SKU: HL.4007909
Crossover Suite No. 1 comprises of five stylistically very diverse movements. 1. Introduction: A brisk opening leads to a bass groove on baritone saxophone. Various animated stylistic elements such as finger snaps are contrasted with 'straighter' elements familiar from march music. 2. Viennese Waltz: A waltz in a minor key, with the characteristic and unmistakable accompaniment in the Viennese style. 3. Roundabout: Roundabout is a rondo with recurring motifs and a point of rest in the adagio. 4. Stomps and Claps: As the name suggests, the work is performed with the help of hands and feet. Body percussion alternates with technically demanding passages. 5. Finale: A rapid final movement with a dolce middle part leads to a furious closing section with changes of meter and some dynamic surprises. Each movement can also stand on its own, but when performed as a complete suite this compositition shows off the full breadth and capability of a saxophone quartet.
SKU: YM.GTP01093152
ISBN 9784636931525.
12 brilliant arrangements of Tchaikovsky's ballet and symphonic works. 12Shou Jing Cai De Chai Ke Fu Si Ji Ba Lei Wu He Jiao Xiang Le Yin Le Zuo Pin Ji . 1. Overture from Nutcracker; 2. March from Nutcracker; 3. Trepack from Nutcracker; 4. Flower Waltz from Nutcracker; 5. Scene from Swan Lake; 6. Dance for 4 Swans from Swan Lake; 7. Pas de Doex from Swan Lake; 8. Coda from Swan Lake; 9. First Movement from Piano Concerto No.1; 10. Symphonic Overture Romeo and Juliet; 11. 4th Movement from Symphony No.4.
SKU: XC.HRMG1835.1SAB
UPC: 785147102359.
Simply set for choir, features a lyric melody with organ or piano accompaniment and optional string quartet. A wonderful choice that is easy to learn in limited rehearsal time and can serve as a touching memorial. Movement 1 from Trotta's most accesible multimovement work Light Shines in the Darkness.
SKU: HL.49047113
ISBN 9781705189269. UPC: 842819117520. 0.096 inches.
The final movement of the Sonata in A major K. 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous pianopieces of all. Once reserved for all music connoisseurs, later played by every piano student, its opening melody, alienated like a sine tone, is now omnipresent even as a mobile phone ringtone. The arrangement by Fazil Say, created as an effective encore, builds on this popularity. Mounted on the still recognizable classic basic level, typical jazz elements such as syncopation of the top tones and embellishment with chromatic blue notes, embedded in sometimes frenzied chains of sixteenth notes, are found - after the first eight bars have been presented originally. In accordance with the improvisational character, Say himself likes to perform his Alla Turca Jazz in other combinations, for example with the accompaniment of jazz singers or with an orchestra. Perhaps it is surprising that Fazil Say, who was born in Turkey and lives there when not on tour, does not trace Mozart's adaptation of genuinely Turkish music closer to its origins, since many of his compositions such as Black Earth or the Violin Sonata are characterized by a subtle touch Combination of classic-romantic tradition, Turkish folk music and jazz elements. In another Mozart arrangement, the ballet music Patara, which premiered in Vienna in 2006, but now composed on the rococo-esque (and almost equally popular) theme from the first movement of the same A major sonata, Say still has the connection denied to the Alla Turca, albeit inthe opposite direction. In distinctive chamber music instrumentation, the piano stands for Western culture, the ney flute for that of the Orient, atmospherically conveyed by sparse percussion and vocalises by a soprano.
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