SKU: HL.275094
UPC: 888680742690. 5.0x5.0x0.182 inches.
One of the most brilliant melodies constructed over the simple 12 bar blues. Here is a swinging arrangement with room for improvisation from all involved.
SKU: BT.GOB-001171-020
Thomas Tallis wrote his second Psalm in 1567 as a part of his ‘Nine tunes for Archbishop Parker’s Psalter’ which was used frequently in the past as a source of inspiration. Whereas composers like Vaughan Williams or Philip Sparke actually quoted the theme and varied around it in a recognisable way, Rob Goorhuis, in his version, uses the theme more disguised at the beginning and presents it in its original form once but in a stunning and spectacular way. Thomas Tallis schreef zijn tweede psalm in 1567, als onderdeel van zijn Nine Tunes for Archbishop Parker’s Psalter, een verzameling die in het verleden vaak als inspiratiebron is gebruikt. Waar componisten als Vaughan Williams en Philip Sparke het thema citeerden en herkenbare variaties maakten, gebruikt Rob Goorhuis het thema aan het begin in een vermomde variant en presenteert hij het één keer in zijn originele vorm, op een verrassende en spectaculaire manier.Thomas Tallis écrivit son deuxième psaume dans le cadre de ses Nine tunes for Archbishop Parker’s Psalter en 1567, une collection qui fut utilisée fréquemment comme source d’inspiration dans le passé. Tandis que des compositeurs comme Vaughan Williams ou Philip Sparke ont cité et varié le thème d’une manière toujours reconnaissable, la version de Rob Goorhuis, après une introduction déguisant le thème, ne le présente en forme originale qu’une fois mais d’une façon splendide et spectaculaire.
SKU: BT.GOB-001171-120
SKU: FP.FZZ26
ISBN 9790570504046.
This new collection is bookended by beguiling and moderately easy works by two of Britain’s most distinguished composers of light music, Peter Hope and Jim Parker, whose music has been heard by millions of listeners and viewers. Sandwiched between these are several no less attractive concert pieces, including an evocation of the night sky in East Anglia, a gentle meditative view from a college window, and some finger-testing sparklers to entertain and test the virtuoso player’s technique.
SKU: HL.49007788
ISBN 9783795751593. 9.0x12.0x0.31 inches. German.
Das Saxophon ist das Jazzinstrument schlechthin, und es gibt ein reichhaltiges, aufregendes Repertoire, das darauf wartet, von Neueinsteigern entdeckt zu werden. Die Jazzmethode fur Saxophon zeigt Anfangern aller Altersstufen den Weg vom ersten Ton bis hin zu klassischen Monk-, Parker- und Rollins-Themen. Aber auch Jazzstucke heutiger fuhrender Jazzmusiker und Komponisten werden behandelt. Das Buch enthalt eine Play-along-CD mit 69 Tracks. Mit einer schrittweisen Einfuhrung und speziell fur diese Schule geschriebener Stucke werden die grundlegenden Elemente einer soliden Saxophon-Technik - Atemkontrolle, Tonbildung, Ansatz, Zungenstoss und Griffe - zusammen mit den rhythmischen Finessen der Jazzmusik (zum Beispiel synkopierte Rhythmen und Achtelphrasierung) erklart. Durch das systematische Studium von Tonleitern, Arpeggien, Akkordfolgen und Tipps zur Gehorbildung wird der Schuler von Anfang an zum Improvisieren ermuntert. Zusatzliche Praxis-Tipps wie Aussuchen von Blattern, Pflege des Instruments sowie eine Bibliographie und eine Diskographie machen die Jazzmethode fur Saxophon zu einem idealen Begleiter sowohl fur Schuler, die im Selbstunterricht lernen wollen, als auch fur diejenigen, die zusatzlich Unterricht bei einem Lehrer nehmen. Die Begleit-CD, die extra fur diese Schule aufgenommen wurde, liefert den musikalischen Hintergrund fur alle Stucke, so dass der Saxophon-Schuler von Anfang an durch das Spielen mit einer erstklassigen Rhyhtmusgruppe (Bass, Gitarre und Schlagzeug) in den Genuss eines authentischen Jazz-Sounds kommt, und sie hilft ihm spater bei den ersten Improvisationsversuchen.
SKU: HL.50603593
ISBN 9788881920709. UPC: 840126945102. 8.0x10.5x1.3 inches. Italian-English.
Donizetti's Lucrezia Borgia was premiered at Milan's Teatro alla Scala on 26 December 1833 and is considered one of the composer's most important and innovative operas of the 1830s. Although, because of censorship issues, particularly in the south of Italy, it was initially slow to become popular, by the late 1830s it had become one of the composer's most popular operas, both in Italy and abroad, and remained an essential part of the composer's oeuvre until at least the end of the nineteenth century. Remarkable for its daring subject matter (with an unconventional, forceful heroine), it is also renowned for its challenging mixture of the comic and the tragic, something very unusual at the time and clearly an important influence on Giuseppe Verdi's middle period masterpieces. The present reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on Donizetti's autograph manuscript (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on several printed editions of voice and piano, and on numerous additional scores of the period. It presents for the first time all the numerous additions that the composer made to the score over the course of ten years: a fascinating record of his changing music dramatic attitudes during this period. There is also a synthetic historical reconstruction of the genesis of the opera and of the description of the Sources as well as a selection of most interest to singers of Critical Commentary Notes.Rappresentata per la prima volta al Teatro alla Scala il 26 dicembre 1833, Lucrezia Borgia e considerata una fra le piu importanti e innovative opere di Donizetti. Sebbene le resistenze della censura, soprattutto nel sud Italia, ne causarono inizialmente una lenta diffusione, dalla fine degli anni '30 dell'Ottocento essa divenne uno dei lavori piu popolari e significativi del compositore e tale rimase fino alla fine del XIX secolo. Notevole per il suo audace soggetto (con un'eroina non convenzionale e dalla forte personalita) essa e rinomata anche per l'impegnativa commistione di comico e tragico, un tratto piuttosto inusuale per l'epoca, che ebbe una chiara influenza sui capolavori verdiani di meta secolo. La presente riduzione per canto e pianoforte e condotta sull'edizione critica della partitura, da poco pubblicata in questo stesso catalogo: si basa sul manoscritto autografo di Donizetti (conservato presso l'Archivio Storico Ricordi di Milano), sul libretto della prima rappresentazione, su alcune riduzioni a stampa per canto e pianoforte e su varie altre fonti dell'epoca. L'edizione presenta per la prima volta tutte le aggiunte che il compositore apporto alla partitura nel corso di dieci anni, costituendo un'affascinante testimonianza dei mutevoli approcci di Donizetti alla materia drammatico musicale durante questa fase della sua carriera. Il volume comprende una sintesi della ricostruzione della genesi storica dell'opera e della descrizione delle fonti e una selezione di Note del Commento Critico fra quelle piu funzionali alle esigenze di cantanti e pianisti accompagnatori.
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