SKU: GI.G-8955
UPC: 785147895503. Latin. Text Source: From the Liturgy of the Hours for Exaltation of the Holy Cross.
My setting of this well-known prayer is largely based on a piece of 16th-century visual art of the same name,Salvator mundi, attributed to Leonardo da Vinci. Though many artists have created similar paintings depicting Christ in this fashion, Leonardo’s is of the small minority in which the orb that Christ holds in his left hand lacks any sort of ornamentation or indeed any kind of religious symbol at all. The orb, as it appears in other depictions, is referred to as a globus cruciger (cross-bearing orb). This term does not apply in this instance, as the orb lacks a cross, existing purely as an unblemished globe, calm and serene, mirroring the expression that is present on Christ’s face. This piece should be sung in largely the same way that the painting appears on the canvas: subdued and reverent. The dynamic contrasts in measures 22–28 represent a very human supplication to Christ, but they should not be overstated or dramatic in any way. Such is the case with the entire work, it is a very introspective take on the prayer’s text, and as such it should feel quietly restrained and reflective throughout. The piece ends with four double-barred repetitions of the word “Deus,†representing the four points of the cross. Listen to The Same Stream perform Salvator Mundi from Songs of the Questioner.
SKU: PE.EP72698A
ISBN 9790577010519. 210 x 297mm inches. English.
Commissioned by Making Music with funds from the Nicholas Berwin Charitable Foundation
First performance: 12th March 2016, Waltham Singers, conducted by Andrew Fardell, King Edward's Grammar School, Chelmsford.
Music runs through the story of Arion, which begins with a singing competition in Sicily. Arion wins the prize, and this puts his life in danger: his newfound wealth excites the Greed of the sailors who are supposed to be bringing him back to Corinth, and they threaten to kill him. They allow Arion to sing one last song, and the power of his singing attracts dolphins to the ship. At The End of his song, he jumps overboard, and one of the dolphins carries him to safety. So Arion’s musical gift gets him into trouble, but it is also his salvation.
The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’ account of the myth, the dolphin could not bear to be parted from Arion, and accompanied him back to court, where “it soon succumbed to a life of luxury.” However, Herodotus says that, after his rescue and return to Corinth, Arion failed to return the dolphin to the sea, and it died there. Apollo placed the dolphin among the stars, and next to it, Arion’s lyre, in recognition of his musical skill. This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra.
It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music, something that would be within reach of many choirs, and involve children, this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors, and the women could create an atmosphere of mystery for the arrival of the dolphins, represented by children’s voices. There would be one solo voice: Arion, the marvellous singer. Andrew Fardell, the conductor who was advisor to this commission, had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana, a work that, as well as using children’s chorus, features a solo countertenor. I thought the magical, otherworldly quality of this voice would help to convey the extraordinary effect Arion’s singing had on all who heard it.
- Jonathan Dove
SKU: AP.36-BSMIS108
ISBN 9798892704489. UPC: 659359605628. English.
The Bruce Broughton Solo Series features solos by one of the country's most outstanding composers of concert and film music. This new series by seven-time Emmy award winning composer features music that is notable for its wonderfully rich harmonies, flowing melodies and rhythmic vitality. These pieces are ideal for recitals and contests and are great teaching pieces that are appealing to performers and audiences alike. Bruce Broughton's beautiful FOLKSONG created versions for trumpet, trombone/euphonium, and bassoon, all with piano accompaniment and available from the publisher. The version for trumpet and piano was recorded as Countryside (original title) by Philip Smith (to whom the work was dedicated) with pianist Joseph Turrin on The Salvation Army Triumphonic Recordings TRLPS-22.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: JK.01885
UPC: 093285018853. Ecclesiastes 3:1-2, Matthew 5:4, 1 Peter 5:7.
Thirty-one favorite funeral hymns arranged in a continuous medley for organ prelude/postlude. You can start anywhere in the book and end anywhere! Pedals are included within the staff. Songs included in this book: Comfort and Hope Be Still, My Soul The Lord is My Shepherd Nearer, My God, To Thee Where Can I Turn For Peace? Come unto Jesus Lead, Kindly Light Jesus Christ I Know That My Redeemer Lives Beautiful Savior I Believe in Christ I Stand All Amazed He Sent His Son How Great Thou Art The Love of God Our Savior's Love Love One Another My Heavenly Father Loves Me I Feel My Savior's Love Where Love Is Faith and Devotion Come, Follow Me I Need Thee Every Hour Because I Have Been Given Much Amazing Grace In the Garden Softly and Tenderly Come, Thou Fount of Every Blessing Each Life That Touches Ours For Good Eternal Families Families Can Be Together Forever Love at Home Oh, What Songs of the Heart I Am a Child of God O My Father Closing God Be With You Till We Meet Again Abide with Me! Abide with Me, 'Tis Eventide Anthems Goin' home Consider the Lilies Holy Art Thou Jesu, Joy of Man's Desiring Composer: Various Arranger: Brent Jorgensen Difficulty: Medium Reference: Ecclesiastes 3:1-2, Matthew 5:4, 1 Peter 5:7.
SKU: LP.765762166707
ISBN 9780834180871. UPC: 765762166707.
There are so many styles of music but there is no style of music better suited to spreading the word of God than southern gospel. This collection unapologetically and candidly proclaims the message of Salvation and will stir your congregation to lift their hands stand to their feet and shout AMEN! Through songs like Heaven Will Be My Reward and The Blood of Jesus you will experience God's message of salvation in a powerful way. The song Oh the Thought That Jesus Loves Me will instantly become a favorite as a sweet reminder of Jesus' love. Let this collection be a reminder of that glorious landmark in your life - the day your received amazing grace from Him who laid it all down!
SKU: CF.CM9770
ISBN 9781491164419. UPC: 680160923311. Key: G major. English.
There is a Balm in Gilead is a well-known, traditional African-American spiritual. The “balm in Gilead†is a reference from the Old Testament, but the lyrics of this spiritual refer to the New Testament concept of salvation. The balm of Gilead is interpreted as a spiritual medicine that is able to heal Israel (and sinners in general). In the Old Testament, the balm of Gilead is taken most directly from Jeremiah chapter 8 v. 22: Is there no balm in Gilead? Is there no physician there? Why then is there no healing for the wounds of my [God's] people?This a cappella arrangement stays close to the simple, emotional source material. The words and the music embody weariness, resignation and hope, as the realities of slavery are met with the hope of salvation. There is a Balm in Gilead was originally part of a larger work, entitled, Mpaka simba watapo, for treble chorus, African drums and piano.  .
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