Duration: 2015 Composed: 7' Published by: Zimbel Press.
SKU: CA.1000111
ISBN 9790007015633. Language: German.
Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score and part available separately - see item CA.1000100.
SKU: CA.1000112
ISBN 9790007015640. Language: German.
SKU: HL.14014517
12.0x16.5x0.236 inches.
Commissioned by David Hellewell for the Apollo Emsemble with funds provided by the Southern Arts Association. Written for flute, clarinet, violin, cello, piano and tam-tam.
SKU: HL.49008262
ISBN 9790001032131. 9.25x12.0x0.05 inches.
Organ part.
SKU: HL.49015236
ISBN 9790001072564.
Top Music an der Orgel ist besonders geeignet fur den zeitgemassen Instrumentalunterricht, bietet aber auch gleizeitig alles fur das Selbststudium. 5 Bande mit insgesamt 40 Lektionen, sinnvoll aufeinander abgestimmt, ermoglichen fur Schuler jeden Alters einen originellen Einstieg in das Orgelspiel. Pop-music, Internationale Folklore, aber auch Populare Klassik und kirchliche Musik.
SKU: CA.4068949
ISBN 9790007097295. Key: D major. Language: Latin.
Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score and part available separately - see item CA.4068900.
SKU: HL.14013824
UPC: 888680912918. 8.25x11.75x0.165 inches.
Superb work scored for Baritone, Violin, Cello and Organ.
SKU: CA.2917900
ISBN 9790007039196. Key: D minor. Language: all languages.
Adaptation; original for solo violin.
SKU: CA.2917700
ISBN 9790007039189. Key: C major. Language: all languages.
Adaptation of the Sonata for Solo Violin.
SKU: CA.1302612
ISBN 9790007029876. Language: all languages.
Sinfonia from the second part of the cantata in a choral adaptation. Score and part available separately - see item CA.1302600.
SKU: HL.14016389
From the Fourth Sonata for Violin alone, in D Minor. Subtitle-Air with Variations.
SKU: CA.1302611
ISBN 9790007029869. Language: all languages.
SKU: LM.AG00511
SKU: CA.3111707
ISBN 9790007091651. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700.
SKU: CA.4068909
ISBN 9790007220389. Key: D major. Language: Latin.
Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score and parts available separately - see item CA.4068900.
SKU: CA.3110207
ISBN 9790007047382. Key: G minor / c minor. Language: German/English.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score available separately - see item CA.3110200.
SKU: LM.C05291
ISBN 9790230352918.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version