| La Bellezza ravveduta nel trionfo del Tempo e del Disinganno, HWV 46a (Rome 1707) Opera Barenreiter
Oratorio in two parts. Composed by George Frideric Handel (1685-1759). Edited ...(+)
Oratorio in two parts.
Composed by George Frideric
Handel (1685-1759). Edited by
Michael Pacholke. This
edition: complete edition,
urtext edition. Cloth bound.
Hallische Handel-Ausgabe
(HHA) I/4,1. Rome 1707.
Complete Edition, Score. HWV
46a. Baerenreiter Verlag
#BA10721-01. Published by
Baerenreiter Verlag
$407.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Bellezza ravveduta nel trionfo del Tempo e del Disinganno, HWV 46a Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Orchestra (2Sg-S-solo,Sg-A-solo,Sg- T-solo,Orch) SKU: BA.BA10721-90...(+)
Soloists, Orchestra (2Sg-S-solo,Sg-A-solo,Sg-T-solo,Orch) SKU: BA.BA10721-90 Oratorio in two Parts. Composed by George Frideric Handel. Edited by Michael Pacholke. Arranged by Christopher Sokolowski. This edition: urtext edition. Paperback. Barenreiter Urtext. Rome 1707. Vocal Score. HWV 46A. Baerenreiter Verlag #BA10721_90. Published by Baerenreiter Verlag (BA.BA10721-90). ISBN 9790006568680. 27 x 19 cm inches. Text Language: Italian. Preface: Annette Landgraf. Text: Pamphili, Benedetto. Handel composed his first Italian oratorioLa Bellezza ravveduta nel trionfo del Tempo e del DisingannoHWV 46a in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili who also commissioned this work.
Disinganno (Illumination) and Tempo (Time) try to get the young, beautiful and frivolous Bellezza (Beauty) to recognise the true values of life and to act accordingly. The audience accompanies Bellezza in her spiritual development, in which she increasingly distances herself from Piacere (Pleasure) and listens more and more to Tempo and Disinganno.
The oratorio contains some of the most beautiful music Handel ever composed. This includes the enchanting ariaLascia la spina, in which he uses the music of the sarabande from the operaAlmira, composed in Hamburg in 1704, and which then achieved immortal fame inRinaldo(1711) asLascia ch'io pianga.
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| Blackhawk Bass Trombone [Sheet music + CD] - Intermediate Hip-Bone Music
By Michael Davis. By Michael Davis. Bass trombone solo with CD accompaniment. Fo...(+)
By Michael Davis. By Michael Davis. Bass trombone solo with CD accompaniment. For bass trombone solo with CD accompaniment. Intermediate
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Eagles Landing 2 Trombones (duet) [Accompaniment CD] - Intermediate Hip-Bone Music
By Michael Davis. Composed by Michael Davis. Tenor trombone and bass trombone wi...(+)
By Michael Davis. Composed by Michael Davis. Tenor trombone and bass trombone with CD accompaniment. For tenor trombone and bass trombone with CD accompaniment. Adds wonderful contrast to the standard concert/recital. Published by Hip-Bone Music. (52)
Level: intermediate.
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Il trionfo del Tempo e della Verità, HWV 46 b Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three parts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: Complete edition. Linen. Complete edition, Score. HWV 46. Baerenreiter Verlag #BA10726-01. Published by Baerenreiter Verlag (BA.BA10726-01). ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael. In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.
In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.
The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
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| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Beautiful Melodies from Around the World - Music for Two Violins Selected Cello Parts 2 Violins (duet) Mel Bay
Violin - Beginning; Intermediate; Advanced SKU: MB.30859 Saddle-stitched,...(+)
Violin - Beginning; Intermediate; Advanced SKU: MB.30859 Saddle-stitched, Wedding. World Music. Book/insert. 68 pages. Mel Bay Publications, Inc #30859. Published by Mel Bay Publications, Inc (MB.30859). ISBN 9781513465951. 8.75x11.75 inches. Imagine a campfire! Envision sitting around the bright flames with your friends and family singing songs out in the great expanse. Imagine that those melodies you sing stir up joy, hope, and belief in the great wonders of the world. Melodies have connected different kinds of people for many, many years. Music brings us closer, and music makes any occasion more festive and memorable. This book was written to promote the love of old folk melodies, provide processional music for special celebrations, and to include players of all levels. Music educators will find that there are many possibilities and combinations for practice and performance. Includes a 16-page pull-out section of twelve selected pieces for an optional cello part. It is my great hope that music students, families, and educators will all enjoy this very special collection of Beautiful Melodies from Around the World. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Folksongs Book Guitar [Sheet music] - Easy Hal Leonard
133 Songs from Around the World. Easy Guitar (Simplified arrangements for guitar...(+)
133 Songs from Around the World. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 128 pages
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| Fantasia Di Pasqua Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053796-010 Easter Fanta...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053796-010 Easter Fantasy. Composed by Michael Bilkes. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053796-010. Published by De Haske Publications (BT.DHP-1053796-010). English-German-French-Dutch. Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.
In Fantasia di Pasqua speelt het (koper)kwartet een cruciale rol. De componist raadt aan dit kwartet vanuit een galerij te laten spelen: de zo gecreëerde dubbelkorigheid past bij de enigszins renaissancistische stijl van hetwerk. De gebruikte koraalmelodieën worden alle - veelal dansrijk - door het kwartet uitgevoerd in diverse cadansen, die mede door de dubbelkorigheid resulteren in een levendige en afwisselende uitvoering. Het kwartet hoeft nietper se te bestaan uit twee trompetten (cornetten) en twee trombones, maar kan naar believen worden samengesteld.
In seiner Fantasia di Pasqua verwendete Michael Bilkes traditionelle Osterlieder. Ein Quartett spielt hier eine entscheidende Rolle. Dies kann ein Blech- und/oder Holzbläserquartett sein, möglich ist auch ein Posaunenchor (der Komponist gibt hierzu Tipps). In Kirchen kommt die Fantasie besonders schön zur Geltung, wenn das Quartett von der Empore herab spielt. Der so kreierte Doppelchor-Effekt passt ausgezeichnet zum Renaissance ähnlichen Stil und verspricht eine sehr lebhafte und abwechslungsreiche Aufführung.
Fantasia di Pasqua est une fantaisie basée sur des mélodies chorales pascales, issues de la Renaissance. Un quatuor (cuivres/bois) joue un rôle primordial dans le développement de la pièce. La musique pascale étant essentiellement destinée être interprétée dans un lieu de culte, le compositeur préconise de placer le quatuor sur le balcon. L’effet de double chœur ainsi créé donne la pièce un caractère varié et divertissant.
Fantasia di Pasqua, basata su melodie tradizionali, utilizza un quartetto, che riveste un ruolo fondamentale nello sviluppo del brano. Sono possibili varie combinazioni, come ad esempio un quartetto di ottoni e/o legni, come anche un coro di tromboni). Fantasia di Pasqua è scritta in uno stile simile alla musica rinascimentale, una scelta che si spiega con il fatto che la maggior parte delle melodie corali datano di questo periodo. Queste melodie danzanti, interpretate dal quartetto, segnano la trama del brano. La bellezza del doppio coro conferisce al brano un carattere variegato e divertente. $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fantasia Di Pasqua Concert band [Score] De Haske Publications
Concert Band/Harmonie SKU: BT.DHP-1053796-140 Easter Fantasy. Comp...(+)
Concert Band/Harmonie SKU: BT.DHP-1053796-140 Easter Fantasy. Composed by Michael Bilkes. Musica Sacra. Hymns and Chorals. Score Only. Composed 2005. 24 pages. De Haske Publications #DHP 1053796-140. Published by De Haske Publications (BT.DHP-1053796-140). English-German-French-Dutch. Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, thecomposer suggests that the quartet may be utilised performing from two galleries_x001A_. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work tobring a touch of Renaissance class to your concerts.
In Fantasia di Pasqua speelt het (koper)kwartet een cruciale rol. De componist raadt aan dit kwartet vanuit een galerij te laten spelen: de zo gecreëerde dubbelkorigheid past bij de enigszins renaissancistische stijl van hetwerk. De gebruikte koraalmelodieën worden alle - veelal dansrijk - door het kwartet uitgevoerd in diverse cadansen, die mede door de dubbelkorigheid resulteren in een levendige en afwisselende uitvoering. Het kwartet hoeft nietper se te bestaan uit twee trompetten (cornetten) en twee trombones, maar kan naar believen worden samengesteld.
In seiner Fantasia di Pasqua verwendete Michael Bilkes traditionelle Osterlieder. Ein Quartett spielt hier eine entscheidende Rolle. Dies kann ein Blech- und/oder Holzbläserquartett sein, möglich ist auch ein Posaunenchor (der Komponist gibt hierzu Tipps). In Kirchen kommt die Fantasie besonders schön zur Geltung, wenn das Quartett von der Empore herab spielt. Der so kreierte Doppelchor-Effekt passt ausgezeichnet zum Renaissance ähnlichen Stil und verspricht eine sehr lebhafte und abwechslungsreiche Aufführung.
Fantasia di Pasqua est une fantaisie basée sur des mélodies chorales pascales, issues de la Renaissance. Un quatuor (cuivres/bois) joue un rôle primordial dans le développement de la pièce. La musique pascale étant essentiellement destinée être interprétée dans un lieu de culte, le compositeur préconise de placer le quatuor sur le balcon. Lâ??effet de double ch?ur ainsi créé donne la pièce un caractère varié et divertissant.
Fantasia di Pasqua, basata su melodie tradizionali, utilizza un quartetto, che riveste un ruolo fondamentale nello sviluppo del brano. Sono possibili varie combinazioni, come ad esempio un quartetto di ottoni e/o legni, come anche un coro di tromboni). Fantasia di Pasqua è scritta in uno stile simile alla musica rinascimentale, una scelta che si spiega con il fatto che la maggior parte delle melodie corali datano di questo periodo. Queste melodie danzanti, interpretate dal quartetto, segnano la trama del brano. La bellezza del doppio coro conferisce al brano un carattere variegato e divertente. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Library Of Children's Song Classics
Piano, Voice [Sheet music] Music Sales
Edited by Amy Appleby, Liz Seelhoff Byrum. For voice and piano. Format: piano/vo...(+)
Edited by Amy Appleby, Liz Seelhoff Byrum. For voice and piano. Format: piano/vocal/chords songbook (spiral bound). With vocal melody, piano accompaniment, lyrics, chord names, illustrations and introductory text. Children's and Folk. 240 pages. 9x12 inches. Published by Music Sales.
(3)$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sound Innovations for Concert Band -- Ensemble Development for Young Concert Band Clarinet Alfred Publishing
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm (Clarinet)...(+)
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm (Clarinet). Composed by Peter Boonshaft and Chris Bernotas. Band Method; Book; Method/Instruction. Sound Innovations for Concert Band: Ensemble Development. 24 pages. Published by Alfred Music (AP.40711).
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sound Innovations for Concert Band -- Ensemble Development for Young Concert Band Piano solo - Beginner Alfred Publishing
Concert Band Piano SKU: AP.40724 Chorales and Warm-up Exercises for To...(+)
Concert Band Piano SKU: AP.40724 Chorales and Warm-up Exercises for Tone, Technique, and Rhythm (Piano). Composed by Chris M. Bernotas and Peter Boonshaft. Band Method; MakeMusic Cloud; Method/Instruction; NAMM Best Tools for Schools; Technique Musicianship; Warm-Ups. Sound Innovations for Concert Band: Ensemble Development. Book. 52 pages. Alfred Music #00-40724. Published by Alfred Music (AP.40724). ISBN 9781470634018. UPC: 038081520568. English. Sound Innovations: Ensemble Development for Young Concert Band is a complete curriculum for beginning band students to help them grow as ensemble musicians. The series complements any band method and supplements any performance music. It contains 167 exercises, including more than 100 chorales by some of today's most renowned young band composers. Various exercises at the grade 1/2, 1, and 1 1/2 levels are grouped by key, including:
* Long Tones * Passing the Tonic * Pitch Matching * Scale Builders * Interval Builders * Expanding Intervals * Chord Builders * Moving Chord Tones * Diatonic Harmony * Rhythmic Subdivision * 5-Note Scales * Scale Canons (5-, 6-, or 8-Note Scales) * Scale Chorales (5-, 6-, and 8-Note Scales) * Chorales.
The compositions were written by Roland Barrett, Chris Bernotas, Jodie Blackshaw, Matt Conaway, Ralph Ford, Tyler S. Grant, Rob Grice, John O'Reilly, Robert Sheldon, Todd Stalter, Randall Standridge, Michael Story, and Scott Watson. Whether your students are progressing through exercises to better their technical facility, or improving their musicianship with beautiful chorales, we are confident your performers will be excited, motivated, and inspired by using Sound Innovations: Ensemble Development for Young Concert Band. The Ensemble Development Series is also available for Intermediate and Advanced Band. Learn more at www.alfred.com/SIED. This title is available in MakeMusic Cloud. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sound Innovations for Concert Band -- Ensemble Development for Young Concert Band Baritone Saxophone Alfred Publishing
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm (Baritone Saxo...(+)
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm (Baritone Saxophone). Composed by Peter Boonshaft; Chris Bernotas. Band Method; Method/Instruction; NAMM Best Tools for Schools; SmartMusic; Technique Musicianship; Warm-Ups. Sound Innovations for Concert Band: Ensemble Development. Book. 24 pages. Alfred Music #00-40715. Published by Alfred Music (AP.40715).
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sound Innovations for Concert Band -- Ensemble Development for Young Concert Band Concert band [Score] Alfred Publishing
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm. Composed ...(+)
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm. Composed by Peter Boonshaft; Chris Bernotas. Band Method; Method/Instruction; NAMM Best Tools for Schools; SmartMusic; Technique Musicianship; Warm-Ups. Sound Innovations for Concert Band: Ensemble Development. Score. 232 pages. Alfred Music #00-40709. Published by Alfred Music (AP.40709).
$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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