| Best of Herb Ellis Guitar notes and tablatures Hal Leonard
(Artist Transcriptions for Guitar). By Herb Ellis. For Guitar. Artist Tran...(+)
(Artist Transcriptions for
Guitar). By Herb Ellis. For
Guitar. Artist
Transcriptions. Softcover.
Guitar tablature. 128 pages.
Published by Hal Leonard
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| Herb Ellis Jazz Guitar Method All The Shapes You Are Book/cd Guitar notes and tablatures [Sheet music + CD] Belwin
Performed by Herb Ellis. By Herb Ellis, Terry Holmes. Edited by Aaron Stang. Fre...(+)
Performed by Herb Ellis. By Herb Ellis, Terry Holmes. Edited by Aaron Stang. Fretted instrument method/supplement (Guitar tablature). 52 pages. Published by Belwin.
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Herb Ellis Jazz Guitar Method Rhythm Shapes Book/cd Guitar notes and tablatures [Sheet music + CD] Belwin
Performed by Herb Ellis. By Herb Ellis, Terry Holmes. Edited by Aaron Stang. Fre...(+)
Performed by Herb Ellis. By Herb Ellis, Terry Holmes. Edited by Aaron Stang. Fretted instrument method/supplement (Guitar tablature). 52 pages. Published by Belwin.
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Herb Ellis Jazz Guitar Method Swing Blues Book/CD Guitar notes and tablatures [Sheet music + CD] Belwin
Performed by Herb Ellis. By Herb Ellis, Terry Holmes. Edited by Aaron Stang. Fre...(+)
Performed by Herb Ellis. By Herb Ellis, Terry Holmes. Edited by Aaron Stang. Fretted instrument method/supplement (Guitar tablature). 40 pages. Published by Belwin.
(2)$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Small Pieces for Cellist (Anton) Cello Peters
Cello SKU: PE.EP68766 Composed by Christian Wolff. Cello Solo Book. Class...(+)
Cello SKU: PE.EP68766 Composed by Christian Wolff. Cello Solo Book. Classical; Contemporary. Book. 8 pages. Edition Peters #98-EP68766. Published by Edition Peters (PE.EP68766). ISBN 9790300762760. Each of these five movements for solo cello uses a different technique to extend the performer's control over various dimensions of the music. The composer writes: There are five pieces. In the first, second and fifth there are phrase sequences with free pauses between them. There are also notations for just dynamics (sounds free), and for just rhythms (free sounds). The third and fourth pieces are on grids of 6 x 6 and 8 x 8 bars, allowing continuities to be chosen in variously free ways. The fifth piece, consisting of a series of passages that may be performed in any sequence, may also be played as a cello duo, with the second cellist playing a different sequence. The Anton of the title is the dedicatee, cellist Anton Lukoszevieze, who gave the world premiere of this suite at St James' Church, Islington, London on September 21, 2018. This performing edition is a facsimile of the composer's autograph manuscript. At moderate tempi, the total duration of the work may be approximately 15 minutes. This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Extreme Training for the Advanced Cellist, Book One Cello [Sheet music] C. Harvey Publications
By Cassia Harvey. For cello. Instructional; string techniques. Method book. 35 p...(+)
By Cassia Harvey. For cello. Instructional; string techniques. Method book. 35 pages
$9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Extreme Training for the Advanced Cellist, Book Two Cello [Sheet music] C. Harvey Publications
By Cassia Harvey. For cello. Instructional; string techniques. Method book. 35 p...(+)
By Cassia Harvey. For cello. Instructional; string techniques. Method book. 35 pages
$9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonate for Cello and Piano Cello, Piano Durand
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.50566030 ...(+)
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.50566030 Introduction and performance notes by Emmanuelle Bertrand. Composed by Claude Debussy. Editions Durand. Classical, French, Impressionist. Softcover. Editions Durand #DD01676800. Published by Editions Durand (HL.50566030). ISBN 9798350104448. UPC: 196288168393. 9.0x12.0x0.147 inches. Debussy composed the Sonate for cello and piano in Normandy, in July 1915. At the age of 53, distressed by the war and afflicted by an illness that prevented him from composing, he resumed his work with the writing of this Sonate. Though his intention of assertinga French style in the tradition of the great masters of the 18th century, Debussy repeatedly affirmed the absence of a programmatic idea in the sonata: “I have written nothing but pure music. [...] in the old form, so flexible (without the grandiloquence of modern sonatas)â€. This volume is part of “Musique françaiseâ€, a series designed for students and teachers as well as professionals; it offers historical introduction and performance suggestions by the notable cellist Emmanuelle Bertrand. $15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mus Nuorille Sellisteille Cello, Piano Fennica Gehrman
Cello and Piano SKU: FG.042-04061-4 Composed by Ahti Sonninen. Published ...(+)
Cello and Piano SKU: FG.042-04061-4 Composed by Ahti Sonninen. Published by Fennica Gehrman (FG.042-04061-4). ISBN 979-0-042-04061-4. Ahti Sonninen composed these three works in cooperation with Vili Pullinen in order to create new teaching material for cello with piano accompaniment. The first two pieces, Prima nota and Partita are easier pieces, and the third, Juvenalia, is a bit more demanding. All pieces offer training in cantilene. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Barcarole (Peace In The Storm) Handbells Hope Publishing Company
Arranged by Patricia Cota. For 3-5 octave handbell choir. Level 2 . Handbell sco...(+)
Arranged by Patricia Cota. For 3-5 octave handbell choir. Level 2 . Handbell score. 8 pages. Published by Hope Publishing Company
$6.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Red Sombrero Cello, Piano - Intermediate De Haske Publications
Cello and Piano - intermediate SKU: BT.DHP-1175829-401 Composed by Pascal...(+)
Cello and Piano - intermediate SKU: BT.DHP-1175829-401 Composed by Pascal Proust. De Haske String Series. Book and Part(s). Composed 2017. 12 pages. De Haske Publications #DHP 1175829-401. Published by De Haske Publications (BT.DHP-1175829-401). ISBN 9789043153034. English-German-French-Dutch. To the beat of the Habanera rhythm, our young cellists will travel to the land of multi-coloured hats. Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote Red Sombrero for cellists with an ability of approximately 3 4 years’ experience. He paid special attention to an easy-to-follow, attractive musical style. Red Sombrero is an ideal performance or competition work for young musicians.
Op het ritme van de Habanera, reizen onze jonge cellisten naar het land van de kleurrijke hoeden. De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Red Sombrero voor cellisten die ongeveer drie tot vier jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Red Sombrero een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.
In einem Habanera-Rhythmus unternehmen die jungen Cellisten eine Reise ins Land der bunten Hüte. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Red Sombrero für Cellisten mit ungefähr 3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Red Sombrero ideal als Vortrags- und Wettbewerbsstück für junge Musiker.
Sur un rythme de Habanera, nos jeunes violoncellistes feront un voyage au pays des chapeaux multicolores .... Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Red Sombrero pour violoncellistes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Red Sombrero est la pièce idéale pour tout examen ou audition de jeunes musiciens. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| El violonchelo del niño Cello, Piano De Haske Publications
Cello and Piano - easy SKU: BT.DHP-1175823-401 Composed by Pascal Proust....(+)
Cello and Piano - easy SKU: BT.DHP-1175823-401 Composed by Pascal Proust. De Haske String Series. Book and Part(s). Composed 2017. 8 pages. De Haske Publications #DHP 1175823-401. Published by De Haske Publications (BT.DHP-1175823-401). ISBN 9789043152938. English-German-French-Dutch. A small, playful piece that revives the famous Twinkle, twinkle, little star in a dance version (a short tango). Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote El violonchelo del niño for cellists with an ability of approximately one year’s experience. He paid special attention to an easy-to-follow, attractive musical style. El violonchelo del niño is an ideal performance or competition work for young musicians.
Een kort, vrolijk werkje waarin Twinkel, Twinkel, little star is verwerkt als een dansbaar nummer (een korte tango). De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef El violonchelo del niño voor cellisten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is El violonchelo del niño een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.
Ein kurzes spielerisches Stück, in dem das bekannte LiedAh! vous dirais-je, maman in einer tänzerischen Version (ein kleiner Tango) verwendet wird. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb El violonchelo del niño für Cellisten mit ungefähr 1 Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich El violonchelo del niño ideal als Vortrags- und Wettbewerbsstück für junge Musiker.
Une petite pièce ludique reprenant le célèbre Ah! vous dirai-je, maman dans une version dansante (un petit tango). Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit El violonchelo del niño pour violoncellistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, El violonchelo del niño est la pièce idéale pour tout examen ou audition de jeunes musiciens. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Isle of Hope, Isle of Tears Concert band - Easy Hal Leonard
Score Only Concert Band; Symphonic Band (Score) - Grade 3 SKU: HL.4004964 ...(+)
Score Only Concert Band; Symphonic Band (Score) - Grade 3 SKU: HL.4004964 Composed by Brendan Graham. Arranged by Michael Brown. MusicWorks Grade 3. Softcover. Published by Hal Leonard (HL.4004964). UPC: 888680653552. 9.0x12.0x0.051 inches. Brendan Graham's tender song tells the emotional story of Ireland's Annie Moore, the first person to step ashore when Ellis Island opened as an immigration center in 1892. With emotions ranging from hope to fear, joy to despair, this deeply moving ballad has been recorded notably by Sean & Dolores Keane, The Irish Tenors, Celtic Thunder, and Celtic Woman. Here is a beautiful setting adapted for the concert stage. Dur: 3:40. $5.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Gibson 175 [Sheet music + Audio access] Centerstream
Its History and Its Players. By Adrian Ingram. Guitar. Softcover. 272 pages. Pub...(+)
Its History and Its Players. By Adrian Ingram. Guitar. Softcover. 272 pages. Published by Centerstream Publications.
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fender Presents Getting Started on Acoustic Guitar - DVD Guitar [DVD] - Easy Hal Leonard
A Complete Course for the Beginner Guitarist!. Performed by Keith Wyatt. Dvd. S...(+)
A Complete Course for the Beginner Guitarist!. Performed by Keith Wyatt. Dvd. Size 5.25x7.5 inches. Published by Hudson Music And Hal Leonard.
(6)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Legend Of Spirit Island Concert band [Score and Parts] - Intermediate Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.AMP-449-010 (+)
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.AMP-449-010 For Euphonium and Band. Composed by Philip Sparke. Anglo Music Midway Series. Solo & Concerto. Set (Score & Parts). Composed 2017. Anglo Music Press #AMP 449-010. Published by Anglo Music Press (BT.AMP-449-010). English-German-French-Dutch. The Legend of Spirit Island was commissioned by the Twin Ports Wind Orchestra, Duluth, Minnesota (Mark Whitlock, conductor), to honour the euphonium player, Dick Carlson. The piece takes its title from a local legend about Spirit Island, which lies in a gap of the St. Louis River called Spirit Lake. The legend tells the story of Chaska, the son of a Dakota Chief, and Wetona, the daughter of Ojibwe Chief Buckado. He was handsome and she was beautiful; it wasn’t long before they fell in love. This is a challenging euphonium solo in which the versatile soloist can explore very expressive melodic sequences, as well as energetic, technical sections.
The Legend of Spirit Island werd geschreven in opdracht van de het Twin Ports Wind Orchestra uit Duluth, Minnesota (dirigent Mark Whitlock) als eerbetoon aan euphoniumspeler Dick Carlson. De titel van het werk is afkomstig van een lokale legende over Spirit Island, dat dicht bij Duluth in een verbreding van de St. Louis River Spirit Lake ¬ligt. Deze legende gaat over Chaska, de zoon van een Dakota-opperhoofd, en Wetona, de dochter van Ojibwe-opperhoofd Buckado. Hij was knap en zij was mooi; het duurde niet lang of de twee waren verliefd op elkaar. De uitdagende euphoniumsolo biedt de solist de mogelijkheid om expressieve melodieën te verkennen en zijn of haarspeelvaardigheid te demonstreren.
The Legend of Spirit Island wurde vom Twin Ports Wind Orchestra aus Duluth, Minnesota (Dirigent: Mark Whitlock), in Auftrag gegeben, um den Euphoniumspieler Dick Carlson zu ehren. Der Titel des Stückes leitet sich von einer Legende über die Insel Spirit Island ab, die in einem Bereich des St. Louis River liegt, der Spirit Lake genannt wird. Die Legende handelt von Chaska, dem Sohn eines Dakota-Häuptlings, und Wetona, der Tochter des Ojibwe-Häuptlings Buckado. Er war gut aussehend und sie war schön, und so dauerte es nicht lange, bis sie sich ineinander verliebten. In diesem anspruchsvollen Stück kann der Euphonium-Solist sehr ausdrucksvolle melodische Sequenzen, aber auchenergiegeladene, technische Abschnitte erkunden.
The Legend of Spirit Island est une commande du Twin Ports Wind Orchestra de Duluth, Minnesota (dirigé par Mark Whitlock), en l’honneur de son joueur d’euphonium, Dick Carlson. L’œuvre prend son titre d’une légende locale concernant Spirit Island, une île qui se trouve dans un élargissement du fleuve St. Louis appelé Spirit Lake. La légende raconte l’histoire de Chaska, fils d’un chef des Dakotas, et de Wetona, la fille du chef des Ojibwés, Buckado. Il était beau et elle était magnifique, et il n’a pas fallu longtemps pour qu’ils tombent amoureux. Ce solo exigeant pour euphonium solo permet au soliste polyvalent d’explorer des séquences mélodiques très expressives,ainsi que des sections énergiques et techniques.
The Legend of Spirit Island è stata commissionata dalla Twin Ports Wind Orchestra, Duluth, Minnesota (Mark Whitlock, direttore), per onorare il suonatore di eufonio Dick Carlson. Il titolo si ispira da una leggenda locale sullo spirito dell’isola, che si troverebbe in un punto del fiume St.Louis chiamato Spirit Lake. La leggenda racconta la storia di Chaska, il figlio di Dakota Chief, e Wetona,la figlia di Ojibwe Chief Buckado. Lui era bello e lei era bellissima; non passò molto tempo prima che si innamorassero. Un brano per eufonio solista molto impegnativo nel quale un solista con versatilit può esplorare sequenze melodiche molto espressive, oltre a sezioni tecnicheenergiche. $201.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Practice for Performance Cello [Sheet music] - Intermediate Mel Bay
For Cello and Related String Instruments. By Daniel Morganstern. For Cello. Tech...(+)
For Cello and Related String Instruments. By Daniel Morganstern. For Cello. Technique. All Styles. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 40 pages. Published by Mel Bay Publications, Inc.
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Sextet [Score] Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2...(+)
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2 SKU: PR.11442131S Composed by Peter Schickele. Full score. Duration 26 minutes. Theodore Presser Company #114-42131S. Published by Theodore Presser Company (PR.11442131S). UPC: 680160681006. A lot of chamber music playing went on in Fargo, North Dakota during my teenage years. The participants included both high school friend - my brother, who plays viola, was an is an inveterate chamber music player - and members of parents' generation. The latter included not only professional musicians (the conductor of the Fargo-Moorhead Community Orchestra, who also played cello and was my first composition teacher, his wife, who was the orchestra's concert mistress, and others) but also people from various other walks of life. Although I don't play a string instrument, I was almost always in attendance, with score in hand. (One summer, all the young cellists we played with went to the Interlochen Music Camp, so I got to play the cello parts on the bassoon.) Mostly it was string quartets that were played, but one of the larger pieces I remember being done more than once was the Brahms Sextet in G Major, and I think that the idea for utilizing that combination had been lurking in the back of my mind since then. In the middle 1980's, ideas for a string sextet began appearing in my sketchbooks; one movement (the fourth) was actually completed in one of the sketchbooks. But without a deadline, it's hard for me to finish a major work, since there are always other pieces (with deadlines) waiting to be completed. So when the Composers Showcase at Lincoln Center asked me to put together a retrospective of my work, I knew I wanted to have a premiere on the program, and May 7, 1990 became the deadline that I got the piece done. The work is in six movements, with a symmetrical key pattern; the movements range from the very dramatic to the very easy-going. I had contacted the Lark Quartet, who had commissioned my String Quartet No.2, about forming the core of the sextet. Unfortunately, one of the Larks had a scheduling conflict, but the other three rounded up three more players, and the six of them gave the piece a rousing performance, in spite of the limited rehearsal time. The players were Eva Gruesser, Genovia Cummins, Anna Kruger, Mary Hamman, Astrid Schween and Julia Lichten. A lot of chamber music playing went on in Fargo, North Dakota during my teenage years. The participants included both high school friend – my brother, who plays viola, was an is an inveterate chamber music player – and members of parents’ generation. The latter included not only professional musicians (the conductor of the Fargo-Moorhead Community Orchestra, who also played cello and was my first composition teacher, his wife, who was the orchestra’s concert mistress, and others) but also people from various other walks of life. Although I don’t play a string instrument, I was almost always in attendance, with score in hand. (One summer, all the young cellists we played with went to the Interlochen Music Camp, so I got to play the cello parts on the bassoon.)Mostly it was string quartets that were played, but one of the larger pieces I remember being done more than once was the Brahms Sextet in G Major, and I think that the idea for utilizing that combination had been lurking in the back of my mind since then. In the middle 1980’s, ideas for a string sextet began appearing in my sketchbooks; one movement (the fourth) was actually completed in one of the sketchbooks. But without a deadline, it’s hard for me to finish a major work, since there are always other pieces (with deadlines) waiting to be completed. So when the Composers Showcase at Lincoln Center asked me to put together a retrospective of my work, I knew I wanted to have a premiere on the program, and May 7, 1990 became the deadline that I got the piece done.The work is in six movements, with a symmetrical key pattern; the movements range from the very dramatic to the very easy-going.I had contacted the Lark Quartet, who had commissioned my String Quartet No.2, about forming the core of the sextet. Unfortunately, one of the Larks had a scheduling conflict, but the other three rounded up three more players, and the six of them gave the piece a rousing performance, in spite of the limited rehearsal time. The players were Eva Gruesser, Genovia Cummins, Anna Kruger, Mary Hamman, Astrid Schween and Julia Lichten. $95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Der Cellokasten Cello [Score] Breitkopf & Härtel
Cello solo SKU: BR.EB-8817 Materialien fur die Unterstufe. Compose...(+)
Cello solo SKU: BR.EB-8817 Materialien fur die Unterstufe. Composed by Michael Dartsch and Susanne Richter. Solo instruments; Softbound. Edition Breitkopf. This large volume is designed for the young beginner cellist, and is attractively presented with large print and enchanting colour illustrations. (Stringendo AUSTA) Music pedagogy. Score. 124 pages. Breitkopf and Haertel #EB 8817. Published by Breitkopf and Haertel (BR.EB-8817). ISBN 9790004183830. 9 x 12 inches. The Cellokasten (Cello Case) offers a wealth of varied material for the beginner. Like the successful Geigenkasten, it can be used in teaching as a supplement to any cello method. And with its steadily increasing level of difficulty within each chapter, it can also serve as a kind of instruction method as well. The chapters are devoted to the following topics: - Games of posture and movement - Music on open strings and fundamentals of bowing technique - Playing with close stops and wide-stretch stops, high and low - Combination of close stop, wide-stretch stop and chromaticism - Playing, reading, notating rhythms; reading and notating tones as well as improvisation in the chapter Inventing Music . Along with lyrics for singing, there is almost always a second part, which lets two cello lovers make music together. The book offers songs and cello pieces for a variety of occasions and for every season. Interesting information about the instrument is also scattered throughout the book.
This large volume is designed for the young beginner cellist, and is attractively presented with large print and enchanting colour illustrations. (Stringendo AUSTA). $33.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Hammered Dulcimer Treasury of Tunes Dulcimer [Sheet music] - Easy Mel Bay
Arrangements by Sally Hawley. For Hammered Dulcimer. Songbook. Acoustic Music. L...(+)
Arrangements by Sally Hawley. For Hammered Dulcimer. Songbook. Acoustic Music. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 256 pages. Published by Mel Bay Publications, Inc.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite Exotique Cello Editorial de Musica Boileau
Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de...(+)
Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de Musica Boileau (BO.B.3726). Written in 2001, this work was conceived by the need to enlarge the repertoire of works for solo cello, an important goal since the repertoire of such works is limited. Most cellists are limited to performances of such well-known solo works as the Suites of Bach, written almost 300 years ago, as well as other classics of the genre by Max Reger, Zoltan Kodaly, Benjamin Britten, Gaspar Cassado, Enric Casals, etc.
The intention of the Suite Exotique is to revolutionize the concept of the Baroque suite by transforming the suite into a collection of modern dances, which are both contemporary and widely recognized today. Thus, the dances of the Baroque suite, such as Allemande, Courante, Sarabande are substituted for the Tango, Milonga, Blues in such a way that the traditional formal structure of six movements of Baroque dances is modernized by rhythms and contemporary styles which coexist in the Modern world, but are separate from and do not pertain to those works which are normally considered to belong to the realm of cultured music.
Apart from the fusion represented by the mixture of a Baroque genre with modern, urban musical language found in this work, the subtitle exotica is appropriate due to the originality of writing such a work for cello solo. This work allows the interpreter to explore and take full advantage of their technical, artistic and expressive abilities.
This work establishes a total symbiosis between the instrument and the evolutionary transformation of its musical language which in turn creates a style adapted to the expressive requirements of the work itself. The specific techniques and qualities of the cello are placed in service of the required style and concept of each movement of the Suite. At the same time those stylistic characteristics are transformed and adapted to the particular characteristics of the cello and taking full advantage of the instruments polyphonic, sonic, aesthetic qualities as well as its timbre.
The Suite Exotique was premiered in August, 2003 during the International Music Festival of Ibiza by the Russian cellist Svetlana Tovstukha. $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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