SKU: CA.1804100
ISBN 9790007031992.
SKU: CA.1804900
ISBN 9790007032043.
SKU: BA.BA05290-02
ISBN 9790006545339. 32.8 x 24.5 cm inches.
This volume includes organ works based on chorales surviving in various sources. Some of these works were not previously included in theNew Bach Editioneither for reasons of doubtful authenticity or because they were unknown until now. Two pieces from this repertoire - the two arrangements ofWie schon leuchtet der MorgensternBWV 739 and 764 - stem from one of Bach's autograph manuscripts. They had been omitted until recently because of doubts of authenticity.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49017948
ISBN 9790001147439. UPC: 884088585631. 9.0x12.0x0.314 inches.
Hermann Schroeder's abundant oeuvre in the field of chorale-bound organ music is much less known among organists than his free - especially the concertante - organ works, although Hermann Schroeder as an organist felt particularly bound to liturgy and liturgical singing. And according to him, any liturgical organ music should always bear a direct relation to singing. The purpose of the present anthology is to provide the player a representative selection of Schroeder's chorale arrangements. Most of these chorales are relatively short and of medium difficulty at most. The chorale melody can be heard well most of the time so that the pieces are ideal for being used in church services. In the alphabetical index, the beginnings of song titles are accompanied by the corresponding number from Gotteslob (GL) or the Protestant Hymnal for better orientation.
SKU: BA.BA02842
ISBN 9790006426416. 23.4 x 34.5 cm inches.
Uber 200 Begleitsatze, Intonationen, Orgelchorale und Choralvorspiele (zum Teil manualiter) zeitgenossischer Komponisten zu 98 Melodien der Lieder Nr. 124-279 des (alten) EKGs und die Orgelmesse (1956) von Eberhard Wenzel.
SKU: HL.49005980
ISBN 9790001064750. UPC: 884088099466. 10.25x13.0x0.15 inches.
SKU: BR.EB-8058
ISBN 9790004183700. 9 x 12 inches.
The Reformation Symphony was composed in 1830 for the 300th anniversary of the Confessio Augustana, the founding of the Lutheran confession of faith. In the fourth movement, Mendelssohn quotes, elaborates and varies artfully the Luther-chorale Ein feste Burg ist unser Gott [God is our fortress], erecting a musical monument to the reformer Martin Luther. After an initial confl icting reception, the Reformation Symphony meanwhile is established fi rmly in the concert repertoire. EB 8058 is intended for performances with organ. It can also be used for the preparation of the chorus and soloists for performances with orchestra.With regard to the anniversary of the Reformation in 2017, this version for solos, choir and organ by Torsten Sterzik originated to pave the Reformation Symphony's way into the church as well, restoring the text to Luther's chorale in the fourth movement and additionally including the third movement, its arioso solos being sung by a soprano and a tenor solo.
SKU: HL.49045022
ISBN 9790001154277. UPC: 841886027794.
The formal structure of this organ chorale with solo clarinet follows a Jewish death prayer. The solo clarinet represents the chant of the traditional prayer leader while the organ plays the response of the congregation of the synagogue. The piece ends with a cadenza of the solo clarinet to which an optional organ improvisation can be added.Barbara Heller dedicated this chorale to the memory of Elke Mascha Blankenburg (1943-2013). Talking about her before the first performance, the composer said: 'She was open-hearted with a really tender soul, very trusting. Her creativity knew no limits; she was also an almost fanatical campaigner for music by women. In the music you will hear now I have attempted to convey some aspects of her personality: charming, loving, obstinate, committed, volatile, tragic, crazy, untamed, tender and anguished.' The various sections of this chorale may be performed in a correspondingly contrasting manner: searching, hesitant, visionary, focused, volatile, accusatory, hopeful, etc., with use of rubato and powerful contrasts in dynamic and tone quality.
SKU: BR.EB-8809
You will find supplementary material online
Baroque period. Score. 184 pages. Breitkopf and Haertel #EB 8809. Published by Breitkopf and Haertel (BR.EB-8809).
ISBN 9790004183786. 12.5 x 10 inches.
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. This ties in with the crucial question of Bach's authorship, which has been the subject of much controversy in the past. There were heated discussions about it even just prior to our edition, and editors and publisher are aware that the present selection is a thoroughly debatable snapshot. More on this in the volumes' text sections. The situation of the chorale partitas is not quite so dramatic, whereby these holdings also had to be subdivided for reasons of transmission into main section, appendix, and online presentation. The so called ,,Neumeister-Chorale are incorporated in the group of the separately transmitted chorale settings in alphabetical order, because the compilation of the pieces does not follow any collection idea of Bach (such as, for example, his larger late collections). The indication ,,Neumeister-Sammlung should facilitate the attribution. Those works requiring further research, besides of some versions, are presented online, since their profile reveals less evidence of the true author. Breitkopf has given the world a splendid edition of the organ works of Bach. These final two volumes offer a wealth of chorale-based music benefiting from the very latest research. Aside from the edition's obvious scholarly merit, a practicing church organist will love the convenience and variety of these volumes. Recommended without hesitation.(Jonathan B. Hall, The American Organist).
SKU: AP.6-256820
ISBN 9780486256825. English.
Includes 78 toccatas, preludes, chorale variations, chorale fantasies, chorale preludes, fugues, canzonettas and chaconnes, comprising virtually all of his organ works in this one volume. 320 pgs.
SKU: FG.55011-575-0
Olli Kortekangas (b. 1955) spent some time looking for a suitable chorale or theme after receiving a commission from Tomi Satomaa to compose a variation work for organ. It was foundsurprisingly close at hand, on his very own desk: The Partita is based on a chorale melody Kortekangas composed some years ago. The Partita has six movements performed without a break. The first presents the chorale melody itself, and the other five could be described as character pieces each based on some part of it or characteristic. The work was premiered at the Turku Organ Festival in July 2019.
SKU: HL.49005319
ISBN 9790001057295. UPC: 073999804775. 9.0x12.0x0.105 inches.
Hermann Schroeder (1904-1984) ranks among the major German organ composers of the 20th century, being an excellent organist himself. Many of his more than 100 organ works deal with themes of the Gregorian chorale. The chorale's modal diatonicism which is freer and different than the later major-minor tonality establishes a perfect symbiosis with the free tonality of the contemporary composer. In the five-movement chorale partita, the more than 1,000 years old Mixolydian Whitsun Sequence of Hrabanus Maurus (9th century) is used in an imaginative and formally varied way: as a virtuoso toccata, in the second movement 'ostinato' as a strict trio setting over a seven-bar ostinato in the pedal, as a capriciously playful 'bicinium', and as a meditative, harmonically appealing 'arioso'. The fifth movement (fantasia ricercare) displays brilliant full-handed chords and virtuoso passages as well as a fugato in the middle section. A rewarding concert piece for Whitsun, with an excellent possibility of virtuoso interpretation and colourful registration.
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