SKU: HL.8770483
UPC: 649325005057. 8.5x11.0x0.045 inches.
SKU: TL.TCL015402
ISBN 9780857364951.
SKU: BT.SCHBB101728
SKU: HL.49009257
ISBN 9790001092586. UPC: 073999194173. 9.0x12.0x0.058 inches.
J.S. Bach: Jesus bleibet meine Freude (aus der Kantate Herz und Mund und Tat und Leben (BWV 147)). J. Pachelbel: Werde munter mein Gemute. Choral mit Variationen (aus: Musikalische Sterbensgedanken, Erfurt 1683). F. Goebels: Zusatzvariationen zu Pachelbel Werde munter, mein Gemuthe..
SKU: BT.MUSM570364459
English.
Robert Saxton 's Hortus Musicae , Book 1 was commissioned by Ian Richie for the 2013 City of London Festival with funds provided by the John S. Cohen Foundation. The first performance was given by Clare Hammond on June 24th 2013 at the church of St Mary Le Bow. The title, less 'literal' in Latin than in the vernacular, refers to the idea of an allegorical/metaphysical garden (reference to a 'real', or existing, garden might be implied by Hortus Musicus) with various facets. The titles of the individual pieces/movements, with their respective garden image, are as follows: 1) Hortus Somniorum: a fleeting vision of a 'magical' garden 2) Hortus Temporis: a reflection of/on the floralclock described by Andrew Marvell (1621-1678) in his [metaphysical] poem The Garden: How well the skilful gardener drew Of flowers and herbs this dial new Where from above the milder sun Does through a fragrant zodiac run; And, as it works, the industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckoned but with herbs and flowers! 3) Hortus Cantus: A garden in which nature 'sings' (praises), in the manner of a 'chorale prelude' and ending with the cantus firmus transformed into bells. 4) Hortus Infinitatis: A meditative/formal garden representing Time suspended, in the form of a palindromic prolation canon combined with a harmonic ground (chaconne). 5) Saltatio Hortensis: A (summer) garden of dancing, celebratory nature. Its essence (and that of the entire cycle, both metaphorically and structurally/formally) is summed up in words spoken by Miranda in WH Auden's 1944 Tempest [Shakespeare]-inspired poem The Sea And The Mirror; So, to remember our changing garden, we Are linked as children in a circle dancing. Duration: 15 minutes.
SKU: PR.140401220
ISBN 9781491114445. UPC: 680160642090. 9 x 12 inches.
This simple piece was written in 2015 as a birthday present for the composer’s wife, poet and fellow bird lover Nanine Valen; it is a sequel to a Chorale he wrote for her in 1969. The work’s ornithological character is an affectionate tribute as well to Levinson’s teacher Olivier Messiaen. The birds referenced are a highly stylized chickadee and two song sparrows.
SKU: LO.70-2445L
ISBN 9780787779047.
Start your worship service in a distinct and creative fashion with this unique resource by longtime church musician Lloyd Larson. These hymn settings enable collaboration between the pianist, scripture reader, vocal soloist, and/or instrumentalist, all while promoting congregational singing. With standard chorale harmonizations for the initial verses and inspiring key changes leading to a freely harmonized final stanza, this resource adds depth to your worship experience.
SKU: HL.8773610
UPC: 649325051177. 8.5x11.0x0.066 inches.
SKU: KP.IT81
SKU: M7.DOHR-11339
ISBN 9790202023396.
SKU: HL.14001318
Extracted from the Final Chorus of Bach's Cantata No.22. The Chorale is a folk-tune of the 15th Century. The words are by Elizabeth Creutziger (1524). Ach wie fluchtig, ach wie nichtig ist des menschen leben.
SKU: HL.8770487
UPC: 888680955359. 8.5x11.0x0.044 inches.
SKU: BT.SCHBB101723
SKU: HL.8770480
UPC: 649325005040. 8.5x11.0x0.058 inches.
SKU: BT.LILAC092
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