SKU: HL.14041508
UPC: 884088567972.
Ex Maria Virgine was commissioned by Timothy Brown and the Choir of Clare College, Cambridge, with the generous support of Paul Lee.
The first performance was given on 12th December 2008 in the Chapel of St John'sCollege, Cambridge, by the Choir of Clare College, Cambridge with Simon Thomas Jacobs (organ) conducted by Timothy Brown.
SKU: PE.40784
ISBN 9780739094839. UPC: 038081456867. English.
Aaron Shearer's Classic Guitar Technique is used by serious guitarists all over the world and has long been one of the definitive classic guitar methods. The Shearer Method: Classic Guitar Foundations, Shearer's final work, is the first in a series that encapsulates his lifetime experience as America's premier classic guitar pedagogue. This work is a step-by-step curriculum based on Aaron's innovative and common sense approach that incorporates all the advantages of modern technology. The method includes 63 videos for up-close aural and visual learning, 74 new solo and duet compositions and arrangements (made exclusively for this method by Dr. Alan Hirsh), as well as works by Sor, Carcassi, Giuliani, and more. Plus, recorded tracks masterfully illustrate nuance, tone, and musicality. The book even includes Alfred Music's exclusive TNT 2 software that allows you to slow down and loop tracks for careful practice. In addition, a complete online supplement is available for teachers and students that want a deeper understanding of Shearer's work. The book does not replace Shearer's original classic. It augments and expands on it in ways not imaginable in the early '60s when the original was published. It's a must-have to complete the library of any classic or fingerstyle guitarist! The Shearer Method Classic Guitar Foundations is not just a book but a media experience.
SKU: HL.14022846
ISBN 9788759861196.
SKU: DZ.DZ-3754
ISBN 9782897956714.
The Guitar Foundation of America (GFA) is committed to cultivating Inclusion, Diversity, Equity and Access in the international guitar community and in the repertoire published for the instrument. Many factors, including a composer's race, gender, and sexual orientation, have historically created a narrow representation of our community in the classical music canon. For this first volume of the GFA Spotlight Series, the GFA commissioned seven new works by composers of color. The second volume of this series will follow with seven transcriptions of existing pieces by composers of color. These commissioned pieces and transcriptions were premiered by students in the GFA Mentorship Program in 2021.With this collection, the guitar takes a step towards a more inclusive and representative repertoire that nurtures creativity and inclusion for generations of guitarists to come. Growing the canon enriches the musical experiences of our entire international guitar community through exposure to diverse perspectives and voices, complementing the invaluable lessons we learn from the existing contributions of pieces that form the canon.
SKU: HL.14041957
This work was inspired by a keyboard piece of the same name, A Sad Paven for these Distracted Tymes by Thomas Tomkins (1572-1656). Tomkins had a long association with Worcester Cathedral, where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time, he was organist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646, Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. These were the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester. Parts. Score also available (14037561).
SKU: HL.14020090
SKU: HL.14002117
SKU: HL.14020089
6.75x9.75x0.045 inches.
SKU: HL.14041762
9.0x12.0x0.071 inches.
'Romance for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.' - Helen GrimeBorn in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.
SKU: HL.14023689
SKU: HL.14029931
Thomas Moore's timeless words set for SATB Chorus by Irish folksong composer Lough Sheeling.
SKU: HL.14043023
ISBN 9788759828953.
2013.
SKU: HL.14029842
SKU: HL.14009392
SKU: HL.14027993
ISBN 9788759811832. English.
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo3 Oboes, 3rd also Cor Anglais in F3 Clarinets in Bb, 3rd also Bass Clarinet in Bb3 Bassoons, 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion, four playersPlayer 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese CymbalPlayer 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle CymbalPlayer 4 - Bass Drum, Glockenspiel, Xylophone1 Harp1 Piano, also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes, except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.
SKU: HL.14022847
ISBN 9788759861202.
SKU: HL.14036253
SKU: HL.14043600
9.0x12.0x0.058 inches.
Simon Holt 's the man in the wind and the west moon was composed for Solo Harp in 2013, having been commissioned by The Tanza Trust. The piece takes its title from a line in a Dylan Thomas poem named 'And death shall have no dominion'. The four sections of the work see shifting harmonies throughout, with the first section repeating but also changing ever so subtly. The unique thing about the piece is that each section is dynamically different, but is left open to interpretation by the player. The man in the wind and the west moon was first performed on the 2nd of June 2014 at Milton Court Concert Hall in London by Alex Rider. The piece lasts around 7minutes, and the bottom C and D strings should be tuned to C# and D# respectively.
SKU: HL.14035667
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