| Distraught Nightingale - Vol. 2 (piano) Piano solo [Sheet music + CD] Leduc, Alphonse
Composed by Reynaldo Hahn (1874-1947). Leduc. Classical. CD. 80 pages. Alphon...(+)
Composed by Reynaldo Hahn
(1874-1947). Leduc.
Classical. CD. 80 pages.
Alphonse Leduc #HE33880.
Published by Alphonse Leduc
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Suzuki Violin School, Volume 3 Violin [Sheet music + CD] Alfred Publishing
Violin Part. Composed by accomp. perf. Natalie Zhu, violin perf. Hilary Hahn, ...(+)
Violin Part. Composed by
accomp. perf. Natalie Zhu,
violin perf. Hilary Hahn, and
Dr. Shinichi Suzuki.
Method/Instruction;
SmartMusic; String - Violin
(Suzuki); Suzuki. Suzuki
Violin School. Book and CD.
28 pages. Alfred Music #00-
48728. Published by Alfred
Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Le Rossignol Eperdu Vol.2 (Poemes) Piano solo Heugel
Piano SKU: BT.ALHE33880 Orient- Carnet de Voyage-Versailles. Compo...(+)
Piano SKU: BT.ALHE33880 Orient- Carnet de Voyage-Versailles. Composed by Reynaldo Hahn. Classical. Book Only. 80 pages. Heugel & Cie #ALHE33880. Published by Heugel & Cie (BT.ALHE33880). French. Distraught Nightingale _x001A_ Vol. 2 is the second volume of a set of two by Reynaldo Hahn. It features three main parts for advanced pianists. This volume 2 includes: II. Orient 31. En ca que 32. Narghilé 33. Les Chiens deGalata (Effet de nuit sur la Corne d_x001A_Or) 34. Rêverie nocturne sur le Bosphore 35. La Rose de Blida 36. L_x001A_Oasis (Biskra) III. Carnet de Voyage 37. L_x001A_Ange Verrier (Cathédrale de Bourges) 38. Le Jardin de Pétrarque 39. LaNativité (Crèche de Nuremberg) 40. Faunesse dansante (Le Rosso _x001A_ Palais de Fontainebleau) 41. Les Noces du Duc de Joyeuse (Musée de Versailles) 42. Le Petit Mail (Rêveries de Calvin adolescent) 43. Les Pages d_x001A_Élizabeth(Temple Gardens) 44. La Jeunesse et l_x001A_Été ornaent de fleurs le tombeau de Pergolène 45. Vieux bahuts (Musée d_x001A_Orléans) IV. Versailles 46. Hommage Martius 47. La Reine au jardin 48. Le Réveil de Flore 49. Le Banc songeur 50. La Fête de Terpsichore 51. Adieux au soir tombant 52. Hivernale 53. Le Pèlerinage inutile Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, healso wrote many pieces and melodies for different instruments. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Suzuki Violin School, Volume 3 Violin SATB, Orchestra Alfred Publishing
Violin SKU: AP.48729 International Edition. By Hilary Hahn and Nat...(+)
Violin SKU: AP.48729 International Edition. By Hilary Hahn and Natalie Zhu. This edition: Performance/Accompaniment CD; International. MakeMusic Cloud; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD. Alfred Music #00-48729. Published by Alfred Music (AP.48729). ISBN 9781470644185. UPC: 038081560397. English. Teach violin with the popular Suzuki Violin School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki violin teacher to develop their potential as a musician and as a person.
This CD of the Suzuki violin method, Volume 3 features recordings by Hilary Hahn in collaboration with pianist Natalie Zhu, as well as piano accompaniment only tracks for play-along purposes.
Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach). This title is available in MakeMusic Cloud. About Suzuki Method The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music. $15.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| COMPLETE MANDOLINIST, VOLUME 2: MUSIC IN CONTEXT Mandolin - Intermediate/advanced Mel Bay
Perfect binding. Exercises. Book. Mel Bay Publications, Inc #30782. Publishe...(+)
Perfect binding. Exercises.
Book. Mel Bay Publications,
Inc #30782. Published by Mel
Bay Publications, Inc
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Great Gate of Kiev Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064131-010 From 'Pictures...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064131-010 From 'Pictures at an Exhibition'. Composed by Modest Petrovich Mussorgsky. Arranged by Tohru Takahashi. The Great Classics. Transcription. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064131-010. Published by De Haske Publications (BT.DHP-1064131-010). 9x12 inches. English-German-French-Dutch. The Russian composer Modest Mussorgsky (1839-1881) was self-educated to a large extent but went on to become one of the ?Mighty Five? which also included Balakirev, Cui, Borodin and Rimsky-Korsakov. Today he is considered the innovator of Russian music par excellence. He composed Pictures at an Exhibition in 1874, inspired by ten pictures produced by his then recently deceased friend, the Russian architect and artist Victor Hartmann. The French composer Maurice Ravel made an orchestration of Mussorgsky?s composition in 1922 which is now more well-known and more performed than the original piano suite. For his transcription of Pictures at an Exhibition, Tohru Takahashimade use of the original piano composition by Mussorgsky. The Great Gate of Kiev, issued here separately, is probably the best known melody from this classical masterpiece.
De Russische componist Moessorgsky (1839-1881) componeerde Pictures at an Exhibition (Schilderijententoonstelling) in 1874. Zijn inspiratiebron vormden tien schilderijen van de hand van zijn overleden vriend Victor Hartmann,een Russisch architect en kunstenaar. De Franse componist Maurice Ravel maakte in 1922 een orkestratie van Moessorgsky’s compositie - deze is bekender en wordt meer uitgevoerd dan de oorspronkelijke pianosuite. Voor zijn ¬transcriptievan Pictures at an Exhibition gebruikte Tohru Takahahsi echter de originele compositie van Moessorgski. Dit afzonderlijk uitgegeven deel, The Great Gate at Kiev, is waarschijnlijk het bekendst.
Obwohl der russische Komponist Modest Petrowitsch Mussorgski hauptsächlich als Komponist von Opern und Liedern bekannt ist, schrieb er auch eine Anzahl von bedeutenden Klavierwerken, wie zum Beispiel die weltberühmte Suite Bilder einer Ausstellung, die vielen besser in der Orchestrierung von Maurice Ravel bekannt ist. Für seine Transkription von Bilder einer Ausstellung griff Tohru Takahashi jedoch auf die ursprüngliche Komposition von Mussorgski zurück. Der separat veröffentlichte Satz Das große Tor von Kiew ist daraus der wohl bekannteste Teil, der immer wieder gerne gespielt und gehört wird.
Modest Moussorgski (1839-1881) est considéré comme le grand innovateur de la musique russe. Il a réalisé ses plus grandes créations dans le domaine lyrique, mais n’a jamais manqué de composer des oeuvres pour piano dont le célèbre cycle Tableaux d’une Exposition. Dixième et dernier tableau de la suite, La grande porte de Kiev est certainement le mouvement le plus connu du public.
Modest Moussorgski (1839-1881) è considerato il più grande innovatore della musica russa. Ha realizzato le sue più grandi creazioni nel campo della musica lirica, ma ha anche composto opere per pianoforte tra le quali il celebre ciclo Quadri di un’esposizione. Decimo ed ultimo quadro della suite, La grande porta di Kiev è certamente il movimento più conosciuto dal pubblico. $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Tanzsuite mit Deutschlandlied Breitkopf & Härtel
(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar. 3.dble bsn - 4.3.3.1 - perc(4) - h...(+)
(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar.3.dble bsn - 4.3.3.1 - perc(4) - hp - pno - str: 10.10.8.8.6) SKU: BR.PB-5714 Music for Orchestra with String Quartet. Composed by Helmut Lachenmann. Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Dances/marches; Music post-1945. Sheet Music. Composed 1979/80. 176 pages. Duration 36'. Breitkopf and Haertel #PB 5714. Published by Breitkopf and Haertel (BR.PB-5714). ISBN 9790004216514. 10.5 x 14 inches. More than my earlier works, this one is interspersed with metrically bound rhythms and musicianly characters that constantly recrystallize and drift towards or away from familiar situations.The familiar: These are dance-like figures and music-making formulas, but also songs and, in two cases fragments of Bach's music - playfully collected memories of impressions in which - consciously and unconsciously - I am embodied with that collective comfort in whose protection bourgeois thinking and feeling, magically protected, grow up and emerge apart.(It is well known that such security has its fetishes from the childlike to the adult stage: Home, religious bond, holidays, tradition, longing for childhood - the superficiality may have little idea of the depth that opens up underneath. There is also no question that we are still marked by such security even when the contradictions and alienation of existence force us to step out of their protection, to recognize and act upon reality, and to oppose the domination of such inner bonds where their original truth has become the fatal untruth of comfortable illusion, stubbornly and fearfully conjured idyll and reactionary narrow-mindedness.My music feeds on figures in which such memories are encapsulated. It deals with them not much differently than in other pieces with the elements of the traditional musical concept of material, having already always reflected compositionally as a product of sociality and anticipation of musical expression, i.e. it moved into a structurally expanded context and expressively redefined from there.Such an approach aims at overcoming lack of freedom: grasping as part of conceiving, i.e. not philosophical reflection, but rather an artistically gripping reflex by intervening in the physical immediacy of such predetermined elements. These penetrate and infect the structural events, inducing a musicianship that cannot be relied upon; the music jumps onto rhythms like onto moving vehicles, allows for being carried by them until they deform or disintegrate. This creates an incline of rhythmically shaped situations: sequence and interweaving of dances and structures.The role of the solo string quartet is versatile, obbligato and concertante, leading and accompanying in a changing sense. Set as a chamber music apparatus in an orchestral landscape, it repeatedly forces its own sound dimensions onto the orchestra, it must accept being drowned out at times, it nests in the holes of tutti fields, it acts as a louse in the fur, forcing one to listen in and out.The Tanzsuite with Deutschlandlied is structured as follows:I. Section. 1. Introduction - 2. Waltz - 3. March - 4. Bridge -II. Section. 5. Siciliano - 6. Capriccio - 7. Valse lente -III. Section. 8. Bridge - 9. Gigue - 10. Tarantelle - 11. Bridge -IV. Section. 12 Aria I - 13 Polka - 14 Aria IIV. Section. 15. Introduction - 16 Gallop - 17 Coda (Aria III)All 17 parts merge into one another.(Helmut Lachenmann, 1980)CDs/LP/DVD:Arditti-Quartett, Deutsches Symphonie-Orchester Berlin, cond. Olaf HenzoldCD Montaigne Auvidis MO 782019Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain Cambreling (Excerpt)CD BMG/RCA 74321 73510 2 (Musik in Deutschland 1950-2000)Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain CambrelingLP DMR 1028-30Arditti Quartet, SWR Sinfonieorchester Baden-Baden und Freiburg, cond. Hans Zender Excerpt on CD ,,Auswahl von zehn Urauffuhrungen aus 70 Jahren, SWR Sinfonieorchester Baden-Baden und Freiburg Arditti Quartet, Staatsorchester Stuttgart, cond. Sylvain Cambreling DVD ,,Lachenmann-Perspektiven 6 (Breitkopf & Hartel, BHM 7816) Bibliography:Cavalotti, Pietro: Differenzen. Poststrukturalistische Aspekte in der Musik der 1980er Jahre am Beispiel von Helmut Lachenmann, Brian Ferneyhough und Gerard Grisey (= Sonus. Schriften zur Musik, hrsg. von Andreas Ballsteadt, Band 8), Schliengen: Argus 2006, pp. 79-128.Das sind doch alles Deutschlandlieder! Helmut Lachenmann im Gesprach mit Michael Rebhahn, in: Der Taktgeber. Das Magazin der Jungen Deutschen Philharmonie, Heft 40 (Sommer 2019), S. 6f.Stawowy, Milena: Fluchtversuche in die Hohle des Lowen. Helmut Lachenmanns Tanzsuite mit Deutschlandlied, in: MusikTexte 67/68 (1997), pp. 77-90.Toop, Richard: Concept and Context: A Historiographic Consideration of Lachenmanns Orchestral Works, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, pp. 125-144.
World premiere: Donaueschingen (Donaueschinger Musiktage), October 18, 1980. $160.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Suzuki Violin School (Asian Edition) Violin SATB, Orchestra Alfred Publishing
Violin SKU: AP.49294 Volume 3. Violin Part. Composed by Dr....(+)
Violin SKU: AP.49294 Volume 3. Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International/Asian. MakeMusic Cloud; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book and CD. 28 pages. Alfred Music #00-49294. Published by Alfred Music (AP.49294). ISBN 9781470644680. UPC: 038081563381. English. Authorized Asian Edition - Available ONLY in Asia.
Teach violin with the popular Suzuki Violin School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki violin teacher to develop their potential as a musician and as a person.
This Suzuki Book & CD (Asian Edition) is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: * Engravings in a 9 x 12 format * Revised editing of pieces, including bowings and fingerings * 16 additional pages * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Glossary of terms in English, French, German, and Spanish * Musical notation guide * Fingerboard position * CD features new recordings by Hilary Hahn in collaboration with pianist Natalie Zhu, as well as piano accompaniment only tracks for play-along purposes.
Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach).
This title is available in MakeMusic Cloud. About Suzuki Method The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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