Handbook of classical-modern organ playing. Edited by Peter Wagner. Paperback. Performance scores, anthology. Published by Baerenreiter Verlag (BA.BA11238).

SATB choir, SATB, SATB, organ

SKU: CA.739300

Composed by Kay Johannsen. Sacred vocal music. Full score. Composed 2015. 12 pages. Carus Verlag #CV 07.393/00. Published by Carus Verlag (CA.739300).

ISBN 9790007172268. Text language: Latin.

Veni was composed by Kay Johannsen in November 2015. Similar to his 2010 work Et vidimus gloriam eius for four choral groups (SSA, TTB, SATB, SATB) and organ based on the beginning of St John's Gospel, Veni requires a spatial separation of three four-part choirs. The starting point of the composition is the 12th century hymn Veni redemptor gentium by St Ambrose of Milan, which Martin Luther used as the basis of his 1524 hymn Nun komm, der Heiland. The four sections of the cantus firmus are sung in turn by all the basses, altos, sopranos, and tenors, each part at a louder dynamic than the other parts. For the accompanying voices Johannsen uses different principles of canonic technique and motivic variation, with most of the material derived from the cantus firmus. The organ part of this 12-part chorale arrangement provides a harmonic orientation, but is completely independent and introduces both moments of rhythmic accentuation and elements of veiling. The choral writing is also deepened and elevated by the organ sounds derived from the text. Despite all the motivic links between the parts, the music has a direct sensual effect as a sound collage. The work ends with three increasingly distant, homophonic invocations of Veni: the plea Komm occurs at the beginning as at the end.

Organ

SKU: HL.49004333

Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Organ reduction. Op. 4/2. 24 pages. Duration 10'. Schott Music #ED3802. Published by Schott Music (HL.49004333).

ISBN 9790001045032. UPC: 073999909265. 12.0x8.75x0.102 inches.

By Barrie Cabena (1933-). For organ solo. Classical and 20th Century. Performance part. Standard notation. Composed 1968. Op. 36. 22 pages. Published by E.C. Schirmer Publishing

By Greene. For organ. Advent, sacred. Level: Moderately Easy-Moderately Difficult. Published by Concordia Publishing House.

By Various. Edited by Marilyn Mason. For Organ. Sacred. Level: Medium to Moderately Difficult. Collection. Published by MorningStar Music Publishers.

(Original Compositions 5). By Wilhelm Middelschulte (1868-1943). Edited by Hans-Dieter Meyer; Jurgen Sonnentheil. For organ. This edition: Paperback, Urtext edition. Complete Organ Works V. Performance score, Anthology. Text Language: German/English. 81 pages. Published by Baerenreiter Verlag

Organ

SKU: CA.2906600

Chorale partita III. Composed by Helmut Bornefeld and Martin Luther. This edition: Complete edition. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Cp 3 Nun Komm, Der Heiden Heiland. Organ music based on hymns, Advent. Full score. Composed 1949. BoWV 66. 16 pages. Duration 7 minutes. Carus Verlag #CV 29.066/00. Published by Carus Verlag (CA.2906600).

ISBN 9790007203245. Language: all languages.

Movements: I. Toccatina, II. Kanon, III. Bicinium, IV. Ricercar.

Middle German Organ Masters, Volume 4. By Johann Heinrich Buttstett. Arranged by Klaus Beckmann. (Organ). Organ Collection. Book only. 130 pages. Published by Schott.

Organ

SKU: NR.5881

For organ Emery, Walter, ed. Composed by Anonymus. Edited by Walter Emery. Keyboard instruments. Score. Noten Roehr #5881. Published by Noten Roehr (NR.5881).

Early organ music ; 17.

Best of Wedding for Organ and Vocal with CD composed by Various. Arranged by Craig Stevens. For organ, voice. This edition: Paperback. Collection. Wedding. Book and CD. Text Language: English. 128 pages. Published by Santorella Publications

Organ - Medium

SKU: PL.0618

Composed by Robert Lind. Chant, Eucharist, Lent. Sheet music. Paraclete Press #0618. Published by Paraclete Press (PL.0618).

* based on the chant, this work begins simply with flutes and mutations in duet * detailed registrations, appropriate for small or large instruments, as well as manual indications make the execution of this work very direct * registration indications and harmonic colors increase as the piece gradually builds * final section with octave chords and strong pedal foundation carries the piece to a dynamic climax * tempo slows by increments in the final measures, leading to the final modal cadence * a passionate instrumental expression of the text: printing the text of this hymn in a program or bulletin

Musically, this is a rather interesting piece with harmonic language that is more advanced than one might normally use in services, but here one can allways follow the hymn tune. The registration is highly colorful, using at 16' Quintaton played an octave higher, or substituting an 8' and 2 2/3'. As in the chorale preludes mentioned earlier, this work, too, creates a continuing crescendo to the end. Harmonically, this work makes use of some interesting ideas-mirroring short sections of the hymn tune as a motivic device, short canonic imitation, etc. Technically, it is fairly easy reading until about halfway, when close attention must be paid to accidentals. The last page will require some working of fingering in the right hand to maintain the legato sense of the phrase. - The Journal of the Association of Anglican Musicians March 2006.