SKU: CA.5031405

ISBN 9790007107253. Key: C major. Language: Latin.

Haydn's Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron Saint of bridges, Johannes Nepomuk (ca. 1340-1393, canonized in 1729). Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn's second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi (1776), the Nepomuk Mass does not employ vocal soloists. Score available separately - see item CA.5031400.

SKU: BP.1676

A Lloyd Larson trademark is his combination of newly-composed material with well-known hymnody. In Come, Sing Songs of Joy, we have fresh, upbeat sections intermixed with a syncopated rendition of O Worship the King. Choral parts are straightforward, easily learned and accessible to choirs of all sizes.

SKU: GH.SK-175

ISBN 9790070014335. 185 x 262 mm inches.

Tva sanger for SATB a cappella.

SKU: GH.GE-11876

ISBN 979-0-070-11876-7. 185 x 262 mm inches.

Enkel a cappellasats for SATB med traditionell liturgisk text.

SKU: GH.GE-12095

ISBN 979-0-070-12095-1. 185 x 262 mm inches. Text: Liam Lawton / Leif Nahnfeldt.

Irlandske Liam Lawtons tolkning av Psalm 23 med influenser av irlandsk musiktradition. For SATB och ackompanjemang.

SKU: GH.GE-10678

ISBN 9790070106788. 185 x 262 mm inches. Text: Paul Gerhart.

Nyskriven sang for blandad kor och piano till den traditionella psalmtexten. Kan aven framforas a cappella.
Text fran Sv.Ps. 200:1, 4, 7. Oversattning till svenska av Joakim von Duben, bearbetad av Christoffer Olofsson Angeldorff och Britt G Hallqvist.

SKU: MN.56-0075

UPC: 688670220784. Latin.

This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Sanctus” begins quietly, with divided sopranos trading off on a major second in a mysterious and meditative way. Parts add and build until the basses enter with a cantus firmus of sorts. The major second continues to figure prominently in the ensuing material. The movement ends with a simple melody repeated in unison (“Hosanna in excelsis”) fading away into the distance. Duration 3:55.

SKU: GH.GE-10580

ISBN 9790070105804. 185 x 262 mm inches. Text: Karl-Fredrik Jehrlander (Swedish).

Traditionell sang fran Puerto Rico i arrangemang for blandad kor och piano.

SKU: GH.N00855

ISBN 9790070004916. 185 x 262 mm inches. Text: Par Lagerkvist.

SKU: GH.CG-6588

ISBN 9790070040464. 185 x 262 mm inches. Text: Vilhelm Ekelund.

SKU: GH.CG-7266

ISBN 9790070013147. 185 x 262 mm inches. Text: Bo Bergman.

Ture Rangstroms romans i arrangemang for blandad kor a cappella.

SKU: HL.49044839

ISBN 9790001201407. UPC: 841886023765. 9.0x12.0x0.474 inches. Latin.

Der argentinische Komponist Martin Palmeri legte mit diesem Werk eine ausfuhrliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneon und Klavier, dazu ein Streichorchester zum gemischten Chor beeindruckt es durch sudamerikanischen Sound neben klassischen und traditionellen Elementen.

SKU: CA.3124406

ISBN 9790007051181. Language: German/English.

Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and part available separately - see item CA.3124400.