SKU: HL.50333080
ISBN 9780793508723. UPC: 073999330809. 9x12 inches. Stacy/Thomas.
Contents: Adagio (Mozart) � Gymnopedie No. 2 (Satie) � Intermezzo (Granados) � Theme from New World Symphony (Dvorák) � Notturno (Borodin) � Sicilienne (Fauré) � Sonata (Marcello) � Sonata (Telemann) � The Swan (Le Cygne) � The Swan of Tuonela (Sibelius) � Tristan and Isolde Theme (Wagner) � When I Am Laid in Earth (Purcell) � Where E'er You Walk (Handel).
SKU: HL.14007346
ISBN 9780711912885.
Simple arrangements of twenty-three popular classics - includes Sheep May Safely Graze, La Paloma and the stirring William Tell Overture. All pieces feature full melody, arranged for the novice orearly player, along with full chord guide and suggestions for appropriate auto-accompaniments.
SKU: HL.400679
ISBN 9781596153592. UPC: 077712334129. 9x12 inches.
Joseph Robinson of The Double Reed says of Elaine Douvas in this recording: Eschewing overt expression in favor of implication and subtlety, she offers performances that are stylish and full of passion and conviction to be sure, but which, like all great art, withstand and reward the most careful scrutiny. Expert phrasing and articulation by Elaine Douvas in this album demonstrate persuasively that the pieces she has chosen are sufficient to challenge the finest player's imagination, discipline and instrumental skill. This album is a delight for any oboist and again contains a rich collection of music from many periods, from Telemann to Hindemith. Includes sheet music printed on high-quality ivory paper, annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. Soloist: Elaine Douvas, oboe. Ensemble: Erik Nielsen, piano.
SKU: HL.14015233
ISBN 9788759850299. 8.25x11.75x0.038 inches. English.
Vagn Holmboe is part of a short list of Scandanavian composers who have reached worldwide acclaim and his works are being widely recognized as the most important Danish composiotions since Carl Nielsen. This Sonata is for Double-Bass Solo and is suited to players of at least upper-intermediate standard. Set for ABRSM Double Bass Grade 8 Exam.
SKU: HL.14013005
UPC: 884088810450. 8.5x11.0x0.15 inches.
Gorecki Sonata for two violins, composed 1961. Duration 17 minutes. Suitable for advanced players. Score format.
SKU: HL.14008418
UPC: 884088809034. 8.5x11.75x0.114 inches.
This work, which was written shortly after the Trumpet Sonata and the Five Pieces For Piano, was first performed by Georgina Dobree and the composer at the 1957 Darmstadt Festival. The score was subsequently lost, but was rediscovered by Kevin Corner in 1983. 'This is a dramatic, emphatic and at times extravagant piece. The first movement is a Moderato reaching through wide-flung clarinet lines and keen piano gestures to a great climax near the end. Then comes a quick movement, a kind of demonic scherzo, including a cadenza for the clarinettist. The finale is an Adagio that gradually achieves a sort of simplicity, though not before exceedingly testing times for both players. Duration c. 25mins.
SKU: HL.48182594
UPC: 888680893385. 9.0x12.0x0.07 inches.
“Composed by Jeanine Rueff, Sonata for Alto Saxophone solo is a piece for advanced players lasting 12 and a half minutes. Written in 9 pages, this piece, quite challenging (tempo, key ranges), would be perfect for musicians of advanced level and above, while requiring some serious work to obtain the correct result. Wonderfully composed, very technical yet very lyrical, this piece is really enjoyable and can be used for recital or contests. Jeanine Rueff composed numerous pieces for Saxophones that were often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet.â€.
SKU: HL.49023868
ISBN 9783795756956. German.
In dieser Ausgabe erwartet Sie die gewohnte Vielfalt: internationale und nationale Hits zum Feiern, Besinnen und Weiterdenken, Dauerbrenner aus den Genres Volks- und Kinderlied, spannende und informative Marchen-, Sagen- und Erzahllieder, traditionelles internationales Liedgut mit vielen Sachinformationen und Hinweisen.Die Besonderheit in diesem Heft: WANN (Januar, Februar ...) feiert man WO (Griechenland, China, Kroatien ...) WAS (Sternenfest, Fruhlingsfest, Hidirellez ...).
SKU: BT.YE0009
Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.
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